Fun Stuff > BAND

What are you listening to?

<< < (313/336) > >>

Gyrre:

--- Quote from: Tova on 01 Oct 2020, 05:57 ---6:28 is a frantic version of Les Toreadors from the Bizet Carmen Suite no 1.

--- End quote ---
Oof. I got that one way wrong.

JoeCovenant:

--- Quote from: JoeCovenant on 30 Sep 2020, 07:38 ---I'm not going to say anything about this...

//www.youtube.com/watch?v=wJWksPWDKOc
--- End quote ---

Actually, maybe I will because I've become a wee bit obsessed by it...
(So much so, I'll be buying the digital albums soon...)

Notes from the albums Bandcamp page:

EVERYWHERE AT THE END OF TIME (COMPLETE EDITION)

When work began on this series it was difficult to predict how the music would unravel itself. Dementia is an emotive subject for many and always a subject I have treated with maximum respect.

Stages have all been artistic reflections of specific symptoms which can be common with the progression and advancement of the
different forms of Alzheimer's.



STAGE 1 - (A+B)
Here we experience the first signs of memory loss.
This stage is most like a beautiful daydream.
The glory of old age and recollection.
The last of the great days.

STAGE 2 - (C+D)
The second stage is the self realisation and awareness that something is wrong with a refusal to accept that. More effort is made to remember so memories can be more long form with a little more deterioration in quality. The overall personal mood is generally lower than the first stage and at a point before confusion starts setting in.

STAGE 3 - (E+F)
Here we are presented with some of the last coherent memories before confusion fully rolls in and the grey mists form and fade away. Finest moments have been remembered, the musical flow in places is more confused and tangled. As we progress some singular memories become more disturbed, isolated, broken and distant. These are the last embers of awareness before we enter the post awareness stages.

STAGE 4 - (G+H+I+J)
Post-Awareness Stage 4 is where serenity and the ability to recall singular memories gives way to confusions and horror. It's the beginning of an eventual process where all memories begin to become more fluid through entanglements, repetition and rupture.

STAGE 5 - (K+L+M+N)
Post-Awareness Stage 5 confusions and horror.
More extreme entanglements, repetition and rupture can give way to
calmer moments. The unfamiliar may sound and feel familiar.
Time is often spent only in the moment leading to isolation.

STAGE 6 - (O+P+Q+R)
Post-Awareness Stage 6 Is without description.

TorporChambre:
Not saw JoeCovenant's immediately above before wrote:
The Caretaker (LeytonLeyland James Kirby) 's Everywhere in the End of EternityTime; of ideal deteriage---resonning too well my mind therewith is; Like lucid essence through vague details and misemphasen, orienate only sufficient to search for the--
Then besorience[?] as like it's never was thither, now far the echo (lucid, warm; Whence? 'hind but..) few hundreds meters'/ short long-bus' doze, enough to in vicinities unfamiliars;;-- (And see words shattern, can't repiece sentencial;=\---Could such effect by componal interestosityaddensege be? (May induces?/requiring insomnolence.)--;; I [tobacco] smoked once, and---prenause--walked aside route, under, and swame/blurrèd, homeward,, and[ o'er halfday stain, nause]

what say to next 25h/435h/8? (Sorry the telligibilionunintelligion.)
Noticing?---somewherein---grand vague likenese by Michał Kleofas Ogiński's Polonez №13 Pożegnanie Ojczyzny---the musak a nation's sacrosentimental.
And again grand vague likenese, by Pat Ballard's M r .  S a n d m a n  ( b r i n g  m e  a  d r e a m , . . )  but flowing into . .

Skewbrow:
As I apparently "found" Gondwana (a label based in Manchester, UK), I want to also recommend Matthew Halsall himself. Peaceful and beautiful.

//www.youtube.com/watch?v=MBLvex1PZ6U
Matthew Halsall is the composer, the lead, and the trumpetist, Nat Birchall  (tenor sax) has more screen time in the video early on.

hedgie:
//www.youtube.com/watch?v=vHI9BTpGkp8

Navigation

[0] Message Index

[#] Next page

[*] Previous page

Go to full version