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sean:
dude christophe they actually crabcore when they play live. it's fuckin hilarious. and one song has a cheezy synth violin part. 

Patrick:
Dovey, that's definitely fair, although if you can't get full-on stereo separation due to a single o/h and a single kick, you could always just pan vocals a little bit one way and drums a little bit the other way. Doesn't make it perfect, but it helps a lot.

If all you've got is two mics, you'll HAVE to have a dedicated kick. There's just no other option really, if you don't you're gonna have nothing in that department. Just raise your o/h higher and make it hotter.

valley_parade:

--- Quote from: valley_parade on 22 Feb 2011, 11:18 ---But that chord thing I was texting you about last night, that'll be the newest Havlicek Stole The Ball! track by the end of the week.

--- End quote ---

Guys, can I ask a little advice? I've got this in two parts now..the first bit starts off Am, C, Em/G, and the second bit goes into D, C, Em/G, but I feel like it needs more and I don't know where to go from there?

Side note: It's all capo 5, mostly appregiated, and clean. Also, this is where I needed to pay better attention in theory..what fucking key am I in?

ALoveSupreme:
It sounds like you're in Am/Cmaj (or rather Dm/Fmaj given your capo).

The Dmaj chord just augments the 6th tone of the scale (if you're thinking in terms of Am and forgetting you're capoed).  Or, if you're in the major key I mentioned (Cmaj), the "D" chord is a V/V which is a chord that could help you modulate into Gmaj.  Maybe this part you're writing could be a bridge to a chorus in G?

Basically the "D" chord will sound cool (try making it a D7, I've been playing with that lately) if you're in Amin.  And technically with your capo it sounds like you're in Dmin.

valley_parade:
Cheers Paul.

Of course I won't be home until later tonight and will forget all of this..but noted. I kinda figured going to G would be inevitable at some point.

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