I'll be honest, a lot of times when I'm listening to any Sloan album post-Navy Blues for some reason I have a hard time telling who is singing, aside from Andrew. Maybe it's the production or something but often I have to really pay attention to say "Oh yeah, that's Jay/Chris/Patrick".
That said, I still maintain Andrew is the best overall songwriter. Patrick, on this album, has returned to his previous ass-kickingness. Chris and Jay are about equal in goodness except the one song I'm not crazy about, "Living the Dream", which is Jay, right?
The first 7 songs are absolutely perfect. I don't know what there is to dislike about "Witch's Wand". "Believe In Me" and "Emergency 911" are probably the best songs in my book.
After a few listens I don't think it's quite as good as Between the Bridges or Never Hear the End of It, but I do like it better than all the others.
To be honest though, it's hard to rate Sloan albums because they evolve so much. You really can't even compare this to Smeared, because they're going for quite different sounds on both. Smeared was basically a shoegazer album. Twice Removed was clever Canadian indie pop. One Chord to Another was still pop, but with more of Beatles slant and bigger production. Navy Blues was almost all straight up fucking ROCK AND ROLL, AC/DC style ("We're still cool and Angus rules") as was Between the Bridges (which always makes me think of the best parts of The Who's discography). Pretty Together and Action Pact were kind of treading water with the same styles they'd done before. Never Heard the End of It was just all kinds of random, in a totally fucking awesome way.
I wouldn't say this is a bad Sloan album to start with at all, though I suppose it depends on how much you like classic rock stylings.