Well, I went nuts last time I was in Rasputin.
Basement Jaxx - Rooty
For some reason, it hasn't grabbed me by the throat and shaken me violently than (in particular) Remedy. Still, it's pretty amusing stuff. A particular Latin influence buried in there, especially in the middle stretch.
LFO - Sheath
It's LFO, alright. Gut-rumbling bass and head-spinning drum-machine programming. Will get your foot tapping, at least. More likely, this is going to make you freak. (this...is going...to make you freak...this...is going...) . Vocoders for life.
Atmosphere - You Can't Imagine How Much Fun We're Having
This album has been attracting a fair degree of bad press. To the general public: let it be known that, while Atmosphere's releases seem to be more club-friendly on each iteration, this is not a bad thing. Still, it's the same damned lyrical content, with a few refreshing bits like "That Night." For once, Ant's production is consistently solid, and Slug is still rapping about girls. Very little else, to be honest.
DJ Krush - Krush
Krush's debut is less turntable and more composition. While 4109 was all about a live set, and Jaku and Kakusei were moody collections of hip-hop compositions, Krush plays like a jazzier version of RJD2's more melodic works. And there's absolutely nothing wrong with that. As a high-school friend once said of it, "mellow music for non-violent people."
John B - in:transit
Ever get an album that you, despite that persistent nagging that you'll wear the damn thing out, could simply not stop listening to? Well, this is one of those. John B's infectious mixture of trance and jungle is very hard to put down, alternating dreamy trance vocals ("Mercury Skies") with balls-out dark technical DnB lines ("Vampire Eyes"). Additionally, "Take Me Home" may be the reductio ad absurdum of Ibiza/Club party songs. I think the line "That's my bellybutton, genius" sums it up nicely.