Fun Stuff > BAND
Wink Wink 2011 - A bit of a change this year
amok:
--- Quote from: zero" ---Go Hiyama's 'Wa' starts out as an airy dub-techno track until a rocket-propelled synth staccato seizes control for a short and intense breakdown. 'Kakeru' and 'Waru' utilize stumbling industrial grooves in best Surgeon fashion, and 'Hiku' is slow-grinding rhythmic sound art. Intense.
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--- Quote from: anjunadeep ---Built on a breaking funk groove, "The Last Wave" instantly takes a unique step from recent Anjunadeep releases and gently builds with cosmic, heart-swelling melodies that twist and turn upwards. Touching on Balearic, comic disco and groove-fuelled house, "The Last Wave" is a summer masterpiece that evokes laidback beach party vibes.
A huge fan of the original track, Bristol's Jody Wisternoff makes a welcome return to Anjunadeep with his clubbier take on "The Last Wave". Still maintaining that Balearic vibe and cosmic energy of the original, Jody's rework ups the energy levels and creates a hypnotic progressive groove that releases itself perfectly when the track drops.
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--- Quote from: the quietus ---If there is a cohesive Endless House sound, outside of the structural and melodic idiosyncrasies of its eccentric guests, then it's one that involves falling through a deliberate and paradoxical temporal wormhole. Our ambiguous provocateurs have sculpted the sonics of a post New Gold Dream Kraftwerk. This is the sound of all those heady dreams of utopian 80's pop music – the conceptual conceits of ZTT finding their brief realisation in Propaganda, the European grandeur of The Associates and Yello – the entire history of house and techno giving birth to the very sound that in this world originally gave birth to them: a simultaneous pre-and-post-Trans-Europe Express. But this is also filtered through an, if not exactly lo-fi sensibility, understated production – clipped and slightly muted beats, synths hovering just on the edge of distortion – the ludicrous fragility of Kantor's dreams transplanted on to the very texture of the music itself.
(full review)
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amok:
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yop:
amok Excellent share mate! This is exactly what i like.. thank you!
--- Quote ---Lone, Pearson Sound and Four Tet come correct for a third Radiohead remix session sprung from 'The King Of Limbs'. Frontside Lone remixes 'Feral' as a humid simulation of hybrid Funky/Techno drums with a cascading waterfall breakdown and pharmaceutically synthesized vibes all the way. Heading further out, Pearson Sound's Scavenger remix of 'Morning Mr Magpie' spreads out the intro of pastoral, glistening synth washes and tentative subs before balling into futurist FunkyXFootwork mechanics. Most impressive, however is Four Tet's 'Separator' remix, gliding Thom Yorke over warm and woozy synth convections and shuffled Drag rhythms. Smart.
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digital flac // another three fine radiohead remixes :)
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Nappuccino:
I noticed a severe lack of Owen in this thread and, as such, I feel compelled to bring you two of Mike Kinsella's older releases under this title.
Owen- Self Titled 320kbps
Allmusic says:
--- Quote ---This self-titled release is comprised of nine songs recorded at Mike Kinsella's own home studio, using his own equipment. Kinsella also performed all the music, did all the mixing, and recorded the whole thing. Despite what many might think, it all sounds very good....his voice is the carrier of the infectiously morose tales which only a Kinsella is capable of weaving.
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Owen- I do Perceive 320 kbs
Allmusic says:
--- Quote ---Mike Kinsella continues as Owen on his third full-length, I Do Perceive, out on Polyvinyl. Kinsella constructs sensitive, emotional music, showcasing nice hooks and skillful guitar picking against electronic and acoustic drumbeats. Whispery vocals crack from exhaustion throughout I Do Perceive -- dramatic words weigh physically on Owen to the point where Kinsella can barely get anything out. The music is in the emo-indie rock camp with the likes of Pedro the Lion and Dashboard Confessional, songs of relationships and longing with melodramatics included. Kinsella is most successful when he changes up the structure and instrumentation within a song. "That Tattoo Isn't Funny Anymore" and "Bed Abuse" are standout tracks with interesting time changes and lush switches from solo acoustic guitar to full band atmospherics. I Do Perceive is more of the same from Owen -- a decent, melancholy release that stands up with others from his discography.
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Punknews.org:
--- Quote ---every so often, something comes around that makes you realize just how much you love music. This year, for me, it is Owen’s I Do Perceive.
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sean:
you know what, owen kinda sucks
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