Fun Stuff > BAND
Parents=Cool/Ghey
onewheelwizzard:
If my dad listened to Dungen and Acid Mothers Temple I'd be bragging about it to my kids.
Houdinimachine:
My parents made me listen to a lot of oldies as a kid, but mostly Motown. To this day, I think that's why I just can't STAND Diana Ross.
But, I did get a healthy love for the Beatles, CCR, and Jefferson Airplane out of them though. Plus, I love a lot of the Turtles singles and pretty much any bubblegum pop from that era.
TrueNeutral:
--- Quote from: TrueNeutral ---Didn't really shape me, because I didn't even know what kind of music my parents liked until a while ago when we got digital television and they keep watching classic music channels.
--- End quote ---
Hm, something occured to me when I re-read my own post.
Why does every period only have songs that sounds exactly the same as the other songs in that period? I mean, why didn't they shake it up? Release different things? I don't want to get an hour of the same synth pop song over and over again but just done by different people.
Bastardous Bassist:
--- Quote from: Trollstormur ---I'm pretty sure my dad's musical tastes beats all yours for wierdness. recent shit he's been listening to is Dungen, Acid Mother's Temple, Sleepytime Gorilla Museum and a few others I can't recall.
--- End quote ---
I don't know. My dad loved his Christmas present, which included Steve Reich's New York Counterpoint for Clarinet, Bass Clarinet and Tape, as well as Howard Sandroff's Tephillah, for clarinet and electronics. And then I was all proud when you bring back a CD with a bunch of Varese, only find out he already has a bunch on vinyl. My dad is so easy to buy presents for. I just think about what concert music I'd like to get, and buy that. One of these days I might get him something too experimental for him. I will definitely record that year, because it will be a momentous one.
KharBevNor:
I'd suggest some Cornelius Cardew (just because the old coves related to me) but he was mainly a performer: very little of his stuff is actually recorded, at least that I can find. Mainly because it was always stuff like 9 scores representing different schools of composition being played at once over two nights, or pieces for prepared piano and transistor radio. I think his most famous piece is probably Treatise, the very nature of which means it can never sound the same twice.
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