If you've got a microphone, yes...
It's all a mish-mash of stuff. I have a decent microphone (Pro Sound YU37 Cardiod) and amp (Marshall MG), and the only track that's really finished is, as I said, 'The Loving Hand of Time'. It's a shitty demo. Problems affecting the other tracks:
1: As far as I remember, the guitar track on Northern Ocean was recorded when I was having awful bad ground problems, so I basically just had to turn up overdrive until it drowned it out.
2: I've made about eight different attempts to record Twa Corbies, none of them satisfactory. In order to round out the demo, I took the best guitar track I could find and tried to fudge some vocals and recorder over that. That's the track that most needs decent vocal attention though.
3: I actually had a really nice version of Sir Patrick Spense that sat well next to Loving Hand, however Audacity crashed because I was basically using too many layers, the bastard thing. That version I recorded this morning. My guitar is probably slightly out of tune, and I did the vocals all in two takes straight through.
For recording really decent versions, I probably need to hook up my dads Ovation's contact mike into my multi-effects and comp and then record it that way.
What I really want to do is get a still rough, but decent sounding demo of about six tracks worked up (all up to Loving Hand, or better), then either get signed to a small post-industrial label or hawk it as an EP, and use the resulting cash to buy proper studio time. Please remember, though, that I'm not going for a crystal, pristine sound in these songs anyway. I want it kinda dirty. But ideally, I want some beauty in there as well, which is what I'm currently really lacking.