Fun Stuff > BAND
The M/F Thread 2009: The Quickening
Catacombs:
Excellent post, Ben, but i think there's something wrong with the Lemonheads album. It said 'decompression failed' when i unzipped it.
Bowers:
--- Quote from: trr005 on 16 Feb 2009, 14:33 ---Karate - Some Boots (2002)
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This is amazing.
ptownblazer:
--- Quote from: Kyros on 28 Jan 2009, 19:56 ---The Phantom Band - Checkmate Savage
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Fucking...Awesome..
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Wow. Agreed. This very, very, good. That first track is one of the more exciting things I've listened to in a while . . .
Metope:
Okay, yesterday I ended up talking about Monomen in Meebo, which is the band of some friends of mine, and then I realized I hadn't uploaded it in here yet. On their Myspace page they have placed themselves in the New wave / Shoegaze / House genre, and they describe their sound as "air in motion". So here it is, the Monomen LP (they have an EP out too, but I've managed to lose the actual disc and I can't find it on my PC either).
Monomen - Monomen LP
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Also, here's the solo project of one of the guys in the band, Apes & Potatoes.
trr005:
--- Quote from: Bowers on 17 Feb 2009, 11:42 ---
--- Quote from: trr005 on 16 Feb 2009, 14:33 ---Karate - Some Boots (2002)
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This is amazing.
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Here you go :)
Karate - Unsolved - (2000)
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--- Quote ---Karate | Unsolved (Southern)
Karate frontman Geoff Farina has a deliciously seductive way with words. Take “Soaked to that critical stage with the overdressed words of the well-meaning vague” (The Lived-But-Yet-Named) or better yet “Choked today on blank Tudor boldness as broken neighbours sucked through the seams of the shit they build with ostentatious walls” (The Angels Just Have To Show). You kind of know what he’s talking about, enough of it makes sense, but it’s the things that don’t, the spaces and little fractures in our understanding that make the lyrics so rich and beguiling. The band perfectly mirror the slow building anxieties of the narratives with an inventive combination of bass, drums and guitar - a jazz power trio who can rock with a savage intensity (Sever) or ease down low with a subdued, effortless fluidity. Farina’s guitar playing, especially, is a wonder to behold - not since Jerry Garcia has every note in a solo been so cleanly defined. The songs start slowly, Farina’s breathy, urgent vocals reminiscent in their phrasing of Donald Fagen. As the tension builds, the band begin to step away from the 4/4 verse-chorus format, taking instead the probing, questioning structures of jazz and cloaking their music in them. Most of the tracks brew this way until they peak with little explosions of sound. The closing track, the eleven minute This Day Next Year, is exemplary in the way it strains and reaches towards the meteor shower of drums that finally put it to rest. Somehow, Karate have found a new idiom in the tired old notion of ‘rock’ music. Not jazz-rock, with the mathematical pedantries of John McLaughlin and Pat Metheny, this is more like some madman’s idea of a cross between Lullaby for the Working Class, Steely Dan and The Minutemen, creating a fresh, heady brew that kicks ass without relying on noise and distortion. This is rock music. But not as we know it.
Stav Sherez
CWAS #7 - Spring 2001
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