Fun Stuff > BAND
What's your favorite musical effect?
Jimmy the Squid:
I'm just kidding. I could never learn to tolerate Ted Leo.
Nodaisho:
--- Quote from: Patrick on 01 Dec 2010, 01:51 ---
Oh hey I didn't know you guys were into U2
So guys I've always been kinda curious but how DOES horse dick taste, anyway?
--- End quote ---
Step 1) stick out your tongue.
Step 2) touch your hand to your tongue.
You have just tasted a dick. Thank me later.
Not serious, I just couldn't resist.
StarF:
I know I'll probably catch some hell for this one, but lately I've been really into chiptunes. Particularly when they're incorporated into other genres, such as the artists POWERLIFTER, Bomb The Music Industry!, or I Fight Dragons.
David_Dovey:
--- Quote from: Patrick on 01 Dec 2010, 01:51 ---
--- Quote from: Jimmy the Squid on 29 Nov 2010, 05:14 ---
--- Quote from: David_Dovey on 29 Oct 2010, 16:04 ---I am all about delay, particularly long, in-tempo delays that go on for just about forever. ... It's an actual struggle to stop myself from doing exactly that on every vocal part I record, whether it's actually appropriate or not.
--- End quote ---
This. So much this.
--- End quote ---
Oh hey I didn't know you guys were into U2
So guys I've always been kinda curious but how DOES horse dick taste, anyway?
--- End quote ---
It's so cute when you try to get all snobby about things, Patrick. Probably best you leave it to the experts though, k? Lest I dig up all those posts where you jump on Smashmouth or Cake's dick.
You fuck
KharBevNor:
--- Quote from: valley_parade on 30 Nov 2010, 12:51 ---Honestly, I hated how the Stooges handled it in their first few albums. I thought my headphones were busted, only hearing guitar on one side.
--- End quote ---
Unless I'm gunning for a strobe effect or something I have a rule when I'm making music that nothing strays outside of a range encompassing about 60-80% of the stereo pan around the centre line. When I helped record a friends band I just imagined one person standing on one side of the room and another person standing on the other, thought what they would probably hear, and mixed that.
My approach to music production is pretty much designed to make more technically minded folk cry, I think. Although more maybe for like the death industrial/cybregrind stuff I used to make where I would deliberately try to constantly make every monitor guage throb in the high red till you could hear the cones in the speakers rattling out of time to the music.
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