BUMP because I've finally given this album enough listens to wrap my head around it.
This album is a fucking disaster and I'm shocked that so many people seem to like it, let alone love it. We Were Dead Before The Ship Even Sank has got to be the absolute nadir of the Modest Mouse catalog. Good News For People Who Love Bad News wasn't a great album, per se, but at least most of the songs were good enough as a sequenced package to be worth listening to. The same can't be said for this album; the difference between good and bad songs is so strong that it's mystifying. What the hell happened?? Johnny Marr joins the band, James Mercer guests, and the result is the most uninspired, watered down Modest Mouse album yet.
It would be too lazy and easy to say "they had a hit song and tried to write a whole album of Float On's", and it's not entirely true, either. But at the same time, it's hard to deny that this is their most self conscious album yet. It's overproduced, and the songs alternate between too cleaned up/trying too hard and too self consciously weird/trying too little. Of the 14 songs, only 6 or 7 strike me as memorable, interesting, or genuinely catchy. Usually I either love an album, hate it, or think it's pretty good as a whole with some weak elements. Well, We Were Dead has some outright bland-to-awful songs. I defy anyone to listen to this album once and remember much of anything from 'Florida' to 'Missed The Boat.' Even the James Mercer guest spots feel wrong somehow; I read a review that described some of them as sounding like "Shins b-sides" and that's pretty accurate, although I'd say it sounds like re-heated versions of Good News For... songs with all the good parts missing.
Look, this album is not offensively bad or terrible. You can listen to it and not object to anything on it. The problem is that it's neither challenging-but-worth-sticking-to, nor is it catchy-and-different-but-not-too-poppy. It's just frustrating that with the help of Johnny Marr and James Mercer, nothing more interesting, original, or catchy could have been concocted. If there's ever an album more deserving of the stone literal 50% rating, I've never seen it. Half of it is good, half of it is bad.