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Author Topic: Weird folk  (Read 23082 times)

KharBevNor

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Weird folk
« on: 06 Jan 2011, 14:30 »

Ok, so, I admit, I don't hold much hope for this thread given the last thread I made in this forum was about Coil, without a doubt one of the best bands ever, and it died within the space of a page despite the fact that the last remaining member of the band died. Whatever. I'm drunk enough that this seems like a worthwhile endeavour.

So what this thread is about is what I think is probably over-all my favourite form of music, that is to say 'weird' folk music. I'm gonna use that as a catch-all term for a lot of things that may only in fact be linked by my interest in them but in fact I think have a lot in common. What we're talking about here is music that is rooted in folk traditions but divorced from the whole live performance in cardigans scene. Almost all music that incorporates some influence from genres other than folk and more often than not ENORMOUS AMOUNTS OF DRUGS. There's a definite continuity that begins with, say, the freakiest folk ensembles of the late sixties/early seventies, such as Cromagnon and Comus though all to a lesser extent (at least in terms of absolute what the fuck) more mellow hippie ensembles like The Incredible String Band, Pearls Before Swine and Dr. Strangely Strange. This is intrinsically connected through a raft of other bands of various sorts and swirls around and encompasses the neofolk/apocalytpic folk/folk noir movement that started in the 80's with the unimpeachable trio of Current 93/Death in June/Sol Invictus and went on that to be free folk and drone folk and psych folk which then recombined with post-industrial folk with like Blood Axis doing a split with In Gowan Ring or neofolk/drone fusions like Kiss the Anus of a Black Cat or Joy of Nature and generally a shitload of bands you've never heard of making the best music any loose set of human beings has ever made full stop, and I want to talk about it dammit!

If you have no idea what the fuck I am going on about you need to listen to like all the bands I just ranted about and also Werkraum, Sieben, Forseti, Birch Book, Sonne Hagal, Novemthree, Nature and Organisation, Telling the Bees, Mellow Candle, Of the Wand and the Moon, Xenis Emputae Travelling Band, Backworld, Andrew King, The Owl Service, Thee Majesty, Pantaleimon, Agitated Radio Pilot, Stone Breath, Lux Interna, Avarus, English Heretic, Fire + Ice, Horses of the Gods, The Magickal Folk of the Faraway Tree dear christ I could write this list forever and ever and ever.

Also, also, caveat, if you start going on about five-years-past-trendy 'new weird america' (protip: not new, it was always kind of weird, fuck off) then you fail music forever. There are several particular names I am watching out for and if you mention them, no mercy. I will kill you and your family and your friends and your families friends and your friends families.




When I'm sober and off mobile internet I'll put up some albums from my collection! It is extensive! It is complete! You are powerless before it you woooorms.
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David_Dovey

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Re: Weird folk
« Reply #1 on: 06 Jan 2011, 14:33 »

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KvP

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Re: Weird folk
« Reply #2 on: 06 Jan 2011, 14:36 »

Hey fuck you Young God records is good.
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KharBevNor

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Re: Weird folk
« Reply #3 on: 06 Jan 2011, 14:46 »

No, like three-four artists on Young Gods are good and that is not the same thing.
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KharBevNor

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Re: Weird folk
« Reply #4 on: 06 Jan 2011, 14:49 »

Kudos on almost exactly hittin on the head one particularly egregious nail I would take my claw hammer too and cast into the workshop bin of total iniquity though.

Now.

Real music.
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kwami42

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Re: Weird folk
« Reply #5 on: 06 Jan 2011, 15:09 »

Which of the multitude of bands you mentioned would you consider the best place to start?  There's a lot of material there.
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Re: Weird folk
« Reply #6 on: 06 Jan 2011, 15:13 »

Fantastic timing on this thread, I have been wanting to get into Current 93 but his discography is about the size of all the other discographies put together, which is pretty intimidating.  Is there a good place in particular to start with his music?
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Scandanavian War Machine

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Re: Weird folk
« Reply #7 on: 06 Jan 2011, 15:25 »

Not sure if I'm doing exactly what you said not to or not, because I don't really know what you're talking about, but these are a couple things that instantly came to mind when I saw the thread:


Larkin Grimm. appalachian mountain music by some insane chick. mildly disturbing at times

Tobacco/BMSR's old stuff is very folky...and completely weird. acoustic guitar tape-loops with an out-of-tune recorder and a dirtbike vroom. awesome.

Jason The Swamp, another contemporary solo artist, might actually my favorite anything of....forever. He is excellent. I'm told it's sort of like Animal Collective's early stuff but I can't corroborate that. I know it's 100x better than any Animal Collective song I've ever heard, but I haven't heard many. Jason The Swamp is brilliant. Particularly his apparent concept album "As Is The Sun" which starts out with some soft acoustic guitar and light whispy singing, which gradually builds until it explodes with some crazy percussion and other sounds i can't identify. This album is built on that surprising period of transition between something really soft and pretty, and something loud & raucous. But it retains it's folky, dreamy qualities throughout. It's a very impressive album.


I'm definitely gonna look up a bunch of that stuff from the OP today, if I can, because I love folk music and (particularly) all of it's bastard incarnations. I listened to some Current 93 once and it didn't really do anythign for me; it was like a weird single or a split or something though, so I don't know if that's indicative of the rest of their music, or not. Plus, that was a while ago, I'm probably a totally different person now.
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KharBevNor

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Re: Weird folk
« Reply #8 on: 06 Jan 2011, 15:41 »

Fantastic timing on this thread, I have been wanting to get into Current 93 but his discography is about the size of all the other discographies put together, which is pretty intimidating.  Is there a good place in particular to start with his music?

If you want an overview then there's some excellent live recordings. I personally got into C93 through the Cats Drunk on Copper live album which I still think contains some of the most definitive versions of certain songs. For actual albums traditionally accessible points would probably be All The Pretty Little Horses, Thunder Perfect Mind or Soft Black Stars. Soft Black Stars is probably the most accessible, but conversely probably the least representative, as it essentially just Dave Tibet and a piano.

Some Current 93 exemplar songs which show how varied their career has been:

Oh Coal Black Smith!

Antichrist and Barcodes

Black Ships Ate the Sky
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[22:25] Dovey: i don't get sigquoted much
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Vuk

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Re: Weird folk
« Reply #9 on: 06 Jan 2011, 16:59 »

Awesome, I was only into stuff like Rome and Death In June for a while, but I've progressively been getting more and more into this type of music. For instance, I love this Current 93 song:

http://www.youtube.com/watch?v=WlUOMUcaXWU

What material of theirs is like that?
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JD

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Re: Weird folk
« Reply #10 on: 06 Jan 2011, 17:44 »

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Re: Weird folk
« Reply #11 on: 06 Jan 2011, 17:44 »

I'm a really big fan of Death in June's Rose Clouds of Holocaust. Definitely the best faux-fascist neo-folk breakup album of all time
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Re: Weird folk
« Reply #12 on: 06 Jan 2011, 21:16 »

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KvP

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Re: Weird folk
« Reply #13 on: 06 Jan 2011, 21:35 »

I might accept their older records but MPP is more psych-pop than folk.

I guess if we're pissing off Khar here then



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« Last Edit: 06 Jan 2011, 23:09 by KvP »
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TheFuriousWombat

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Re: Weird folk
« Reply #14 on: 06 Jan 2011, 22:26 »

Try Forest. they're from the 60s/70s and their's is a kinda acidy medieval folk. Really weird and wonderful. The link below is for their album Full Circle


Code: [Select]
http://www.M/F.com/?c0c17m6uoce7tb3
here is a very good song from that album: http://www.youtube.com/watch?v=tfANIXC-3-c
« Last Edit: 07 Jan 2011, 05:50 by TheFuriousWombat »
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Nodaisho

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Re: Weird folk
« Reply #15 on: 06 Jan 2011, 22:43 »

So Khar, what do you think about 16 horsepower?
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KharBevNor

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Re: Weird folk
« Reply #16 on: 07 Jan 2011, 00:11 »

What material of theirs is like that?

Seven Seals is both chronologically and musically pretty much exactly halfway between All The Pretty Little Horses and Soft Black Stars. Songs like that are scattered round the whole discography really.

@ Kai: I find myself increasingly in the But, What Ends When the Symbols Shatter? camp, a place I never thought I'd really be! Btw, have you heard Down in June? They're a band that plays nothing but relaxed, occassionally slightly trip-hoppy occasionally slightly jazzy scandinavian pop covers of Death in June. I upped their album in last years wink wink thread a few months ago but it caused nary a ripple which is ludicrous because it's incredible. If you are a Rome fan (VUK PAGING VUK) then you will cream your fucking pants over this*. It is perfect totenpop, and great because it really exposes what a dang good songwriter Douglas P can be when he's not faffing about with amorphous noise/tone constructions which he's not really suited to at all. Down in June's version of some Di6 tracks (Kameradschaft for example) are actually a ton better than the original. Here are some tracks that have been youtubed:


Little Black Angel
The Enemy Within
To Drown a Rose in White...Rose Clouds of Holocaust  (TDaRiW is one of the weakest tracks on the album, but sit through it for the Rose Clouds of Holocaust bonus track, which is so tasty)


*I was kinda going to skirt it to make the thread less broad but I guess broadness is good so we could totally talk a bit about say Rome, Spiritual Front and Ordo Rosarious Equilibrio or whatever. Even though ORE are only my third favourite band whose overly long name begins with the word Ordo!

@Furious Wombat: Man how have I passed over this band? (I think it's because I discover a lot of music through last.fm and Forest is also the name of a black metal band). This is nice!

@Nodaisho: They're ok, I think. I had a couple of their albums downloaded a few years ago but I never bought them or re-downloaded them after my old computer crashed. I'm generally a bit equivocal about the whole 'goth americana' scene. Not that it's bad or anything, just that if I want that kind of mood I'll whack on some psychobilly or Nick Cave. Or, hell, Johnny Cash.

Totally gonna upload some sweet as fuck albums at uni today.
« Last Edit: 07 Jan 2011, 00:32 by KharBevNor »
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KharBevNor

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Re: Weird folk
« Reply #17 on: 07 Jan 2011, 10:38 »

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Re: Weird folk
« Reply #18 on: 07 Jan 2011, 11:11 »

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KharBevNor

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Re: Weird folk
« Reply #19 on: 07 Jan 2011, 11:42 »

Also, Chelsea Wolfe.

Man, no offense, but I'm really struggling to work out why you think this has anything to do with folk music? Like it's not even that bad but why are you posting it in this thread? I'm seriously intrigued.
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Re: Weird folk
« Reply #20 on: 07 Jan 2011, 11:55 »

i thought it was folky and/or weird?
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Re: Weird folk
« Reply #21 on: 07 Jan 2011, 11:56 »

i mean i know posting about music in a thread you started was probably dumb on my part but still
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KharBevNor

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Re: Weird folk
« Reply #22 on: 07 Jan 2011, 12:18 »

No like why do you think this is folky? I am genuinely interested. Like looking through the myspace only two of these songs even have any acoustic instruments in. One is a straight up electronic song with almost dance beats, others are rock songs. Even the one song that is acoustic guitar and drones isn't really very folky, just a sort of very lo-fi singer-songwriter thing.
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Re: Weird folk
« Reply #23 on: 07 Jan 2011, 12:33 »

that last one I think you're talking about is Halfsleeper which is the one where I decided I thought she was folky, maybe because it reminded me a lot of Marissa Nadler.
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kwami42

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Re: Weird folk
« Reply #24 on: 07 Jan 2011, 12:37 »

WAY TO SKIP MY QUESTION DICK
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KharBevNor

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Re: Weird folk
« Reply #25 on: 07 Jan 2011, 13:15 »

Man you are not endearing yourself to me at all!

I just posted a load of albums in the MFFFF thread why not start with Looking For Europe and the Current 93 live album?
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Re: Weird folk
« Reply #26 on: 07 Jan 2011, 13:31 »

@ Kai: I find myself increasingly in the But, What Ends When the Symbols Shatter? camp, a place I never thought I'd really be! Btw, have you heard Down in June? They're a band that plays nothing but relaxed, occassionally slightly trip-hoppy occasionally slightly jazzy scandinavian pop covers of Death in June. I upped their album in last years wink wink thread a few months ago but it caused nary a ripple which is ludicrous because it's incredible. If you are a Rome fan (VUK PAGING VUK) then you will cream your fucking pants over this*. It is perfect totenpop, and great because it really exposes what a dang good songwriter Douglas P can be when he's not faffing about with amorphous noise/tone constructions which he's not really suited to at all. Down in June's version of some Di6 tracks (Kameradschaft for example) are actually a ton better than the original. Here are some tracks that have been youtubed:

Little Black Angel
The Enemy Within
To Drown a Rose in White...Rose Clouds of Holocaust  (TDaRiW is one of the weakest tracks on the album, but sit through it for the Rose Clouds of Holocaust bonus track, which is so tasty)

I haven't heard of Down in June, but the premise makes me curious. I'm really digging the version of Little Black Angel. Will have to go dig the album up somewhere.

I know it's not really the same genre at all, but while we're on the subject of Douglas P. anyway, I figure I might as well ask it. Has anyone listened to Crisis, the band that Tony Wakeford and Douglas P. were in before Di6? Is it worth my effort to check out?
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but the music sucks because the keyboards don't have the cold/mechanical sound they had but a wannabe techno sound that it's pathetic for Rammstein standars.

KharBevNor

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Re: Weird folk
« Reply #27 on: 07 Jan 2011, 14:24 »

Crisis are actually a pretty good marxist punk band, if you like that sort of thing. Punk77 memorably described them (along with Crass) as signalling 'the end of punk as fun, spontaneity, mischieveness and anarchy (as a way of feeling)'. You can find a lot of stuff by them on youtube. In fact looking around it looks like every single song they ever did might be on there, they don't have a very extensive discography. PC 1984, White Youth and No Town Hall are stand out tracks. Crisis are pretty interesting because they really make the questions about Di^'s politics complicated. Conventional thinking might be that they just flipped political spectrum from hardcore militant left-wingers to hardcore right-wingers, but it's obviously more complicated than that. I think they dabbled with third positionism in the 80's (that's where all the quotes from Douglas P about Ernst Rohm and so on come from, though they're taken out of context), and there's the well known fact that Tony Wakeford was briefly a member of the National Front, which he describes on his website as "probably the worse decision of my life and one I very much regret". To be honest, as someone with experience of the British far-left, particularly the Socialist Workers party I think it represents mostly a process of desperate political disillusionment, a frantic search to find something more nuanced and interesting and escape a dull ghetto of bearded marxist pontificating. They made bad decisions and got into some weird and frankly stupid shit but that sort of politics is a very weird world, and was weirder still back in the 80's, and they obviously recognise the mistakes they made. I've always said that I find it hard to believe anyone who's listened to Di6 and Sol Invictus can honestly think they're nazis. Like, you can cherry pick certain lines from Sol Invictus about disliking capitalism and the media and America (I've seen "Media", "Death of the West" and "Gold is King" used like that) and say "oh it's a code, he means Jews", but he's married to a Jewish woman so you're frankly an idiot. And Death in June make a lot of oblique references to fascist mythology among other things but it's really hard to argue that songs like Heaven Street ("Rifle butts to crush you down/The earth exploding with the gas of bodies") or Lullaby to a Ghetto ("So this is your life, this is your world/A lullaby to a ghetto, where you murder boys and girls") are glorifications of fascism. I think Death in June come closest to explaining their position in the song "C'est Une Reve":

Ou est Klaus Barbie?
Il est dans le couer
Il est dans le couer noir
Liberte
C'est une reve

Translated:

Where is Klaus Barbie?
He is in the heart
He is in the black heart
Freedom
Is a dream

Although of course there is also the fascinating article by Douglas P which explains some facts about what certain Di6 songs and images mean in response to the banning of Di6 albums in Germany, which lead to the darkly ironic revelation that the song 'Rose Clouds of Holocaust' is actually about Douglas P breaking up with his boyfriend in Iceland. Admittedly, I'm fairly sure after a certain point Douglas P (probably under the influence of Boyd Rice, arguably the original inventor of trolling) started using certain imagery deliberately to annoy people, ie. Stewart Home, aka the dude who hates Death in June so much he has written more about Death in June than Death in June has.
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Re: Weird folk
« Reply #28 on: 07 Jan 2011, 15:54 »

Does Pelt count?
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Re: Weird folk
« Reply #29 on: 07 Jan 2011, 16:33 »

If the top rated youtube comments are anything to judge SI and Di6's fanbase by, they probably aren't helping Tony Wakeford's reputation any. That actually seems to be common for a lot of folk-influenced music, for some reason. Draws the racists in like flies.
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Re: Weird folk
« Reply #30 on: 07 Jan 2011, 16:34 »

Any fanbase looks pretty awful if you base it off of the top youtube comments, though.
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but the music sucks because the keyboards don't have the cold/mechanical sound they had but a wannabe techno sound that it's pathetic for Rammstein standars.

KharBevNor

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Re: Weird folk
« Reply #31 on: 07 Jan 2011, 16:41 »

@ OWW: I dunno, post some shit!

From what I know of your musical taste there's probably gonna be a pretty big amount of stuff in this vein you will probably like. In fact there is stuff I think just about anyone who likes music will like. Not necessarily aimed at you, here are some choice cuts by some of the most accessible people involved particularly in the modern neofolk milieu, or at least two people I've had a lot of success with getting people to like.

First B'eirth. Dude doesn't like to be called neofolk but if he didn't want that association he shouldn't have done that split with fucking Blood Axis. He makes music which is just exceptionally beautiful. Dude is like a virtuoso player of renaissance stringed instruments who wanders America doing old-school romantic bard shit. He comes in two configurations, there is In Gowan Ring which is more psychy:

Hazel Steps
The Wind That Cracks the Leaves
Morning's Waking Dream
To Thrum a Glassy Stem

And there is Birch Book which is some nice singer-songwriterish sort of stuff:

Young Souls
Feet of Clay
Empty Corner of the Page


Wow, that was nice wasn't it? Now here is Matt Howden, another virtuoso (this time violin and cello). His work as a record producer actually makes him, weirdly, one of the most commercially successful dudes in neo-folk. His real heart though is Sieben, which is his solo project which mainly involves him using pedals and such to build up loop upon loop upon layer of gorgeous, powerful, erotic stringed wonderfulness.

Love's Promise
Desire Rite
Virgin in the Green
Ogham on the Hill

Also very much worthwhile for TRU FANZ to track down all his many collabs with Tony Wakeford. As well as being a fully paid up member of Sol Invictus on and off they've worked together as Duo Noir, Howden/Wakeford and if my memory serves me well there's more. Plus I'm fairly sure Howden is also in L'Orchestre Noir. What can I say, boy's a genius.


@Nodaisho: Dude, youtube comments. I am fairly active in the neo-folk scene and like yeah, there's some nazis, but no more than there are in black metal. People I've corresponded with and met have run the total spectrum of political and religious beliefs; atheists, anarchists, christians, conservatives, pagans, liberals, communists, primitivists, none of the above. It's a very diverse crowd.
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onewheelwizzard

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Re: Weird folk
« Reply #32 on: 07 Jan 2011, 17:23 »

Pelt was a super-droney acoustic band that Jack Rose was in before he did all his solo guitar stuff.  They used a lot of sitar drones, Tibetan singing bowls/bells, and weirdly tuned acoustic guitars, with some American primitive/ragtime thrown in.  Pretty dense stuff but I think they might be right on your level.
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kwami42

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Re: Weird folk
« Reply #33 on: 07 Jan 2011, 17:34 »

Man you are not endearing yourself to me at all!

I just posted a load of albums in the MFFFF thread why not start with Looking For Europe and the Current 93 live album?

 :-D
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Re: Weird folk
« Reply #34 on: 07 Jan 2011, 22:03 »

Any fanbase looks pretty awful if you base it off of the top youtube comments, though.
Yeah, but not as bad. Most bands the top-rated comments are along the line of "[band] rocks, [popular singer] sucks dick", or "[female member of band] is soooo hot". While stupid, that is not nearly as bad as comments about how brown people have ruined England. I'm not surprised that some people say it, but when that is the most popular sentiment, it is disturbing. I just hope that they are 12-year-olds sitting at home on youtube, rather than people actually crazy enough to do anything.
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KharBevNor

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Re: Weird folk
« Reply #35 on: 08 Jan 2011, 00:33 »

Actually I'm looking through a load of Death in June videos and most of the top comments are things along the line of "fantastic song", "You guys down there using all the comments... SHUT THE FUCK UP AND ENJOY THE MUSIC OR GET THE FUCK OFF!", "Why do people always have to talk about the political or religious beliefs of a musician?. I think those subjects are nothing compared to the music of Douglas P. The guy's a genius.", "dammit now I kind of like Death In June....I so wanted to dislike him." and so on. There's more arguments about Douglas P being gay than there are about racism, You'll find the same kind of shit in the comments to any black metal video.

Like, compare the membership of the last.fm group Neofolk Against Racism (1087 members) and Neofolk Against Communism (46 members).
« Last Edit: 08 Jan 2011, 00:43 by KharBevNor »
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[22:25] Dovey: i don't get sigquoted much
[22:26] Dovey: like, maybe, 4 or 5 times that i know of?
[22:26] Dovey: and at least one of those was a blatant ploy at getting sigquoted

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Re: Weird folk
« Reply #36 on: 08 Jan 2011, 01:16 »

I really like Sunken Foal. It's good.

Does Espers belong to your definition of weird folk?
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Re: Weird folk
« Reply #37 on: 08 Jan 2011, 15:11 »

The first track on that Current 93 live album made me realize that John Balance has an incredible voice, weird how it never occurred to me before
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Re: Weird folk
« Reply #38 on: 09 Jan 2011, 11:16 »

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Re: Weird folk
« Reply #39 on: 09 Jan 2011, 12:26 »

New ordinary blocked in america.
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Re: Weird folk
« Reply #40 on: 09 Jan 2011, 13:17 »

Weird, blocked in the UK too so I assumed it was US-only. Where isn't it blocked?

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Re: Weird folk
« Reply #41 on: 09 Jan 2011, 13:35 »

Weird, blocked in the UK too so I assumed it was US-only. Where isn't it blocked?

Welp Johnny and I are both in Canada so I assume it's not blocked there. For the record it was a Mumford & Sons tune and I was trolling, hard.
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Re: Weird folk
« Reply #42 on: 09 Jan 2011, 13:53 »

This is possibly the most awesome thing I have heard all year.
Of course it is only the ninth of january, but I actually bought Merriweather Post Pavilion last week, so that's some testament to the awesomeness of this album.

Man, you don't have to try hard to get something more awesome than Animal Collective, who are terribly boring and fake and naff! You should try some Comus, it'll blow your balls off:

Diana
The Bite
Song to Comus

First Utterance should probably be on my list of things to upload. The 70's produced some brilliant proggy folk, some of it less hippy than others.

Strawbs - The Hangman and the Papist <-- Less hippy. Yes, there was a time and a place when Rick Wakeman was in a progressive folk band and they charted and were allowed to play on television. Culture has been in a tailspin ever since.
<-- Maximum hippy. 2:25: LA LA LA LA LA LA LALALALA LAAA LA LA LA LA LA LAAA LA LALA

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[22:25] Dovey: i don't get sigquoted much
[22:26] Dovey: like, maybe, 4 or 5 times that i know of?
[22:26] Dovey: and at least one of those was a blatant ploy at getting sigquoted

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Re: Weird folk
« Reply #43 on: 10 Jan 2011, 15:33 »

Weird, blocked in the UK too so I assumed it was US-only. Where isn't it blocked?

Welp Johnny and I are both in Canada so I assume it's not blocked there. For the record it was a Mumford & Sons tune and I was trolling, hard.
Aren't Mumford and Sons a UK band?
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Re: Weird folk
« Reply #44 on: 10 Jan 2011, 16:39 »

Yes but I do not presume to know the mysterious ways of Vevo
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Re: Weird folk
« Reply #45 on: 10 Jan 2011, 16:45 »

Serafina Steer!

Serafina Steer

It ain't that weird but you know what shut up
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Re: Weird folk
« Reply #46 on: 10 Jan 2011, 17:27 »

Yes but I do not presume to know the mysterious ways of Vevo

it won't let me play teach me how to dougie anymore, my life is a hollow shell
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Re: Weird folk
« Reply #47 on: 10 Jan 2011, 22:58 »

Aren't Mumford and Sons a UK band?

They sure are. Having said that, Canada is more than welcome to keep them.

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Re: Weird folk
« Reply #48 on: 11 Jan 2011, 05:39 »

Hey, you guys want to start an NME-Friendly Gimmick Band thread if you want to talk about that stuff?

Cheers!
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[22:25] Dovey: i don't get sigquoted much
[22:26] Dovey: like, maybe, 4 or 5 times that i know of?
[22:26] Dovey: and at least one of those was a blatant ploy at getting sigquoted

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Re: Weird folk
« Reply #49 on: 12 Jan 2011, 13:49 »

Props to you for trying to get a Coil thread off the ground. Seriously, their work was really brilliant.

More partial to Sol Invictus than Death In June, although the latter have some great songs. I'm especially fond of the very early, experimental stuff ("State Laughter", etc.) in spite of its relative lack of polish. Current 93 are easily my favourite of the "folky" side of the post-industrial whatever, though; Sleep Has His House is pure genius, as is Of Ruine Or Some Blazing Starre, and Hypnogogue... Really, almost anything they've done is at least above average.

However, I must disagree with your assessment of Young God's roster. While not all of it is to my taste, I must give Gira kudos for his sense of aesthetic. That, and his own work, in particular his Swans and Angels Of Light output from 1995-2005 (The Great Annihilator through Everything Is Good Here/Please Come Home). But I digress.

Pelt are quite interesting, if one is so inclined. In the same vein, but far from any normal definition of folk, there is always Jackie-O Motherfucker. A bit like an American Nurse With Wound, but with more live instrumentation. Fig. 5, for an example, is utterly demented.
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