It also reminds me of what happened in the house my grandfather built. It wound up with a serious squirrel infestation in the attic space, and we all worked hard to get them out. Several years later, after my grandparents passed, while my parents were doing some simple renovations, the bedroom closet's ceiling collapsed under the weight of several thousand hoarded pinecones.
Remember to clean out those nests, folks! There can be literal regrets, too...
Ha, there can indeed! And in keeping with the analogy, it's when trying to renovate that everything is most likely to come crashing down...
Delightful! Always a pleasure to meet a fellow formalist!
Likewise! I usually deviate from the very fixed forms and just create my own, though my most common style is the simple but trusty quatrain. Like you, I've written free verse a few times, but I feel they never stand up next to rhyme. Longer narrative poems are the sort of stuff I really love to write; I'm quite inspired by John Masefield's ballads in that regard.
I absolutely love the concept of both links you posted. A picture and a poem can really compliment and add deeper meaning to each other, and I'm sure it is a great way to keep yourself inspired. I particularly like your seal poem. As for the Songs of Albion thing, it's a brilliant idea. The writing style is good, there is some great wit in there, and I can understand the comparison to QC. I'm interested to see where this goes. You've got a new audience member.
I should perhaps ask, are you aware of the Stephen Lawhead trilogy, "Song of Albion"? Very similar title there.
By the way, most of my poetry is posted
here, if you're interested. Here's a longer one of mine, an example of the sort I mentioned before:
Watcher in HeavenBehold how the seraph stands with wings outstretched on the ramparts of heaven,
As he watches the pale mortals head to prayer, their solemn faces leaden.
He hears the church bells ringing, and pities them for their tone,
Their brazen peal far weaker, far less glorious than his own.
As he stands with wings outstretched.
He stands and views his master's lesser work below, brown and green and grey,
With not half the radiance and divine splendour that he cherishes every day.
Lacking all that makes its people yearn for heavenly grace at death,
For their paltry lives, when compared to his, are but a single breath.
As he stands with wings outstretched.
See how he stands, gazing down, in a single passing glance from on high,
And over the joy and laughter he hears, rises a united, plaintive cry.
The true voice of the multitude, toiling on, throughout their bitter lives,
While the seraph stands in heaven, and in eternal bliss he thrives.
As he stands with wings outstretched.
Behold as his ears hearken the majestic voice of his master's golden call,
A beauty unknown to those below, as their chants echo upon lifeless walls.
A mystery to even those who claim they hear an answer to their prayers,
A pleasure reserved for the archways of heaven and he on the ramparts there.
As he stands with wings outstretched.
No proud sneer can there be seen to sully his face of gleaming light,
His angelic mind pure, untarnished, to please the holy master's sight.
Only pity he feels for man of dullest grey, straining to escape the dragging mire,
And something else hid deep within, as he sees wretched man's yet high desire.
As he stands with wings outstretched.
Behold his feet tremble on the gilded ramparts, as he watches a child play,
He sees men laugh as they drink in sin, and the love of couples in the hay.
He turns his head from his sentinel gaze, and casts a look around,
The white hospital walls of heaven surround him, high above the ground.
As he stands with wings outstretched.
Now see a silver tear leave his shining eye and tremble down his face,
A tear of envy for the gleaming hope of those who robed in mud still live in faith.
A spark of sin there malingering in the creator's purest work,
A wish for life not clad in white, not kept from worldly hurt.
As he folds his golden wings,
And jumps.