Fun Stuff > BAND
Wink Wink 2011 - A bit of a change this year
FloridaRotisserie:
--- Quote from: gospel on 09 Jun 2011, 21:58 ---
Peter Stampfel and Jeffrey Lewis - Come On Board
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Bodies of Water - Twist Again
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Hey, thanks for these. My love for Jeff Lewis will never die, even though every time I buy tickets to see him, he cancels.
Bodies of Water were the soundtrack to a dusty summer about 4 years ago. ♥
As one can never own enough music by bands with wolf-related titles, I shall also be checking out Wolf Gang. :mrgreen:
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yop:
Objekt - Objekt EP2
--- Quote ---Newcomer Objekt, on his website, states that his series of white labels aims to "make subs rattle" and be "a convoluted mess of dubstep, 3-step… post minimal wankstep, shithouse, acid wonk…" Well then. It seems that by disregarding conventions in a big way, he's got everyone very excited indeed. On the back of a single 12-inch, he's managed to get bookings right alongside the likes of Loefah and Peverelist, and have even more key players singing his praises.Anyone, of course, has the potential to do his or her own thing, but it's the way he does it that's important; there's a deceptive amount of control if you look closely enough. Based around raw machine drums, he's so off the beat it makes you wince in sympathy for the circuits. Crucially, though, the seams never quite split. "CLK Recovery" takes a while to come in, idling its time around a 2-step slanted straight beat, with twitters and shrieks punctuating things wildly. It's fiercely heavy, raw techno shot through with insane melodies.The drums boom, and reverb is liberally applied, with a sense of open space throughout. "Unglued" applies this to familiar dubstep/future garage effect, although the magnitude of it and the feel are more remarkable. Like "CLK," it's both challenging and slamming: a wicked combination.
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Objekt - Objekt EP1
--- Quote ---Lean and hungry dubstep minimalism from the hugely promising Objekt label. We know b*b-all about the artists but in true, facelessly underground style, the music does all the talking. For the forward steppers 'The Goose That Got Away' jams on a warped 808 rhythm and ascending chords vibe, sounding something like Pearson Sound sparring with Jam City. Next, 'Tinderbox' turns out a more menacing vibe, building a forcefield of 808 bass to protect crunked-out triplet rolls and a rush of darkside adrenaline synths tapping into a deep reserve of UK rave essence. Support from Peverelist, Appleblim, Ben UFO and Pinch. This is the sh*t, basically. TIPPED!
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Fave of the month! Check!
#1
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Mr Fantasy:
Blue Sky Black Death - Noir
--- Quote ---Some of the best rap instrumentals these days can work equally well as moody electronic music, drifting naturally between the worlds of hip-hop or R&B and ambient, post-dubstep, or chillwave. Noir has a similar way of wringing strangely affecting emotional grandeur from the rudiments of sound, though BSBD's style relies less on glitch or drone and more on starry-eyed orchestral vastness. Using an impressively naunced deployment of strings, piano, and guitar as well as drum loops and hazy synths, the album has a patient, steady beauty, ranging from glowing panoramas evoking M83 to the classical-informed abstraction of Anticon acts like Dosh and Son Lux.
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yop:
--- Quote ---Zomby is both a purist and a perfectionist. One of the most talented producers of a generation and someone capable of negotiating skilfully between genres, be it jungle, dubstep, rave, garage or whatever tag you want to put on it. Couple this with the numerous and incredible 12”s, EPs and remixes that have been aired over the past five years and it’s clear just why he’s built quite a heady reputation for himself. It’s been over two and a half years since he released his debut album, Where Were U In ‘92?, a rave record evoking that titular period, when Dreamscape, Fantazia and Universe flyers adorned bedroom walls, and tape packs and pills became a national staple. Using early- 90s equipment like an Akai S2000 and an Atari ST, he captured the moment; “a history lesson, a depiction of a musical timeline that folds in on itself, and a revival that works because it approaches its subject with the idea that it simply evolved instead of died,” (Pitchfork).Following a series of releases that switched from the melancholic to the menacing, Where Were U In ‘92? further marked the producer out as an unpredictable, underground hero. Among discerning listeners, anticipation for new Zomby material is now high but outside of him teasing fans with a few out-takes via the internet, there hasn’t been much to go by in recent times. That was until the end of last year when hauntingly beautiful new track, 'Natalia's Song', appeared unannounced in a Burial and Kode9 mix for Radio 1. Catching people off-guard, it served to pour fuel on the fire and leave all anticipating what was to follow.Having signed a worldwide deal with 4AD, that wait is almost over. ‘Natalia’s Song’ was afforded a proper release on May 10th and is also included on his second album, Dedication, which is being released on July 12th.A wholly different record to its predecessor, Zomby returns from his hiatus with typical style. It is both a dark and absorbing listen that engulfs the listener, running between sparse electronics, techno hooks and minimal piano riffs.Making up for lost time, Dedication continues to put Zomby at a distance from his peers. By the time they’ve caught up, he’ll no doubt be somewhere else entirely.
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New Zomby LP - Stolen from what, uploaded here :wink:
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amok:
sweeeet.
Objekt EPs are pure class too.
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