AT THE QUINTE HOTEL
I am drinking
I am drinking beer with yellow flowers
in underground sunlight
and you can see that I am a sensitive man
And I notice that the bartender is a sensitive man too
so I tell him about his beer
I tell him the beer he draws
is half fart and half yellow horse piss
and all wonderful yellow flowers
But the bartender is not quite
so sensitive as I supposed he was
the way he looks at me now
and does not appreciate my exquisite analogy
Over in one corner two guys
are quietly making love
in the brief prelude to infinity
Opposite them a peculiar fight
enables the drinkers to lay aside
their comic books and watch with interest
as I watch with interest
A wiry little man slugs another guy
then tracks him bleeding into the toilet
and slugs him to the floor again
with ugly red flowers on the tile
three minutes later he roosters over
to the table where his drunk friend sits
with another friend and slugs both
of em ass-over-electric-kettle
so I have to walk around
on my way for a piss
Now I am a sensitive man
so I say to him mildly as hell
?You shouldn?ta knocked over that good beer
with them beautiful flowers in it"
So he says to me ?Come on"
So I Come On
like a rabbit with weak kidneys I guess
like a yellow streak charging
on flower power I suppose
& knock the shit outa him & sit on him
(he is a little guy)
and say reprovingly
?Violence will get you nowhere this time chum
Now you take me
I am a sensitive man
and would you believe I write poems?"
But I could see the doubt in his upside down face
in fact in all the faces
?What kind of poems?"
?Flower poems"
?So tell us a poem"
I got off the little guy reluctantly
for he was comfortable
and told them this poem
They crowded around me with tears
in their eyes and wrung my hands feelingly
for my pockets for
it was a heart-warming moment for Literature
and moved by the demonstrable effect
of great Art and the brotherhood of people I remarked
?? the poem oughta be worth some beer"
It was a mistake of terminology
for silence came
and it was brought home to me in the tavern
that poems will not really buy beers or flowers
or a goddam thing
and I was sad
for I am a sensitive man.
by Siegfied Sassoon. British Officer in WWI.
I'm back again from hell
With loathsome thoughts to sell;
secrets of death to tell;
And horrors from the abyss.
Young faces bleared with blood
sucked down into the mud,
You shall hear things like this,
Till the tormented slain
Crawl round and once again,
With limbs that twist awry
Moan out their brutish pain,
As the fighters pass them by.
For you our battles shine
With triumph half-divine;
And the glory of the dead
Kindles in each proud eye.
But a curse is on my head,
That shall not be unsaid,
And the wounds in my heart are red,
For I have watched them die.
Amor De Mi Alma - Garcilaso de la Vega (spanish and english translations)We sang this in choir. Very, very beautiful poem and song.
I'm not ususally a poetry person, but I read this one the other day, and I think it describes not only me most of the time, but a lot of people in general. It's one of those poems that everyone relates to at one time or another, whether we want to admit it or not. (Sorry it is hella-ass long)I used to like this one a lot. Then I heard it done in speech by someone who was a lot less than talented. Kinda ruined it for me.
(
Please Hear What I'm Not Saying
by Charles C. Finn
Amor De Mi Alma - Garcilaso de la Vega (spanish and english translations)We sang this in choir. Very, very beautiful poem and song.
That is a brilliant one. My British Lit. teacher showed it to my class one day.
Anyways, I've been looking for this one poem by Robert Frost, but I don't know what it is.
William Carlos is my favourite. A couple years ago a prof of mine put this poem up on an overhead projector and after people had read it they got angry. One girl insisted that it wasn't poetry and we spent most of an hour and twenty minute class arguing about it.I love that poem too.
This is the type of poetry I like: un-compromissing and to the point. It dosn't have 10,000 possible explanations, it's message is clear. Im such a bitter english literature student.As a fellow English Lit student, I'm just the opposite. I love layers of meaning.
William Carlos is my favourite. A couple years ago a prof of mine put this poem up on an overhead projector and after people had read it they got angry. One girl insisted that it wasn't poetry and we spent most of an hour and twenty minute class arguing about it.
THE HOPPING POEM
Fuck
Fuck
Fuck
Fuck,
That
Hurt,
Fuck
Fuck.
I Have Dreamed of You So Much
I have dreamed of you so much that you are no longer real.
Is there still time for me to reach your breathing body, to kiss your mouth and make your dear voice come alive again?
I have dreamed of you so much that my arms, grown used to being crossed on my
chest as I hugged your shadow, would perhaps not bend to the shape of your body.
For faced with the real form of what has haunted me and governed me for so many
days and years, I would surely become a shadow.
O scales of feeling.
I have dreamed of you so much that surely there is no more time for me to wake up.
I sleep on my feet prey to all the forms of life and love, and you, the only one who
counts for me today, I can no more touch your face and lips than touch the lips and
face of some passerby.
I have dreamed of you so much, have walked so much, talked so much, slept so much
with your phantom, that perhaps the only thing left for me is to become a phantom
among phantoms, a shadow a hundred times more shadow than the shadow that
moves and goes on moving, brightly, over the sundial of your life.
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?
And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.
Gas! GAS! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.
I speak of love that comes to mind:
The moon is faithful, although blind;
She moves in thought she cannot speak.
Perfect care has made her bleak.
I never dreamed the sea so deep,
The earth so dark; so long my sleep,
I have become another child.
I wake to see the world gone wild.
celticgeek, I was going to post And Death Shall Have No Dominion, but you beat me to it. Fantastic, as is almost everything by Dylan ThomasQuote
This has been a favorite of mine for a long, long time.
"Mending Wall" -- Robert Frost
Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
"Stay where you are until our backs are turned!"
We wear our fingers rough with handling them.
Oh, just another kind of outdoor game,
One on a side. It comes to little more:
He is all pine and I am apple-orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbors."
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
"Why do they make good neighbors? Isn't it
Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn't love a wall,
That wants it down!" I could say "Elves" to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there,
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbors."
"The Second Coming" -- W.B. Yeats
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spritus Mundi
Troubles my sight: somewhere in the sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
"High Flight" -- John Gillespie Magee, Jr.
Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I've climbed, and joined the tumbling mirth
Of sun-split clouds, — and done a hundred things
You have not dreamed of — wheeled and soared and swung
High in the sunlit silence. Hov'ring there,
I've chased the shouting wind along, and flung
My eager craft through footless halls of air. . . .
Up, up the long, delirious burning blue
I've topped the wind-swept heights with easy grace
Where never lark, or ever eagle flew —
And, while with silent, lifting mind I've trod
The high untrespassed sanctity of space,
Put out my hand, and touched the face of God.
I'm scared of it all, God's truth! so I am;
It's too big and brutal for me.
My nerve's on the raw and I don't give a damn
For all the "hoorah" that I see.
I'm pinned between subway and overhead train,
Where automobillies swoop down:
Oh, I want to go back to the timber again --
I'm scared of the terrible town.
I want to go back to my lean, ashen plains;
My rivers that flash into foam;
My ultimate valleys where solitude reigns;
My trail from Fort Churchill to Nome.
My forests packed full of mysterious gloom,
My ice-fields agrind and aglare:
The city is deadfalled with danger and doom --
I know that I'm safer up there.
I watch the wan faces that flash in the street;
All kinds and all classes I see.
Yet never a one in the million I meet,
Has the smile of a comrade for me.
Just jaded and panting like dogs in a pack;
Just tensed and intent on the goal:
O God! but I'm lonesome -- I wish I was back,
Up there in the land of the Pole.
I wish I was back on the Hunger Plateaus,
And seeking the lost caribou;
I wish I was up where the Coppermine flows
To the kick of my little canoe.
I'd like to be far on some weariful shore,
In the Land of the Blizzard and Bear;
Oh, I wish I was snug in the Arctic once more,
For I know I am safer up there!
I prowl in the canyons of dismal unrest;
I cringe -- I'm so weak and so small.
I can't get my bearings, I'm crushed and oppressed
With the haste and the waste of it all.
The slaves and the madman, the lust and the sweat,
The fear in the faces I see;
The getting, the spending, the fever, the fret --
It's too bleeding cruel for me.
I feel it's all wrong, but I can't tell you why --
The palace, the hovel next door;
The insolent towers that sprawl to the sky,
The crush and the rush and the roar.
I'm trapped like a fox and I fear for my pelt;
I cower in the crash and the glare;
Oh, I want to be back in the avalanche belt,
For I know that it's safer up there!
I'm scared of it all: Oh, afar I can hear
The voice of my solitudes call!
We're nothing but brute with a little veneer,
And nature is best after all.
There's tumult and terror abroad in the street;
There's menace and doom in the air;
I've got to get back to my thousand-mile beat;
The trail where the cougar and silver-tip meet;
The snows and the camp-fire, with wolves at my feet;
Good-bye, for it's safer up there.
To be forming good habits up there;
To be starving on rabbits up there;
In your hunger and woe,
Though it's sixty below,
Oh, I know that it's safer up there!
Keats
Keats
reading anything by keats just makes me want to read hyperion/the fall of hyperion again
If I speak in the tongues of men and angels,
but have not love,
I have become sounding brass or a tinkling symbol.
And if I have prophecy and know all mysteries and all knowledge,
and if I have all faith so as to remove mountains,
but have not love, I am nothing.
And if I dole out all my goods, and
if I deliver my body that I may boast
but have not love, nothing I am profited.
Love is long suffering,
love is kind,
it is not jealous,
love does not boast,
it is not inflated.
It is not discourteous,
it is not selfish,
it is not irritable,
it does not enumerate the evil.
It does not rejoice over the wrong, but rejoices in the truth
It covers all things,
it has faith for all things,
it hopes in all things,
it endures in all things.
Love never falls in ruins;
but whether prophecies, they will be abolished; or
tongues, they will cease; or
knowledge, it will be superseded.
I once read:He named the book after her ... remarkable!
Milton married, and wrote Paradise Lost.
Well, death has been a part of my life in the last couple of years, so my first thought was that I would read and parse, read and parse. Then I came on this (http://www.shakespeare-online.com/sonnets/73detail.html) analysis, so perhaps I'll just read and re-read. Thanks for posting, and I should check this thread more often.
Wonder why...
As Mark Twain has been credited with saying, "History doesn't repeat itself, but it does rhyme."