Comic Discussion > QUESTIONABLE CONTENT
WCDT 4116-4120 (14th to 18th Dec, 2020)
Case:
--- Quote from: Theta9 on 22 Dec 2020, 08:15 ---
--- Quote from: Case on 21 Dec 2020, 19:52 ---
OMG, the vid behind this ... :-o
--- End quote ---
Might someone be so kind as to link it? I don't recognize.
--- End quote ---
I just clicked on it? :?
Tova:
--- Quote from: Theta9 on 22 Dec 2020, 08:15 ---
--- Quote from: Case on 21 Dec 2020, 19:52 ---
OMG, the vid behind this ... :-o
--- End quote ---
Might someone be so kind as to link it? I don't recognize.
--- End quote ---
The GIF itself is a link.
Easily missed. I didn't realise myself until I went looking for it.
https://yewtu.be/watch?v=9MzKx0fKg5o?t=143
Theta9:
--- Quote from: Case on 22 Dec 2020, 09:51 ---
--- Quote from: Theta9 on 22 Dec 2020, 08:15 ---
--- Quote from: Case on 21 Dec 2020, 19:52 ---
OMG, the vid behind this ... :-o
--- End quote ---
Might someone be so kind as to link it? I don't recognize.
--- End quote ---
I just clicked on it? :?
--- End quote ---
GMAFB. As Tova said, it isn't obvious.
N.N. Marf:
--- Quote from: Case on 21 Dec 2020, 20:47 ---But I don't recall even hearing about anyone ever subdividing the time period between the kick and the snare into tuplets.
--- End quote ---
That never made sense to me---tuplets. Or the seeming-general conception, in music, of dividing. I've never heard it that way. It's always been, in my mind, tone through time, how changes. Things like `quarter notes' being used to write what sounds to me like a single, well.. whole-sounding note, never made sense either. To me, there was never any factions in music. Multiples, then, instead, would be how I'd imagine it. Not even necessarily multiples. Despite incommensurable lengths abounding more than commensurable, I rarely hear music with intentional incommensurability.
The stretching or shrinking, not the `gap' between the beats, but that length of time, between different events, always made more sense to my ear, than counting out many discrete chunks of time. I think that might be related to how some people think that learning music theory will take away some `magic feeling'---if I heard, in my mind, all those silent subdivisions between notes, I'm sure, too, I'd be soon jaded, and start listening to `the notes that aren't being played.'
Pink Floyd's Shine On You Crazy Diamond has been described as deceptively complicated, that it sounds so simple, but hard to play. If the difficulty is interesting timing, I'm sure, were my fingers practiced, I'd play it readily---I always `hear' exactly how long each note should be, without any counting.
Gyrre:
........holy shit.
Of all the things I've said to be quoted on in someone's sig, that's definitely not one I ever expected to see. Yes, I had me a right giggle when I realized that.
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