Skinny Puppy - Last Rights
This was a tough one because the album is so difficult to begin with. A better starting out choice would probably be Too Dark Park, but this one means more. It's just so dense And scary. There's a quality here to the music that is not found in any other Skinny Puppy disc, one of depseration, I suppose. THis is the end and they're really going to be taking everyone with them....violently, but oddly quietly. I mean that because it's a very intimate album. Key keeps that steady by being a madman on what has been termed "drumosaurus", a gigantic mishmash kit of analog and triggered drums that's been built and re-built many times over. His programming and mixing are top notch as well, but I think a lot of the credit for the overall denseness, the mass of sound, goes do Goettel, who joined the band with Cleanse, Fold and Manipulate and his touch is so apparent here you immediately notice his absence now that he's sadly passed on.
Ogre's lyrics are particulary inward, which is odd for him. He's usually more politacal in his mindset as he's prone to tackle issues of animal rights or ecological abuses. This was also one of the few albums where he refused to have the lyrics printed in the tray insert, which only added to the mystiqe.
This is sort of the height of the Key/Goettel/Ogre days of excessive drug use and it definitely shows throughout. There is a story that follows that on the track Knowhere?, Ogre fell into an drug enduced seizure that was later processed through filters and kept in the track.
Tracks to hear at least once would be Love in Vein, Killing Game, Knowhere?, Mirrorsaw, Scrapyard (probably my favourite track), Lustchance and Dowload but I encourage just a dark room and a rainy night and some headphones to enjoy the hole thing. Mutiple listens will be rewarded.