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Author Topic: YOUR bands.  (Read 19547 times)

Johnny C

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YOUR bands.
« Reply #50 on: 10 Jul 2006, 10:14 »

Don't forget the monkey with the fez.

Guys, I think I have another band I should include in here, and I will write it today and post after work.
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redbeardjim

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« Reply #51 on: 10 Jul 2006, 18:46 »

My band is Rush.

I became a Rush fan in possibly the most stereotypical way imaginable -- I was a D&D-playing teenaged nerd in the 80s. My older brother and his friends were much cooler than any of the people in my grade (for values of "cool" as defined by a D&D-playing nerd, anyway), so I hung out with them by preference and absorbed their music. The Who and Pink Floyd were prominent, Yes as well, but Rush was the centerpiece, as it were. Not too fancy, just three guys playing the hell out of their instruments, making it come together coherently, and making me think the way music hadn't done before.

Why are they still my band? To an extent, I don't know. There's the nostalgia factor, certainly. That wasn't always the best part of my life, but the parts that had Rush associated (including my first concert) were as good as it got.
I love that the same three guys have been playing pretty much whatever they want for more than 30 years now and making a very successful living at it.
I love that they come on stage to the "Three Stooges" theme.
I love the "freeowwww" at the beginning of Tom Sawyer, and the Morse code of YYZ.
I love that they can still set my brain on fire with new material -- Vapor Trails had some remarkable stuff on it.
I love the fact that it takes me three or four listens of a new album before I manage to really hear everything that's going on.
And I love seeing them in concert, both for the music and for the atmosphere. Most folks are familiar with the scene from PCU where a character is told "You're wearing the shirt of the band you're going to see? Don't be That Guy."

At a Rush concert, everyone is That Guy, and we all know we're being That Guy, and nobody cares.
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Vantar

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YOUR bands.
« Reply #52 on: 21 Jul 2006, 06:05 »

I'd like to talk about two bands that I feel are kind of mine, hence my first post on this forum. They are both Swedish, they are both duos, but they differ alot in type of music.

First I will talk about Johnossi. Two guys, John, guitar player and singer, and Ossi, on the drums. But that doesn't really matter, bacause in some way they manage to sound like being atleast 4 or 5 people on stage or in the studio. And the music shoots straight into my stomach, making me want to jump around and bawl. They sing about being in your twenties and feel that you haven't achieved anything in your life. Pretentiuos maybe, but the frutstration is compelling, and as they offer no way out, no life changing solutions, so I just tag along and bang my head.

http://www.johnossi.com/
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=49632866

Next up is the Knife. I don't know, maybe some of you have heard of them, in Sweden they are getting kind of big. The Knife consists of a sister and a brother, and they play electronica. So for you who can't stand that, keep away. But (musically) they are one of the best things that have ever happened to me. It took some time to get into their music, as it's not allways easy to listen to, espacially their last album is kind of dark, but when I did it was so amazing. I won't even try to explain, I just want to ask you to give them a chance. They get into my head, they mess with my feelings, some songs makes my skin tingle in such a way that I just don't know what to do. It is strange and awsome.

http://www.theknife.net/o0o.html
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=16339226
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Kai

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« Reply #53 on: 21 Jul 2006, 07:58 »

The Knife are hella awesome.
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but the music sucks because the keyboards don't have the cold/mechanical sound they had but a wannabe techno sound that it's pathetic for Rammstein standars.

Vantar

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YOUR bands.
« Reply #54 on: 21 Jul 2006, 15:41 »

I saw them, the Knife, live just a week ago. They don't give alot of shows, so it was kinda special, and it was truly awsome. They had a big black transparent screen if front of them on stage, with projections on it, and they stood behind it in black clothes, with their faces glowing somehow. It was realy spectacular, and made me love them even more.
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Joey JoJo

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« Reply #55 on: 22 Jul 2006, 10:55 »

For me, it's got to be Opeth. The musicianship in this band is absolutely second to none, and the lyrical prowess of Mikael Akerfeldt blows practically everything in todays current metal scene away. From the fantastic and tragic story told in "Still Life", to the epic tune "Deliverance" and practically everything else this band has created, Opeth have managed to keep hold of their unique sound. This is a band who can be crushingly aggressive one minute and hauntingly beautiful the next, often numerous times within one song alone. Slayer they ain't.
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corwinzor

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« Reply #56 on: 02 Aug 2006, 20:56 »

As for bands, I'm going to have to be typical and say that the Beatles,  Radiohead, and the Kinks are the bands I always go back to, with phases of being really into other bands in between. I love these bands because they have such a wide discography and cover a lot of ground while being pretty consistently good (although I don't really listen to the Kinks past the 1960s stuff).

As for singers, I'd have to say that Gram Parsons is my favorite. Does anyone else listen to this guy? He appeared on some pretty popular albums like the Byrds' 1968 breakthrough 'country/rock' album 'Sweetheart of the Rodeo' and he sang lead on all the early Flying Burrito Brothers stuff (my favorite being 'Sleepless Nights').  He put out a few solo albums in the early 1970s, 'GP' and 'Grevious Angel' and a lot of his work featured duets with Emmylou Harris at the beginning of her country singing career. He wasn't around very long (dead at 26 in 1973) but he was maybe the first person to mix country with rock music, and had such an amazing voice and timeless-sounding songs for such a young guy.
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Night Rocker

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YOUR bands.
« Reply #57 on: 02 Aug 2006, 23:55 »

For me it is the Who. They brought into the classic rock sound at a young age, this band wast introduced to me and i took to it like a jelly fish to a pale rich buisness man in the ocean.if that makes sense. The thing that really got m hooked to the band was when my uncle caught me listening to one of their albums. He explained the troubles and struggles the band went through, i didnt have any of the words sink in but i wished i did. As i grew older i researched the band and learned their names, their styles, and their part of the band. I listen to them more, i knew the lyrics by heart, i slept with my who Cd spinning in my CD player.  I saw one of their concerts and thought it was great. it is one of the things i forget the details but i remember being there in the crowd with out a mind as everyone shouted along. a few years later i recieved a guitar. my first thought was their lead guitarist using his arm as a windmill to strike the strings and then smashing his guitar at the end of the show.  As i listen to more of their songs i could here a lyric that explained my situation of th moment. a worship of the band might have started if i was richer. apprently i cant afford a shrine extenion in my closet wit my own pocket money. The Who became my branch towards other music. not only was it classic rock but new rock, alt rock, punk rock, and then into the blues. so if i ever get into a musical field of work, i have Pete, Keith, John, and Roger to thank.

and that is what the who is to me. "You only became what we made you." as they would say
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pinkpiche

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« Reply #58 on: 03 Aug 2006, 02:33 »

I really can't choose just one band so i'll be lining up three.

The first time i listened to The Flaming Lips's The Soft Bulletin it completely changed my view on music (actually i first listened to a single of theirs which had a couple of tracks from both Zaireeka and The Soft Bulletin (the incorporation of Heureka and Zaire is btw totally cool) . I listened to that album for months and months away. I sat in my room for days and listened to this fantastic album, and memorized the songs, danced and even wrote short stories about the two scientists in Race For The Price and Superman in Waiting for superman. Right from the starter Race For The Price, the fairy tales and adventure in both their lyrics, instrumentalism and layers and layers of electronic beauty is just astonishing. This is my one true childhood band, i will forever come back to them. It just got better when i listened to Yoshmi Battles the Pink Robots and afterwards Zaireeka. I really can't describe it, and i guess that's enough for them to be on this "list". I didn't sit and wait feverishly for the new album, for i knew with myself that they could never do anything better than The Soft Bulletin. At War With The Mystics is a great album though. I really wish i catched their show in copenhagen in may.
Wayne Coyne is, if anyone hasn't noticed, btw the nicest person on earth.

"Do You Realize, Oh Oh Oh
Do You Realize, that everyone, you know,
Someday, will die"

and

"Tell everybody
Waitin' for Superman
That they should try to hold on
Best they can
He hasn't dropped them
Forgot them
Or anything
It's just too heavy for Superman to lift"

<3

A lot of you people don't know this band, except from the times Praeserpium have mentioned them, but Under Byen are danish. This forever-changing lineup of unique and groundbreaking musicians continue to blow my mind, with every new album they send out. They have this amazing pianist who plays as if his it was his last day to ever touch the tangents. I would love this band, solely because of his fantastic playing but on top of that their front singer Henriette Sennenwald creates some of the most intense, delicate and emotional vocals i have ever heard. She whispers, she breaths and turns with the mic and transfers her soul to fucking sound. Also they have some kind of atmosphere no matter which album you set in the stereo, they have this feel that no other band can compete with. Their dreamy, winterlike and sometimes ethereal mood is just incomparable. It's hard for people who don't understand the lyrics to get this feel, though i think, but still i know a lot of people who can still enjoy the music all though they have no idea what this fairy is singing. But even i can't fully grasp the meaning of her lyrics, it's very cryptic and imagery, which is another thing i love about this band. It's too easy to describe the way you think you feel. She describes what's truly in your heart. Other than that i can listen to their discography from one end to the other without losing focus and that means a lot to me cus i have a nasty habit of changing the track all the time.

I'd have a translation of their lyrics here if i didn't think it would ruin everything.

Next band is Mew which is also a danish band, but i guess there is a much bigger chance of you knowing them than Under Byen. My big brother bought the record and i remember i didn't think much of it, except for the single Snow Brigade. Everything else was just too distant for me to relate to. But as i borrowed the album and listened to it from the start to the end, i realised i had been missing out on something huge. After that i listened to it now and then but never really got completely into the band, it was as if that album was enough. But it wasn't and i got completely hooked a couple of months later after listening to She-spider over and over again.

"After we go to sleep
Our sun rise
I will make it the truth of painfully helping me cover up things
I wish I never had found "

and then the amazing break

"CONFIDENT!
Tangled up in a nice life
Put the spider in you
Watching in
Disregard
You live a nice life
With the spider in you "

Yes yes yes!!

So i read about them, and found out that Frengers was just a bunch of old songs re-recorded and a couple of new tracks, so i thought to myself "I gotta listen to their old work" and i did. And it made so much more sense from that point on, it was as if i understood the band and what they were trying to do. I started to get the little emotional details in every word and every drum beat, i started to realise that this was my.fucking.band. And since the new album And The Glasshanded Kites, i have just been in awe of the journey they are taking their band through. This is true ambition, this is true urge to bring expression forth in sound and actually also graphics. At their shows they have this kind of slideshow/video thing running behind them with Jonas (the frontsinger)'s creatures, landscapes, worlds. He said that his only real inspiration is his dreams, in which these creatures come to life. All he's trying to do is capture this. Backed up by an amazing drummer and a fantastic (but not nearly as talented as the others) guitarist, it just all falls into place.

There are loads of other bands that just didn't make it to this list, but some of them are:
The Blood Brothers
The Stars
and The Mars Volta
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Filk

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YOUR bands.
« Reply #59 on: 04 Aug 2006, 09:45 »

I don't have such strong feelings towards my music like some of you do. I used to idealize things and people, and those ideals quickly turned into obsessions, with all the pain, agony and depression afterwards. These days i like and listen to a lot of music, but i've lost this thin thread of spiritual connection to it.

The band that i appreciate the most right now would probably be Cradle of Filth. It's hard to explain why i like them. Perhaps there is some strange hidden beauty between the over-the-top vocals and preverted lyrics.
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TynansAnger

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YOUR bands.
« Reply #60 on: 05 Aug 2006, 19:54 »

Without a doubt for me it's the Minutemen.

No else else emboddied the free thinking, do whatever you want and don't get caught up in bullshit conventions models that I applied to my entire life. On top of that, they had the balls to be freaking gods with their instruments.

I've always been into punk, but not into punk fascism. D Boon said it best: "Punk rock is whatever I want it to be"

Also, I would not have picked up a bass guitar without MikeWatt. Period.
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imapiratearg

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YOUR bands.
« Reply #61 on: 08 Aug 2006, 19:17 »

hmmm...

i don't really have one or two favorite bands.  but right now the ones i listen to most frequently are:

Anberlin, The Morning Of, Rookie of the Year, and Daphne Loves Derby

Anberlin is amazing.  Stephen Christian has a great voice, and their guitarists are awesome.

i love The Morning Of for their creativity, i have yet to hear a band that sounds like them.

Rookie of the Year is also quite amazing.  i really take their lyrics to heart, and a lot of their songs are pretty lol.

and Daphne Loves Derby mostly for the same reasons why i like Rookie of the Year.
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onewheelwizzard

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YOUR bands.
« Reply #62 on: 09 Aug 2006, 13:50 »

My band will probably always be Kyuss.

I got into music in the first place because I started downloading Queens of the Stone Age songs and for some reason they were ALL good.  It used to be, I'd listen to a good song on the radio, download it, and I'd have it to listen to when I did my homework.  Then maybe I'd go and download whichever other songs by that artist showed up the most times when I did a WinMX search for them.  I was on a huge System of a Down kick after Toxicity came out, but that was more because my best friends played them all the time, it wasn't until Queens of the Stone Age that *I* had a definite favorite band.  Their album filler ("God is on the Radio") was better than their singles ("No One Knows") and this was unheard of for me.  I listened to very little else for a long time.

So after a few internet articles I decided to look into Kyuss, which is the band everyone mentioned when they talked about QOTSA.  It was sorta hit-and-miss at first ... I loved some tracks and was sorta turned off by some others.  I was gradually building up a collection, one track at a time, with no eye for which album it was in or how old it was or anything like that ... in short, I was applying the rules I'd always applied to listening to music (judge by track and find songs with random trawls).

Then I came across a 17-minute track labeled "Gardenia-Asteroid-Supa Scoopa and Mighty Scoop."  It seemed absurdly long to me and I didn't have the patience to listen to it all the way through for quite a long time after acquiring it.  But after reading an album review of "Welcome to Sky Valley," in which the reviewer described the way Kyuss had split the 10-song album into only 4 tracks so that anyone who wanted to listen to any of it had to listen to all of it "listening without distraction," I saw that track (and everything else Kyuss had done) in a completely different light.  Suddenly the music was more than just something I listened to to pass time.  It was more than sound.  It was significant, in a way that demanded that I listen to it *without distraction.*  It became an experience on its own, and it completely changed the way I listened to music.

More than any other band by a country mile, Kyuss is responsible for the relationship I have to music right now.  I'd never be listening to Dead Meadow, or Om, or Sleep, or Acid Mothers Temple, or Bardo Pond, or Jack Rose, or 35007, or any of the other artists I think of as "my bands" if it weren't for Kyuss.  The music I feel the closest connection to is "listen without distraction" music ... the stuff I can lose myself in and think of in terms of mental surroundings instead of simple sound.  Kyuss is the reason why I listen without distraction.
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also at one point mid-sex she asked me "what do you think about commercialism in art?"

Hat

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« Reply #63 on: 10 Aug 2006, 02:29 »

I hate to be that guy who is all "My band is the Beatles" because I know it can come off as such a clique, but too bad. I am going to be that guy.

Maybe its a context thing. I know so many people that grew up with the Beatles, and so they aren't a huge thing for them. I never grew up listening to any decent music, the most interesting CD in my parents house was a best of The Doors CD, which I did kind of get bored of after a while.

The point is, I didn't have any musical influences forced upon me from an early age, and like a lot of teenagers, I found myself drawn towards music that at best can be described as "Angsty and anti-social" and at worst can be described as "Green Day"

So anyway, I went through my mid teens listening to a lot of stuff by the Vandals and Nirvana, and in general, having taste in music that wasn't particularly melodic or intrinsically dynamic. I got into a lot of metal in my mid-late teens, and by the time I graduated high-school, I'd started to grow tired of it, and I was wondering if there was really much music that was worth listening to. Now, I had listened to some Beatles. In fact, I had listened to a lot of stuff that I would come to love in the future, but none of it had really ever clicked with me and hit me in the face and said "I AM AWESOME, THE SHIT, SUPERB, LISTEN TO ME". I guess maybe I just didn't really have an appriciation of melody. I had sat around listening to Lucy in the Sky with Diamonds getting stoned, as a matter of course. (I hated that fucking song then, and I still hate it now)I had heard Twist and Shout and I Wanna Hold Your Hand on the radio. In fact, I had heard a pretty decent chunk of old Beatles on 4KQ at various points, but then one day, something changed.

Pretty much, to cut a long story short, for various reasons, I had bullshitted myself into a corner where I pretended I was actually a Beatles fan in order to get into a ladys pants. I realized that I would have to actually listen to a Beatles record in its entirety in order for this to be even moderatly successful, so I bought the first one I could find.

The first one I could find was Revolver. From the moment Tax-man came on, I didn't quite understand what was going on. The bass was carrying the melody, the rhythm was bouncing like mad, and the lyrics were so much more intriguing than anything I'd ever heard (A potent combination of LSD and Tool had pretty much destroyed my ability to interpret subtleties in lyrics by this point) and I couldn't believe this was the band so many people I knew had described as banal, overrated trash.

I dunno, maybe because I was never heavily exposed to the Beatles like a lot of folks, I was able to see it in a lot more of an innocent light, like one of those screaming teenage girls in the black and white TV spots. The point is, that this was the first music I was ever exposed to that had real melody, basslines that weren't just constant root notes being played with simplistic rhythms, married to the bass drum. I mean, there are bands that I like more than The Beatles, but there is no way I would be able to enjoy those bands nearly as much nowadays. Somehow, something about the Beatles clicked that part of my brain that really enjoys music into gear, and I owe them my allegiance for life as a result.

You know, even though they're dropping like flies.


Oh shit I have been going on for pretty long huh? I could probably just ditch those first few paragraphs and it wouldn't matter but oh shit I am doing it again

Long story short,  Lady Madonna, Lovely Rita and Got To Get You Into My Life are the  two songs that make me happy, no matter what kind of fucked up shit is going down. I really want all these songs played at my funeral, especially the last one, for that perverse sense of irony.
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charlesegabel

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YOUR bands.
« Reply #64 on: 18 Aug 2006, 17:32 »

Although a number of bands could fill this spot, I will put down Bright Eyes as the strongest candidate, Wilco and Radiohead in how pursuit.

A lot of people will call Bright Eyes an emo band, which is probably true, but Conor Oberst developes vivid, emotional imagery in his lyrics partially through blatant and brave personal information as well as terrific command over the language. And he delivers all this through a quaking, soulful voice. Granted he isn't great shakes of a singer, but the intensity of "The Calendar Hung Itself" and "Lover I Don't Have To Love" is hard to match, and Conor plays the other side just as well, making the quieter songs intimate.

In the end it comes down to the fact that I was knocked back by the fervor when he sang, "I guess we all fit into the slogan on your fastfood marquee / red blooded, white skinned, and the blues / Oh and the blues, I got the blues, that's me!" and then later in the same song chills shot down my back with, "Well I awoke in relief, my sheets and tubes all tangled / weak from whiskey and pills in a Chicago hospital / and my father was there in a chair by the window, staring so far away / I tried talking, just whispered, 'so sorry, so selfish' / He stopped me and said, 'child, I love you regardless'"
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minkles

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« Reply #65 on: 18 Aug 2006, 18:48 »

I'll give three.

Neutral Milk Hotel- I can't explain, not even to myself, just why Neutral Milk Hotel is the best band ever, and the best there ever will be.  The sound of Jeff Mangum's voice sends me into a dreamlike state, transcending anything I would have thought capable of a mortal man.  In the Aeroplane Over The Sea as a whole communicates much more than the sum of it's parts.  I sometimes feel as if the meaning of life is contained in it.  I've listened to the album at least a hundred times, just in the last year, and it blows me away every time.  I've gone thrugh Neutral Milk Hotel mania.  I've downloaded early demos and countless bootlegs.  I spent the entirety of a day once just listening to it all.

Akron/Family- I've introduced this band to a lot of people, and I seem to be the only one who finds them revolutionary.  I think they are to me what Radiohead are for a lot of people.  This is some of the most beautiful music I've ever heard, and at the same time, it's very unique.  Though they're usually compared to Devendra Banhart, Animal Collective, and the like, I think they sound like a stripped down, experimental Radiohead, without the traces of pretention that prevent Radiohead from achieving perfection.  The fact that most people haven't heard of them, and many don't like them makes them feel even more like MY band.

Belle and Sebastian- Belle and Sebastian is a perfect pop band, but subversively so.  Stuart Murdoch has a very beautiful and soothing voice which complements the lush arrangements.  But their music is also filled with irony.  A quintessential Belle and Sebastian moment is on "Dress Up In You", when Stuart gently croons "They are hypocrites so fuck them too."  And "The Stars of Track and Field", for some reason, sounds to me like it could be a great punk song.  The fact that it's done as a light, airy pop song makes it all the much better.  But even without this irony, Belle and Sebastian's delightful twee sounds great on it's own.  And as I am a generally pleasant person with a tinge of subversity, it really speaks to me.
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snarkydoormat

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« Reply #66 on: 18 Aug 2006, 20:27 »

My band is Pain of Salvation.

They're a Swedish progressive metal band who have been putting out concept albums since 1997. They've often been compared to Dream Theater, Pink Floyd, etc. with vocals evoking anyone from Freddie Mercury to Mike Patton.

Why are they MY BAND?

Well it comes about from my personal situation when i discovered them. My Issues, if you will.

Their two best albums, The Perfect Element and Remedy Lane, deal with depression. The former deals with general depression and feelings of being unable to escape one's heredity/given legacy/etc. It also shows the main character learning to own up to his mistakes, to stop blaming others. The latter is more specific, dealing with a relationship breaking down.

Two years ago, when I first heard this music, I was mired in both.



The albums are not uplifting in any sense of the word. They involve the main characters attempting to improve their situations, yet failing. Instead these albums provide a sort of Walpurgisnacht (the night in which Evil is purged, usually taking all the Good along with it). In addition, several lyrical passages have been extremely poignant and offered me a sort of comfort.

The songs "Morning on Earth", "Reconciliation", and "The Perfect Element" off "The Perfect Element" and "Ending Theme", "Undertow", "Waking Every God", and "Beyond the Pale" off Remedy Lane fit this description.

Furthermore, Daniel Gildenlow, singer, songwriter, and guitarist for Pain of Salvation, has crafted some of the most watertight concept albums, surpassing even the likes of Roger Waters and Pete Townsend, in my opinion. Both of these albums share a few common structural elements, such as a mid-album "Song of (short-lived) Hope" as well as a 10-minute epic track that wraps up the album, both in terms of the concept as well as being a musical tour-de-force (in the good way, IndieTits fans).

These albums will change you. I believe that these albums helped me stay functional throughout the past tow years.

end.
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TrueNeutral

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YOUR bands.
« Reply #67 on: 19 Aug 2006, 09:46 »

The Eels.

The goddamn Eels, man.

E writes what he feels down and puts it to music. It doesn't get any better than that. I've listened to so much E and Eels stuff that sometimes I feel like I actually know the guy.
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