Yeah. It's like with Ancient Rites. One of my mates is convinced they're nazis, but they have an Isreali fan-club.
People just don't understand the whole bent of neo-folk/post-industrial music, which is to basically show you how awful all this stuff is, and to constantly re-evoke the waste and evil of the second world war, and the seductive evil of totalitarianism. It's their vocabulary.
DI6 and fucking Changes once got routed by anti-fascists in America, and I think DI6 are banned from playing in Lausanne. I seem to remember that Douglas P turned up to the press conference on that one handcuffed to Boyd Rice and Albin Julius, both dressed in Gorilla suits and swastika armbands. Then, at the show (becuase, Bizarrely, Der Bluthsarch, Boyd Rice and Fire + Ice HAD been allowed to play) a man appeared wearing Douglas's mask, then removed it, revealing himself to be Boyd Rice, who then sang an altered and extremely scathing version of C'est Un Reve. This all goes to show why neo-folk is FUCKING AWESOME.
Anyway, er, classical music. I used to actually be pretty obsessed with classical music when I was much younger, but like many of my semi-autistic youthful obsessions, I can't remember much. Nowadays I like (mainly) German, Russian and Scandinavian romantic and early 20th Century composers. Some favourites are Prokofiev, Mussorgsky, Wagner, Orff, Borodin, Grieg, Chopin, Saint-Saens, Sibelius, and a bit of the old Bach and Beethoven. I also have some CD's of gregorian chanting and whatnot that I enjoy, as well as CDs of random 'relaxing' classical pieces and film music, which I barely listen to. I generally like my classical music heavy and powerful.