Topic: Wink Wink 2011 - A bit of a change this year (Read 642925 times)

kwami42 · « **Reply #1000 on:** 02 Sep 2011, 11:55 »

M83 - Hurry Up, We're Dreaming - 2011 - 256 kbps VBR

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http://www.M/F.com/?7ipi0z82ez480e5

Koremora · « **Reply #1001 on:** 03 Sep 2011, 12:29 »

Just so you guys know, that M83 is a pretty terrible web-rip transcode. It's listenable but nowhere close to a CD rip.

StaedlerMars · « **Reply #1002 on:** 05 Sep 2011, 07:48 »

Just so you guys know, that Girls album is excellent.

kwami42 · « **Reply #1003 on:** 05 Sep 2011, 09:02 »

Quote from: Koremora on 03 Sep 2011, 12:29

Just so you guys know, that M83 is a pretty terrible web-rip transcode. It's listenable but nowhere close to a CD rip.

it's definitely fine

Nappuccino · « **Reply #1004 on:** 05 Sep 2011, 09:57 »

Just found Owen's new album and it hasn't hardly left my ears

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http://www.mediafire.com/?c0wuamo37pzh9la
A couple choice tracks

http://www.youtube.com/watch?v=FZU0t3CcxKs

http://www.youtube.com/watch?v=DwKgFqd92oU&feature=related

Scandanavian War Machine · « **Reply #1005 on:** 05 Sep 2011, 15:06 »

that Dengue Fever album hasn't come out of my ears since i got it on friday, hot damn

awesome shit

REDRUM · « **Reply #1006 on:** 06 Sep 2011, 14:04 »

if someone is mad impatient and they want to hear the new neon indian in webrip then:

NEON INDIAN - ERA EXTRAÑA

" title="Hosted by imgur.com

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http://www.M/F.com/?2avzppc8b5l2l6a
EDIT: IT GOT REMOVED IM GONNA REUP

EDIT EDIT: FIX'd

Lucky · « **Reply #1007 on:** 07 Sep 2011, 14:16 »

Quote from: Annielvl on 16 Aug 2011, 09:27

My first post!

Buke and Gass - Riposte 2010

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http://www.m/f.com/?e2zhsba682my58d
Pitchfork:
Some of what makes Buke and Gass so unique is borne of need-- a need to sound like a full band despite having only two members; a need for singer Arone Dyer to find a physically comfortable instrument to play that won't aggravate her carpal tunnel syndrome. Yet the Brooklyn duo's approach to music making goes far beyond simply finding solutions to these problems. Dyer plays a modified baritone ukulele (the "buke" in the group's name) that, yes, is smaller than a guitar, but her cohort, Aron Sanchez, also plays a bastardized instrument (the "gass," Sanchez's own Frankenstein melding of guitar and bass) for no other obvious reason than the fact that he can. Percussion is taken care of by drums and bells operated by the pair's feet, yet Buke and Gass purposefully abstain from utilizing prerecorded loops.

As you might imagine, all this ingenuity and rule-breaking engenders a noise that's quirky and bracing, and those are the hallmarks of Buke and Gass' debut album, Riposte. Dyer and Sanchez feed their respective buke and gass through amps and pedals, creating a buzzing, springy sound that brims with kinetic restlessness. Meanwhile, the foot-propelled percussion monolithically thwacks away, lending the duo's music an austerity that belies its post-punk roots (groups like the Ex, Swell Maps, and Theoretical Girls are some of the main spiritual godfathers here). Dyer's voice easily gets swept up in this nervy momentum, her girlish yelps often evoking Karen O. So twitchy and bursting with ideas are Buke and Gass that their songs have a tendency to jump abruptly from one passage to the next without ever finding resolution or an anchor, and it causes a measurable chunk of Riposte's middle to blend together into something indistinguishable and a little wearying.

When Buke and Gass manage to focus their energy, however, the results are positively arresting. Standouts are several, starting with the opening "Medulla Oblongata", with its evocative lyrics and Dyer's breathless repetition of the words "danger doctor" (the album's strident, clinical lyrics are occasionally clumsy but actually suit the music well). Other highlights include the hypnotic, circular repetitions of "Sleep Gets Your Ghost", the fervent, psychosexual "Bundletuck" ("These days you wake up in a bundle of orgasm"), and the winking "Outt!" ("Everybody here is out to get you"). Dyer and Sanchez are the sort of artists who will continue to challenge themselves at every turn. As long as they can keep that boundless creativity from going in a million different directions at once, their listeners will reap plenty of rewards.

This is amazing!

Fargo87 · « **Reply #1008 on:** 08 Sep 2011, 20:45 »

Saul Williams -- Volcanic Sunlight

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http://www.M/F.com/?uvy1l8v6d84glo9
Hope i did everything right this is my first upload.

blaha 41 · « **Reply #1009 on:** 08 Sep 2011, 21:07 »

Quote from: Scandanavian War Machine on 05 Sep 2011, 15:06

that Dengue Fever album hasn't come out of my ears since i got it on friday, hot damn

awesome shit

yep yep. I think it might be the reason I win our shop's Fall mixtape competition

KurtMcAllister · « **Reply #1010 on:** 09 Sep 2011, 15:03 »

Das Racist - Relax [Greedhead; 2011]

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http://www.mediafire.com/?s6exaqmb302aac9MICHAEL JACKSON! A MILLION DOLLARS! YOU FEEL ME? HOLLA!
E: now updated with the full version of "Selena."

JD · « **Reply #1011 on:** 09 Sep 2011, 16:46 »

happy birthday to meeeee

JD · « **Reply #1012 on:** 09 Sep 2011, 16:51 »

Zack Adams - Love Songs for Future Girl

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http://zackadams.bandcamp.com/album/love-songs-for-future-girlSongs about love, loss, and boners.

Vancouverites should try and go see this guy if you have the chance, he's playing at the fringe festival

amok · « **Reply #1013 on:** 10 Sep 2011, 03:49 »

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http://www.M/F.com/?ew25y43a13z5hl0

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http://www.M/F.com/?5kqpodd9vmb80dp

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http://www.M/F.com/?b38x3bfxw33214f

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http://www.M/F.com/?86askiaczsvbaa7
classic tune from '06. fuck the original play the S&P remix forever.

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http://www.mediafire.com/?2ib942iql29941o

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http://www.M/F.com/?o5ejo2yohcumaq2

KurtMcAllister · « **Reply #1014 on:** 10 Sep 2011, 12:54 »

When I uploaded Relax, I didn't realized that for some reason, "Selena" cuts off about a minute before the end. So here's a link to the full song if you already downloaded it. If not, I'll be fixing the first post with a new zip with the full song as soon as it's done uploading.

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http://www.mediafire.com/?tkipnomgdh3p24i

Tom · « **Reply #1015 on:** 10 Sep 2011, 17:49 »

It's fine for me.

JD · « **Reply #1016 on:** 11 Sep 2011, 09:06 »

ugh I would be more partial to download all of that monad if it were all zipped into one folder

IrrationalPie · « **Reply #1017 on:** 13 Sep 2011, 18:21 »

Gotye - Making Mirrors (2011)

1.   "Making Mirrors"     1:01
2.   "Easy Way Out"     1:57
3.   "Somebody That I Used to Know" (featuring Kimbra)   4:04
4.   "Eyes Wide Open"     3:11
5.   "Smoke and Mirrors"     5:13
6.   "I Feel Better"     3:18
7.   "In Your Light"     4:39
8.   "State of the Art"     5:22
9.   "Don't Worry, We'll Be Watching You"     3:18
10.   "Giving Me a Chance"     3:07
11.   "Save Me"     3:53
12.   "Bronte"     3:18

Video : http://www.youtube.com/watch?v=8UVNT4wvIGY

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http://www.M/F.com/?jebsd95wc42prdu

StaedlerMars · « **Reply #1018 on:** 14 Sep 2011, 04:53 »

any good?

smack that isaiah · « **Reply #1019 on:** 14 Sep 2011, 06:16 »

I've been enjoying it, especially that "somebody that I used to know" single

valley_parade · « **Reply #1020 on:** 14 Sep 2011, 07:42 »

Finally got around to the new Girls album.

Fanfriggingtastic.

KurtMcAllister · « **Reply #1021 on:** 14 Sep 2011, 20:24 »

Zs - New Slaves Part II: Essence Implosion! [The Social Registry; 2011]

Quote from: Pitchfork Media

Zs are better suited to remixing than a lot of avant-rock bands because their compositions feel less like songs that need to be carefully picked apart and reassembled than raw chunks of sound ready to be manhandled in new ways. And I mean often literally raw chunks of sound. Unlike many of their once ultra-skronky underground peers who've since smartened up their sound, Zs music has grown expansive while retaining its harder-than-the-rest harshness.

Zs' play no wave with most of the remaining rock dynamited away, avant-classical delivered with noise-punk's fuck-you-all force, drone with a rusty eardrum-slicing edge. Even the calm moments of Zs' albums are more eye-of-the-storm than actual respites. So what's surprising about these remixes, jumping off from 2010's New Slaves, the band's most varied album yet, is how many of them reshape Zs' gales of blare into music that might appeal to those who look for more music in their music.

Not to say it's all suddenly accessible. Weasel Walter's typically skin-peeling screech and blat sounds like he's once again unleashed the free jazz hounds of hell. Thee Majesty's take on "Concert Black" is like an old computer on its last legs, motor whining on and off as it hacks up pitiful little data-farts. Of course that's what you'd expect from a Zs' remix album, which doesn't make it any less enjoyable. If you're buying New Slaves Part II, you're probably wanting a little horribleness in your day. But more than one of these remixers take a more beautiful (like Ecstatic Sunshine's slow-burning, almost Tortoise-ish post-rock guitar treatment) or beat-centric approach, sometimes straying into outright dance music.

Ragged rhythms occasionally surface in Zs' music, like the claustrophobic scrapyard gamelan on the original "Acres of Skin" from New Slaves, but their music wouldn't fit even the broadest definition of "house." The comforting, body-friendly pulse of pop is always under attack in Zs' world, always ready to shatter into arrhythmia. Yet here's Gabe Andruzzi fashioning the textural elements (always a Zs' strong suit) of "Acres" into a humid techno track more Tresor club hit than No New York. These total overhauls won't give newbies much of a sense of what Zs' are all about, but then are remix comps ever really for newbies? For those who've found joy in the pain of Zs' forbidding industrial sprawl, consider the more radical rewrites on New Slaves Part II a little peek into what a more traditionally pleasure-centric, alternate-universe version of the band might be like.

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http://www.mediafire.com/?oqkwktbo95lxazi

andmywhetstone · « **Reply #1022 on:** 20 Sep 2011, 09:19 »

3 piece post-pop punk band from Philadelphia PA

RIYL: Old Saves the Day, Get Up Kids

http:/scarierarea.bandcamp.com

MEMEs · « **Reply #1023 on:** 20 Sep 2011, 16:20 »

Modeselektor - Monkeytown
[High quality pre-listen rip]
Since Bpitch control really camps websites like filestube, the links of these albums die really fast, thats why I uploaded the site rip, it was the only one I could find for now.

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http://www.m/f.com/?ooz9hk2ol9bzurv

tractor trailer · « **Reply #1024 on:** 21 Sep 2011, 15:50 »

Quote from: JD on 11 Sep 2011, 09:06

ugh I would be more partial to download all of that monad if it were all zipped into one folder

...fucking for real? it's too much work to download like 3 files? wow.

Tom · « **Reply #1025 on:** 21 Sep 2011, 22:00 »

Those files are pretty big, bro.

TheClickOfALight · « **Reply #1026 on:** 22 Sep 2011, 12:01 »

Quote from: Tom on 21 Sep 2011, 22:00

Those files are pretty big, bro.

Get J-Downloader or similar, bro.

Cire27 · « **Reply #1027 on:** 22 Sep 2011, 13:59 »

Let's argue about it!

edit: ...that pagebreak

Quote from: Catacombs on 10 Aug 2011, 18:58

Quote
Rules:

The first rule of this thread is you do not mention MF. I am doing this because we are currently the first hit for the full version of "MF thread" on Google, so y'know, that's bad n' shit.

The second rule is don't talk about the MF thread.

No hot-linking images or albums. You can re-host images at http://imageshack.us.

Ensure your tags are correct and that you have specified both Artist/Album in your post.

Upload your files in either a .zip or a .rar archive to MF, in multiple parts if the album is over 200mb. The reason for this is that we know MF is safe and efficient and allows multiple downloads. The ads on other sites, such as Sendspace, are known to contain viruses on the page. Get yourself checked out.

Post your link using code tags. It's the # icon above the policeman emoticon. This prevents the links from being traced back to the forums, lowering the chance that the wrong people notice the thread, potentially threatening Jeph with legal action.

Also, please do NOT request albums. This includes requests for re-uploads; if you miss it, try looking for it somewhere else.

Repost the rules at the top of each new page.

pulpfiction21 · « **Reply #1028 on:** 23 Sep 2011, 09:07 »

I believe there are a few fans of this band on here:

http://giraffesgiraffes.bandcamp.com/album/pink-magick

Giraffes? Giraffes! - Pink Magick

Spend the $5 to get this one, its a kick ass album.

flaschenpfand · « **Reply #1029 on:** 23 Sep 2011, 12:34 »

i miss yop..

nippletwister · « **Reply #1030 on:** 23 Sep 2011, 21:31 »

Quote from: pulpfiction21 on 23 Sep 2011, 09:07

I believe there are a few fans of this band on here:

http://giraffesgiraffes.bandcamp.com/album/pink-magick

Giraffes? Giraffes! - Pink Magick

Spend the $5 to get this one, its a kick ass album.

HOLY SHIT AWESOME

fireproofpants · « **Reply #1031 on:** 24 Sep 2011, 13:43 »

George Rogers Clark - Pieces

RIYL: The Appleseed Cast, Explosions in the Sky, and the like.
http://surfsiberian.tumblr.com/post/10566116155/album-review-pieces-by-george-rogers-clark

It's one buck on here... http://georgerogersclark.bandcamp.com/album/pieces
Or free here...

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http://www.m/f.com/?pca8ahmgqtig74g

amok · « **Reply #1032 on:** 25 Sep 2011, 05:58 »

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http://www.mediafire.com/?c73ay68cc5at6ow

MEMEs · « **Reply #1033 on:** 25 Sep 2011, 06:14 »

Genre: Ambient, Experimental, Neo-classical, Noise, Drone
Sounds like: Ambient version of Black dice/Holy fuck.
Grade: 8,5/10
Highlights: Iron Bridge, Maelstrom, Cause and Effect, Way Out

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http://www.m/f.com/?r2nypbhxb5xvmou

JD · « **Reply #1034 on:** 26 Sep 2011, 20:17 »

Quote from: tractor trailer on 21 Sep 2011, 15:50

Quote from: JD on 11 Sep 2011, 09:06
ugh I would be more partial to download all of that monad if it were all zipped into one folder
...fucking for real? it's too much work to download like 3 files? wow.

yes I want my illegally downloaded music handed to be on one silver platter, not 3

fireproofpants · « **Reply #1035 on:** 28 Sep 2011, 12:51 »

Winterlight - Hope Dies Last

For fans of Ulrich Schnauss, port-royal, Slowdive and M83.

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http://www.m.f.com/?473z7i1fjus4dgi

jawnbailey · « **Reply #1036 on:** 30 Sep 2011, 14:47 »

Mux Mool - Just Saying Is All

Great EP. Worth checking out.

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http://www.m/f.com/?nmttxnlhujw

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A cross-genre selection of electronics from Mux Mool, shifting between the mock Italo disco of 'End Guy' (which, it has to be said, has a whiff of 'The Final Countdown' about it) to the brash, vocoded big-beat of 'Merlinfist!' without batting an eyelid. Better yet is 'Eagle Fantasies' which slips into a hip hop production that's very much of the Dabrye One/Three school, but restless as ever disco and house influences start to take over again for 'B'Genius' and '2muxLUV'. Finally, 'Teal Trim' might well supply the finest moment on the EP, though it's buried as a kind of miniature bonus beat, tucked away after several minutes of silence following the main track. This added on extra is a blissful bitcrushed boom-bap riff that really could have done with a prominent place on the tracklist.

blaha 41 · « **Reply #1037 on:** 30 Sep 2011, 22:40 »

Quote from: fireproofpants on 28 Sep 2011, 12:51

Winterlight - Hope Dies Last

For fans of Ulrich Schnauss, port-royal, Slowdive and M83.

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http://www.m.f.com/?473z7i1fjus4dgi

Dislike most M83. LOVE this Winterlight. Spun it from noon to 5pm today and it made work feel like weaving the light of dying stars into ponies' manes.

houray · « **Reply #1038 on:** 02 Oct 2011, 13:50 »

Whiskerman S/T (2011)

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http://www.M/F.com/?kwck719ud2yn5dc
Actually kind of shameful how long i've lurked this thread w/out posting. This is the debut full length from Whiskerman, who have pretty aptly described themselves as "a Frankenstein fusion of a simple folk backbone, rich classical core, wide-streching art-rock limbs and big jazz feet." It's bluesy ghostfolk. The band's front man has at live shows been known to play trumpet and piano at the same time, and the album's got a really rich cast, comprised of probably flat-broke but really very talented multi-instrumentalists. This is some of the best music coming out of Oakland, CA.

Listen here:
http://whiskerman.bandcamp.com

JD · « **Reply #1039 on:** 03 Oct 2011, 23:03 »

Quote from: jawnbailey on 30 Sep 2011, 14:47

Great EP. Worth checking out.[/size]

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http://www.m/f.com/?nmttxnlhujw
Quote
A cross-genre selection of electronics from Mux Mool, shifting between the mock Italo disco of 'End Guy' (which, it has to be said, has a whiff of 'The Final Countdown' about it) to the brash, vocoded big-beat of 'Merlinfist!' without batting an eyelid. Better yet is 'Eagle Fantasies' which slips into a hip hop production that's very much of the Dabrye One/Three school, but restless as ever disco and house influences start to take over again for 'B'Genius' and '2muxLUV'. Finally, 'Teal Trim' might well supply the finest moment on the EP, though it's buried as a kind of miniature bonus beat, tucked away after several minutes of silence following the main track. This added on extra is a blissful bitcrushed boom-bap riff that really could have done with a prominent place on the tracklist.

this is decent but it's absurdly quiet compared to the rest of my music

Also hey my dad bought the remastered box set thingy of pink floyd studio albums. Anyone want me to upload a particular album and/or the whole thing maybe?

I'll even scan the floppy art booklet that came with it if you're a real pink floyd nerd.

Catacombs · « **Reply #1040 on:** 04 Oct 2011, 11:26 »

Quote from: JD on 03 Oct 2011, 23:03

Also hey my dad bought the remastered box set thingy of pink floyd studio albums. Anyone want me to upload a particular album and/or the whole thing maybe?

I'll even scan the floppy art booklet that came with it if you're a real pink floyd nerd.

Yes, please! If it's not too much to ask I would like Dark Side of the Moon (my digital copy is shitty) and Wish You Were Here. Also, is Ummagumma part of that box set as well?

JD · « **Reply #1041 on:** 05 Oct 2011, 01:07 »

yup yup yup

pwhodges · « **Reply #1042 on:** 05 Oct 2011, 01:26 »

There are three Pink Floyd albums to be found here (including DSOTM and Wish You Were Here), decoded from their original SQ matrix into modern surround formats.

JD · « **Reply #1043 on:** 05 Oct 2011, 12:24 »

I'll also upload Animals 'cause it's my favorite album. Just ripping them now.

imagist42 · « **Reply #1044 on:** 05 Oct 2011, 12:47 »

...The Wall?

JD · « **Reply #1045 on:** 06 Oct 2011, 21:19 »

Can do. My internet is proving to be sorta spotty(as imagist knows very well) so all I have is Dark Side of The Moon

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http://www.mediafire.com/?enio40gtkk8ro44

clockwatcher · « **Reply #1046 on:** 07 Oct 2011, 13:43 »

LAUREL HALO - HOUR LOGIC EP (2011)

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http://www.m/f.com/?d68xyld767b72jw

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Ever since she first pinged our radar last year, we've been following Laurel Halo with interest, but nothing could've prepared us for the clock-melting brilliance of this new EP for Hippos In Tanks. It's the kind of record that defies easy categorisation, but suffice to say Laurel has honed and expanded her sound into a kind of dizzying psychedelic techno that we just can't get enough of. 'Aquifer' sets the heady tone - beginning with Moomin tones that'd make both Scratcha and Conrad Schnitzler proud, it builds into a surging 4/4 stepper, decorated with cascading strings and opalescent synths in a distinct Rhythim Is Rhythim style. On 'Constant Index', her vocals come to the fore, albeit layered into vast washes of wordless ambient harmony; it sounds like This Mortal Coil reconfigured for the 21st century, just gorgeous. On the dubbier, more minimal 'Head' there are even shades of Basic Channel, while Speed Of Rain uses a future-garage chassis - with clipped junglist breaks hanging off it - to scale true cosmic heights. 'Strength In Free Space' is expansive, new age-inflected drift music but positively dwarfs most of her peers' work with its extravagant, cathedral-like architecture, and the masterful title track still has us tingling. With so many contemporary US synth artists sounding like dull facsimiles of each other, Laurel Halo has actually developed her own uniquely sensuous yet uncompromising sonic identity, one which you can't predict from one moment to the next, and which looks boldly towards the future. Hats off.