Topic: The Guitar Topic (Read 1983591 times)

the Goat · « **Reply #2350 on:** 19 May 2008, 11:31 »

Ovation Magnum III.

Great bass.

imapiratearg · « **Reply #2351 on:** 19 May 2008, 12:01 »

That looks like a pretty sick bass! However, I am not a fan of their acoustic guitars.

BaneAtvar · « **Reply #2352 on:** 19 May 2008, 12:37 »

look what I bought.

Gold Anodized Pickguards = *drool*

NOTE: This is not real. This is a mockup. I made this. In Photoshop. Winnar.

EDIT: Oh, but the guitar is totally mine, just changing the pickguard. This is how it looks like.

Yes, the Silverface is there to rub it in.

Mr. Mojo · « **Reply #2353 on:** 19 May 2008, 13:53 »

That ovation magnum has the biggest fucking humbucker i've ever seen.

greenMonkey · « **Reply #2354 on:** 19 May 2008, 19:49 »

Guys, I fell in love with an old, cheap ass Tempo P-Bass copy. It has like 20-year old flat-wounds on it that are so worn they are perfectly smooth. It was also played by someone in a polka band; you can tell by looking at the way the neck is worn that he played only two notes: E and A.

Tehz · « **Reply #2355 on:** 19 May 2008, 20:43 »

That actually sounds very nice. Gonna buy it?

doombilly · « **Reply #2356 on:** 20 May 2008, 06:15 »

Quote from: Mr. Mojo on 19 May 2008, 13:53

That ovation magnum has the biggest fucking humbucker i've ever seen.

Yeah reminds me of the Bartolini Quad Coil on Maria's Tobias Growler 4.

greenMonkey · « **Reply #2357 on:** 20 May 2008, 13:24 »

Quote from: Tehz on 19 May 2008, 20:43

That actually sounds very nice. Gonna buy it?

If I get $150 soon. So, no.

imapiratearg · « **Reply #2358 on:** 20 May 2008, 14:50 »

I lourve my new TurboRAT. It is fantastic.

Mr. Mojo · « **Reply #2359 on:** 20 May 2008, 14:56 »

Quote from: doombilly on 20 May 2008, 06:15

Quote from: Mr. Mojo on 19 May 2008, 13:53
That ovation magnum has the biggest fucking humbucker i've ever seen.
Yeah reminds me of the Bartolini Quad Coil on Maria's Tobias Growler 4.

Woah you're right.
Nonetheless a pretty cool bass.

rofflesaurusrex · « **Reply #2360 on:** 20 May 2008, 16:53 »

Quote from: Mr. Mojo on 17 May 2008, 12:30

My basses and guitar
From Left to Right....
"anonymous bass i pretend is a Fender Jazz Bass", "4003 Rickenbacker Bass", "1994 Ibanez Talman"
http://s104.photobucket.com/albums/m166/alex_the_hippy/?action=view&current=TehLulzyPics056-1.jpg

im sure this talman makes some 18 year old dropout that looks like a viking cry at night because you bought this before he could scrounge for the money to get it from your guitar shoppe

jeph · « **Reply #2361 on:** 20 May 2008, 19:10 »

You guys. YOU GUYS.

So, I traded in my 7-string. It was fun, but I'm just too used to 6-strings to make the most of it. Also the pickups really did sound like ass.

Acting on a hunch, though (Ibanez Japan build quality + good pickups must = good guitar, right?) I traded it in for one of these:

Holy shit guys, new favorite metal guitar. Yeah yeah it doesn't have a neck pickup, WHATEVER. The body's basswood, the neck's maple/rosewood and it's got a Floyd Rose, so tonally this guitar shouldn't be anything special but HOLY GOD THE SOUND. It's pretty loud unplugged, which is always a good sign for an electric. Build quality's top notch, playability is RIDICULOUS. Super wide, super skinny neck profile. I haven't beaten the fuck out of the trem yet but preliminary results indicate it's nice and stable. The weird zero-point trem system is really easy to adjust- there's just a little knob you can twist through the backplate to adjust the tension, kind of like on a Parker Fly. I had the guitar dialed down from standard to drop-C in under five minutes, with no tools.

I don't know how Seymour Duncan does it but all their pickups I've tried have this insanely pretty shimmer in the upper-mids that sounds so good to my ears. This is obviously meant to be a chugga-chugga-weeeee guitar but when I first plugged it in I spent a good 20 minutes just on the clean channel of my amp, it sounded so nice. It's a "full shred" which is a stupid name for a pickup, but whatever- it's got a little less low-end than a JB, but with a resulting clarity and attack that makes it really sparkle.

jeph · « **Reply #2362 on:** 20 May 2008, 19:13 »

Quote from: greenMonkey on 19 May 2008, 19:49

Guys, I fell in love with an old, cheap ass Tempo P-Bass copy. It has like 20-year old flat-wounds on it that are so worn they are perfectly smooth. It was also played by someone in a polka band; you can tell by looking at the way the neck is worn that he played only two notes: E and A.

There was a big fad a few years back in the bassist community for slapping flatwounds on your P-Bass and playing with your thumb all 1950's style. It can be a really good tone when used appropriately.

the Goat · « **Reply #2363 on:** 20 May 2008, 19:43 »

Quote from: jeph on 20 May 2008, 19:13

Quote from: greenMonkey on 19 May 2008, 19:49
Guys, I fell in love with an old, cheap ass Tempo P-Bass copy. It has like 20-year old flat-wounds on it that are so worn they are perfectly smooth. It was also played by someone in a polka band; you can tell by looking at the way the neck is worn that he played only two notes: E and A.

There was a big fad a few years back in the bassist community for slapping flatwounds on your P-Bass and playing with your thumb all 1950's style. It can be a really good tone when used appropriately.

Fad? Shit, motherfuckers have been doing that for years, everyone who does it swears by it.

I put flats on mine during my stint in a prog/stoner rock band, partially because my bass at the time was too bright, and partially because I didn't have any other strings/$ for strings. It worked pretty well until I killed my head and blew up my cab.

Crinte · « **Reply #2364 on:** 20 May 2008, 22:31 »

Quote

I killed my head and blew up my cab

Things that would sound alarming to someone with no knowledge of the subject matter.

Spluff · « **Reply #2365 on:** 21 May 2008, 00:51 »

Sounds pretty damn alarming to me, too, and I know what he's talking about.

Lummer · « **Reply #2366 on:** 21 May 2008, 01:57 »

Quote from: jeph on 20 May 2008, 19:10

You guys. YOU GUYS.

So, I traded in my 7-string. It was fun, but I'm just too used to 6-strings to make the most of it. Also the pickups really did sound like ass.

Acting on a hunch, though (Ibanez Japan build quality + good pickups must = good guitar, right?) I traded it in for one of these:

*FUCKING METAL*

Holy shit guys, new favorite metal guitar. Yeah yeah it doesn't have a neck pickup, WHATEVER. The body's basswood, the neck's maple/rosewood and it's got a Floyd Rose, so tonally this guitar shouldn't be anything special but HOLY GOD THE SOUND. It's pretty loud unplugged, which is always a good sign for an electric. Build quality's top notch, playability is RIDICULOUS. Super wide, super skinny neck profile. I haven't beaten the fuck out of the trem yet but preliminary results indicate it's nice and stable. The weird zero-point trem system is really easy to adjust- there's just a little knob you can twist through the backplate to adjust the tension, kind of like on a Parker Fly. I had the guitar dialed down from standard to drop-C in under five minutes, with no tools.

I don't know how Seymour Duncan does it but all their pickups I've tried have this insanely pretty shimmer in the upper-mids that sounds so good to my ears. This is obviously meant to be a chugga-chugga-weeeee guitar but when I first plugged it in I spent a good 20 minutes just on the clean channel of my amp, it sounded so nice. It's a "full shred" which is a stupid name for a pickup, but whatever- it's got a little less low-end than a JB, but with a resulting clarity and attack that makes it really sparkle.

Sweeeeet...
Single-pickup guitars are the coolest thing to me. So simple, yet so awesome!

incidentally, I'm getting a new 7-string today.

jeph · « **Reply #2367 on:** 21 May 2008, 18:48 »

Quote from: the Goat on 20 May 2008, 19:43

Quote from: jeph on 20 May 2008, 19:13
Quote from: greenMonkey on 19 May 2008, 19:49
Guys, I fell in love with an old, cheap ass Tempo P-Bass copy. It has like 20-year old flat-wounds on it that are so worn they are perfectly smooth. It was also played by someone in a polka band; you can tell by looking at the way the neck is worn that he played only two notes: E and A.

There was a big fad a few years back in the bassist community for slapping flatwounds on your P-Bass and playing with your thumb all 1950's style. It can be a really good tone when used appropriately.

Fad? Shit, motherfuckers have been doing that for years, everyone who does it swears by it.

I put flats on mine during my stint in a prog/stoner rock band, partially because my bass at the time was too bright, and partially because I didn't have any other strings/$ for strings. It worked pretty well until I killed my head and blew up my cab.

Personally my two favorite bass tones are the really bright P-Bass w/roundwounds and a pick sound that the guy from Sunny Day Real Estate/Foo Fighters gets, and the slightly distorted P-Bass w/roundwounds and a pick sound the dude from Failure and the dude from Shiner got.

the Goat · « **Reply #2368 on:** 21 May 2008, 19:14 »

Quote from: jeph on 21 May 2008, 18:48

Quote from: the Goat on 20 May 2008, 19:43
Quote from: jeph on 20 May 2008, 19:13
Quote from: greenMonkey on 19 May 2008, 19:49
Guys, I fell in love with an old, cheap ass Tempo P-Bass copy. It has like 20-year old flat-wounds on it that are so worn they are perfectly smooth. It was also played by someone in a polka band; you can tell by looking at the way the neck is worn that he played only two notes: E and A.

There was a big fad a few years back in the bassist community for slapping flatwounds on your P-Bass and playing with your thumb all 1950's style. It can be a really good tone when used appropriately.

Fad? Shit, motherfuckers have been doing that for years, everyone who does it swears by it.

I put flats on mine during my stint in a prog/stoner rock band, partially because my bass at the time was too bright, and partially because I didn't have any other strings/$ for strings. It worked pretty well until I killed my head and blew up my cab.

Personally my two favorite bass tones are the really bright P-Bass w/roundwounds and a pick sound that the guy from Sunny Day Real Estate/Foo Fighters gets, and the slightly distorted P-Bass w/roundwounds and a pick sound the dude from Failure and the dude from Shiner got.

Mmm, oldies but goodies.

doombilly · « **Reply #2369 on:** 21 May 2008, 19:42 »

1) James Jamerson motherfuckers.
2) [img width= height=]http://lh3.ggpht.com/illicitizen/SDLxubHriwI/AAAAAAAABjo/K-sxC3I43D0/s144/GroundZero_109.jpg[/img]
Fucking P bass. Fucking Ampeg SVT4Pro. Fucking 1x15, 4x10. Play with your fingers. With fucking flatwounds. = tone.
3) People that thumb-pop should get a beat down.

sean · « **Reply #2370 on:** 21 May 2008, 19:46 »

Goddamnit guitar thread. I really need to switch the pickups out of my squier, they are just too inadequate.

jeph · « **Reply #2371 on:** 21 May 2008, 20:51 »

Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan Seymour Duncan

diablo_man · « **Reply #2372 on:** 21 May 2008, 22:35 »

hmm, yeah, my ibanez rg560 has an "aftermarket" seymour duncan JB-J with a coil tap in the bridge. godly sounding pickup, clean or distorted. im pretty sure the JB means jeff beck, but i may be wrong

Christophe · « **Reply #2373 on:** 21 May 2008, 23:01 »

*threadjack*

What would be a rad pair of single-coils to put in a Fender Lead II? I was thinking something along the lines of Red Lace Sensors or some kind of hot-output Seymour Duncan.

Beastmouth · « **Reply #2374 on:** 21 May 2008, 23:06 »

I like cool pickups. I'm weird, though.

We now have another guitarist in my band, so now I more play ring modulator >___<

E. Spaceman · « **Reply #2375 on:** 21 May 2008, 23:28 »

The one thing i hate about Seymour Duncan is that they don't make neck humbuckers for Teles. Seriously guys, it would be great if you made a good Fender Wide Range replica so that i cokd gouge the shit out of my teleclone and make it a Custom.

Ballard · « **Reply #2376 on:** 21 May 2008, 23:47 »

Quote from: TheLetterM on 21 May 2008, 23:01

*threadjack*

What would be a rad pair of single-coils to put in a Fender Lead II? I was thinking something along the lines of Red Lace Sensors or some kind of hot-output Seymour Duncan.

Hardly a threadjack.

http://www.vanzandtpu.com/
http://www.bareknucklepickups.co.uk/

Go for it.

doombilly · « **Reply #2377 on:** 22 May 2008, 05:42 »

http://www.seymourduncan.com/products/electric/humbucker/progressive/prails_shpr1/

Quote

application
Ground breaking, patent pending design allows a full-size humbucker to split to either a “real deal” P-90 or a traditional single coil. Perfect for a wide variety of styles including country, pop, surf, jazz, blues, classic rock, and heavy rock.

Christophe · « **Reply #2378 on:** 22 May 2008, 06:36 »

Thank you muchly for suggestions. Now I know what to look for if I ever have any disposable income that isn't already put towards gas, food, and equipment that has nothing to do with guitars...

Chad K. · « **Reply #2379 on:** 22 May 2008, 11:09 »

Quote from: jeph on 21 May 2008, 18:48

Personally my two favorite bass tones are the really bright P-Bass w/roundwounds and a pick sound that the guy from Sunny Day Real Estate/Foo Fighters gets, and the slightly distorted P-Bass w/roundwounds and a pick sound the dude from Failure and the dude from Shiner got.

Paul Malinowski from Shiner/Season to Risk! I saw Shiner 3 or 4 times and I must say, that bass sound must be heard (and felt) live to be believed. He's really kind of weird about being asked how he gets that tone. I know he uses Mesa Boogie bass heads and a tube screamer, but there's also a preamp in-line I believe. Rumor has it, it's one of those early 80's Peavey numbers that had the "saturation" knob that was essentially distortion. I've also seen him use a delay and chorus with an ebow. Amazing.

doombilly · « **Reply #2380 on:** 22 May 2008, 12:42 »

Quote from: John Paul Jones

On effects: “What can you do with the bass, anyway? You can go wah-wah-wah, or you can phase it and make it sound even muddier than it usually does.”

Chad K. · « **Reply #2381 on:** 22 May 2008, 13:00 »

Eh, depends on who you are. There's a local band here in Phoenix with a bass player who does a lot of atmospheric stuff with pedals that's very cool. I've also seen a guy who used distortion, chorus and an upright bass bow a la Jimmy Page for some great sounds. (See also- Jaco Pastorius re: chorus pedals). Personally, I'm more of the JPJ school, though. I only own passive basses and don't use any pedals other than a tuner. My rig's even a simple Kustom 2x10 combo. I have owned active basses, and used to use a bass chorus through a full stack that had a rackmount compressor, but I found gigging pretty consistently meant that something would go wrong somewhere- either the pedal wouldlstop working, or the batteries in the pickups would die, etc. It's all just a matter of personal preference.

doombilly · « **Reply #2382 on:** 22 May 2008, 13:21 »

It totally is. We have two basses w/ active pickups she doesn't even play.
Conversely, I play a parker. Which is stereo. Into a custom breakout box, into a ginormous pod pedal board into an amp. And I'm using the pod through the effect loop in such a way to just use the power amp on my amp. I figured out that if I cut an old bike inner tube into six inch sections I can use it to keep organized all my cables going to-from the pod and the amp.

Chad K. · « **Reply #2383 on:** 22 May 2008, 13:25 »

Guitar is a TOTALLY different story. I'm still very much a no effects, straight into a 2x12 fender combo guy, but I thnk guitar players can do so much with effects and have greater control than a bass player. Once again, you've got to see Shiner for the effects monsters. Also, Allen Epley's new band The Life and Times is all over the tasteful effects usage.

Lummer · « **Reply #2384 on:** 22 May 2008, 14:25 »

Yesterday I acquired me one of these little bastards:

I don't think I'll ever LIKE the sound of the EMG 81-7 in the bridge, but it's passable. Nevertheless, this is a totally great-feeling and sounding instrument. It plays great, and that's what matters now. I can always throw some passives in later to make it sing.

Bearer · « **Reply #2385 on:** 22 May 2008, 15:53 »

Alright, here's a short crappy demo of my new baby, Sherman the Cigar Box Guitar!

http://www.youtube.com/watch?v=jfREDgZ5SfE

The bridge is a little high, but I can always tweak it. It's crazy how loud it is for being so small!

valley_parade · « **Reply #2386 on:** 22 May 2008, 17:47 »

Quote from: Ioden on 18 May 2008, 20:10

I'm wondering what the general view on a http://www.guitarcenter.com/Epiphone-B-Stock-Les-Paul-Standard-Plain-Top-103812863-i1149387.gc Ebony or possibly Refurbished Ebony?

Brendan Kelly uses that exact guitar with The Falcon. Sounded good when I saw them.

greenMonkey · « **Reply #2387 on:** 22 May 2008, 19:28 »

Quote from: Bearer on 22 May 2008, 15:53

Alright, here's a short crappy demo of my new baby, Sherman the Cigar Box Guitar!

http://www.youtube.com/watch?v=jfREDgZ5SfE

The bridge is a little high, but I can always tweak it. It's crazy how loud it is for being so small!

Ridiculous. Awesome. I can't wait to hear it w/ pickups!

imapiratearg · « **Reply #2388 on:** 22 May 2008, 20:02 »

Was that Pink Floyd?

Bearer · « **Reply #2389 on:** 22 May 2008, 20:24 »

I don't think so, I was just messing with some chords and a bluesy scale.

Also, I'm loving this thing's tone more and more every second! Also, I just found out that my dad still has the old pickups he swapped out of his Strat a while ago. 1980's Squier pickups any good?

jeph · « **Reply #2390 on:** 23 May 2008, 15:30 »

Quote from: Lummer on 22 May 2008, 14:25

Yesterday I acquired me one of these little bastards:

[SG on PCP]

I don't think I'll ever LIKE the sound of the EMG 81-7 in the bridge, but it's passable. Nevertheless, this is a totally great-feeling and sounding instrument. It plays great, and that's what matters now. I can always throw some passives in later to make it sing.

I've heard great things about those new Seymour Duncan Blackouts, which I think can be installed in an emg-style rout without any modification.

Tehz · « **Reply #2391 on:** 23 May 2008, 16:45 »

Quote from: Bearer on 22 May 2008, 15:53

Alright, here's a short crappy demo of my new baby, Sherman the Cigar Box Guitar!

http://www.youtube.com/watch?v=jfREDgZ5SfE

The bridge is a little high, but I can always tweak it. It's crazy how loud it is for being so small!

Wow, that really is impressive.

Spluff · « **Reply #2392 on:** 23 May 2008, 19:33 »

Quote from: Lummer on 22 May 2008, 14:25

Yesterday I acquired me one of these little bastards:

*viper*

I don't think I'll ever LIKE the sound of the EMG 81-7 in the bridge, but it's passable. Nevertheless, this is a totally great-feeling and sounding instrument. It plays great, and that's what matters now. I can always throw some passives in later to make it sing.

Awesome guitar. I've always wanted to get myself a cream colored viper.

Quote from: jeph on 23 May 2008, 15:30

I've heard great things about those new Seymour Duncan Blackouts, which I think can be installed in an emg-style rout without any modification.

I've heard they're great too - and yeah, they're supposed to fit straight into an EMG slot.

diablo_man · « **Reply #2393 on:** 23 May 2008, 21:09 »

guys i just fell in love with the gibson SG at my local music store. which is weird normally i go for the metal axes and dont like the gibby's, but i just picked up this one and all i could play out of it was sweet hard rock and blues. that and it cranks pinch harmonics too. i didnt notice the model no., but it was like 870 $ canadian, and definitely a gibson, red, natural finish. any body know what this would be? couldnt be a standard, they are rediculously expensive.

imapiratearg · « **Reply #2394 on:** 23 May 2008, 21:19 »

Sounds kind of like the one Patrick picked up.

I played a couple of Epiphone Dots today. Holy shit. These are nice guitars for their price. They sound fantastic and play extremely well. Although, one had a slightly slimmer neck than the other. It was really weird.

Spluff · « **Reply #2395 on:** 23 May 2008, 22:28 »

Quote from: diablo_man on 23 May 2008, 21:09

guys i just fell in love with the gibson SG at my local music store. which is weird normally i go for the metal axes and dont like the gibby's, but i just picked up this one and all i could play out of it was sweet hard rock and blues. that and it cranks pinch harmonics too. i didnt notice the model no., but it was like 870 $ canadian, and definitely a gibson, red, natural finish. any body know what this would be? couldnt be a standard, they are rediculously expensive.

Sounds like an SG Special faded.

Lummer · « **Reply #2396 on:** 24 May 2008, 02:39 »

Quote from: Spluff on 23 May 2008, 19:33

Quote from: Lummer on 22 May 2008, 14:25
Yesterday I acquired me one of these little bastards:

*viper*

I don't think I'll ever LIKE the sound of the EMG 81-7 in the bridge, but it's passable. Nevertheless, this is a totally great-feeling and sounding instrument. It plays great, and that's what matters now. I can always throw some passives in later to make it sing.

Awesome guitar. I've always wanted to get myself a cream colored viper.

Quote from: jeph on 23 May 2008, 15:30
I've heard great things about those new Seymour Duncan Blackouts, which I think can be installed in an emg-style rout without any modification.

I've heard they're great too - and yeah, they're supposed to fit straight into an EMG slot.

Yeah, I'm aware of the Blackouts, but I am as always very skecptical about active pickups. I may just swap the 81 out for a 707, since that pickup has actually surprised me very much, in a positive way.
Otherwise, I'm just gonna get some of those EMG-to-passive conversion pickup rings off the internet, and throw in some Bareknuckles or DiMarzios.

Bareknuckle Pickups have these wicked-awesome distressed and rusty-looking pickup covers, that I think would look supremely badass, since the guitar is a little beat-up already. They're pricey though.

Quote from: diablo_man on 23 May 2008, 21:09

guys i just fell in love with the gibson SG at my local music store. which is weird normally i go for the metal axes and dont like the gibby's, but i just picked up this one and all i could play out of it was sweet hard rock and blues. that and it cranks pinch harmonics too. i didnt notice the model no., but it was like 870 $ canadian, and definitely a gibson, red, natural finish. any body know what this would be? couldnt be a standard, they are rediculously expensive.

What the others said, SG Special Faded. I've had one myself for a while and have nothing but praise for that guitar. The bang-for-the-buck factor on that thing is UNREAL!

Patrick · « **Reply #2397 on:** 26 May 2008, 01:10 »

Quote from: valley_parade on 17 May 2008, 08:50

(snip because nobody fucking cares) and look what popped back up on Musician's Friend the very next morning!

GOD DAMN IT WHY DID I ONLY JUST SEE THIS AFTER ARRIVING IN ALASKA.

SON OF 5 SHITS

valley_parade · « **Reply #2398 on:** 26 May 2008, 07:24 »

Quote from: E. Spaceman on 21 May 2008, 23:28

The one thing i hate about Seymour Duncan is that they don't make neck humbuckers for Teles. Seriously guys, it would be great if you made a good Fender Wide Range replica so that i cokd gouge the shit out of my teleclone and make it a Custom.

I'd call Subway and see what they could do. I know they've got a metric fuckton of the actual Wide Ranges sitting around.

imapiratearg · « **Reply #2399 on:** 26 May 2008, 21:46 »

You sort of have a very limited control over tone with acoustics. Mostly through attack, picking style, and your strings. Mostly it's the guitar you get. There's a Taylor I want that is has the sweetest tone ever. Lots of bass, without too much treble. It had mahogany back and sides and a spruce top. However, I have played an Alvarez that was four hundred dollars cheaper, but sounded just as amazing, just a bit more subdued as the body was entirely mahogany.

At the same, I love the different tones and sounds you can make with an electric guitar. Having amplifiers and pedals that all do different things when built one way or another, or do this or that is overwhelming but the opportunities are near limitless. And rock music is great fun to play.

I don't really like one any more than the other. I don't think I should.

(I feel like I was ranting. I apologize if I was.)

THESE FORUMS NOW CLOSED (read only)

Author Topic: The Guitar Topic (Read 1983591 times)

Mr. Mojo

Mr. Mojo

rofflesaurusrex