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Author Topic: The "wink wink" Thread 2010: This Time It's Personal  (Read 574609 times)

Zingoleb

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1400 on: 24 Aug 2010, 14:49 »

Every time I look at that title though I see the word 'cunt' in there.
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1401 on: 24 Aug 2010, 21:38 »

S. Carey - All We Grow


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http://www.mediaf!re.com/?xq9mej3dm4p2ofz
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1402 on: 24 Aug 2010, 23:26 »

Nice one, thanks. Been lookin for that.

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1403 on: 25 Aug 2010, 08:52 »

I thought I remembered somebody wanting this album, in any case I'm shocked it's not been posted. Great great record.

Saturday Looks Good To Me - All Your Summer Songs [2003] (260 VBR kbps)



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http://aminormass.blogspot.com/2010/08/sounds-of-summer-saturday-looks-good-to.html
*sorry for whoring my own blog so openly, I suppose I think I'm entitled.

*there is a bunch of stuff that people may enjoy there

allmusic
Quote
Even though the largely emo-based Polyvinyl Records doesn't seem like the most natural home for Saturday Looks Good to Me's winsome, nostalgic pop, the undeniable emotional pull and heartfelt delivery of Fred Thomas and company's music makes it a better fit than one might expect. All Your Summer Songs, the group's fifth album and Polyvinyl debut, is another triumph, expressing the complexities of being in and out of love with deceptively naïve music and lyrics that are wise beyond their years. While Motown, Phil Spector, and the Beach Boys still exert a strong influence on Saturday Looks Good to Me's sound -- especially on "Alcohol" and "Ultimate Stars" -- the band explores an entire bandwidth of AM radio moments, ranging from the "Itchycoo Park" drum fills on "Meet Me by the Water"; the Peter & Gordon-esque acoustic guitars on "No Good with Secrets"; and the Byrdsy jangle of "You Work All Weekend," which sounds like said band backing the Magnetic Fields' Stephin Merritt. And while Thomas has as much reverence for -- not to mention ability to create -- a perfectly written two-and-a-half-minute pop song as Merritt does, his music sounds fresher and less contrived despite its retro allusions. Indeed, aside from pleasing record collectors and oldies geeks, the reconfiguration of sounds past that makes up Saturday Looks Good to Me's style gives their music a timeless yet fresh feel that also has an instant familiarity. "Caught" and "Typing" (which also includes the priceless lyric "You spent such a long time typing/That you forgot how to write letters") are twinkling pop confections ready for cameos on the soundtrack to a Wes Anderson movie, while "Underwater Heartbeat" casts singer Erika Hoffmann as a lovelorn mermaid. Along with Hoffmann, All Your Summer Songs also features indie luminaries and long-time SLGTM auxiliary members like Ted Leo, Dan Littleton, Matthew Smith, Karla Schickele, and Jessica Bailiff, although Thomas himself sings the album's most painfully intimate songs, such as "The Sun Doesn't Want to Shine" and the title track's slow-motion breakup lament. Even so, a wistful feeling pervades even the album's most upbeat moments; songs that start out bright and bouncy often end with a sigh. Sonically, the album is slightly more polished than the band's earlier works, but not by much; though "Ambulance," one of their best songs, appears in a cleaner, lusher version here, the album was still recorded mostly on four-track and still features the abrupt starts and stops and interludes that give the group's work a dreamy, stream-of-consciousness feel. Ultimately, All Your Summer Songs is quintessential Saturday Looks Good to Me, which should delight old and new fans of the band alike.








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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1404 on: 25 Aug 2010, 15:12 »

Zero Comma, Irotoridori no Sekai - Mass Of The Fermenting Dregs[2010](320kb/s)

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http://www.mediafire.com/?g5bji1x6mh8lp6g
« Last Edit: 25 Aug 2010, 15:19 by Zombiedude »
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1405 on: 25 Aug 2010, 23:20 »

i have had a shitty day today but that album just put a big ol japan shaped bandaid on it
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1406 on: 26 Aug 2010, 22:23 »

Gobble Gobble - Neon Graveyard

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http://www.mediafire.com/?qxiumzxlgmh
Gobble Gobble - Lawn Knives / End of Days (singles)

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http://www.mediafire.com/?fc63hrjlgzn4efm
MySpace

"Lawn Knives" (YouTube)


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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1407 on: 27 Aug 2010, 08:49 »



Palenque Palenque: Champeta Criolla & Afro Roots in Colombia 1975-91



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http://www.mediafire.com/?l76r0joat1zgh92

From Dusted Magazine
Quote
Erasing ignorance can be bliss, especially if it’s accompanied by the discovery of a hitherto untapped source of musical delight. Who knew that in the mid-1970s, a quarter century before the world Afrobeat revival picked up steam, musicians were cutting the stuff to considerable acclaim in Colombia’s coastal cities? No one outside South America, that’s for sure, except for the African record distributors who helped fuel the craze. Colombia’s links to Africa stretch back much further. The port city of Cartagena was a major terminal for the trans-Atlantic slave trade, and waves of runaway slaves made their way to palenques, fortified free cities on the country’s Pacific coast, whose population to this day is 90 percent African-descended.

In the 1950s, sound systems, similar to those in Jamaica, called picós became a fixture of social life in cities like Baranquilla and Cartagena. Alongside local sounds, they played music from elsewhere in the Caribbean and Africa. Picós competed to secure African records by the likes of Fela Kuti and Orchestre Polyrythmo De Cotonou, steam their labels off, and use these exclusive songs as bait to lure audiences. As in Jamaica, demand for hot new tunes out-stripped supply and local musicians stepped into the breach. The Palenque Palenque compilation is a primer on that homegrown music, which was named Champeta after the knives wielded by the working-class people who fought and danced to it. In typical Soundway fashion, it was assembled by a life-long fan — C olombian crate-digger Lucas Da Silva. And per usual, the packaging and annotation are treats for the eyes and brain; the 32-page booklet includes vintage band photos, record sleeve images and colorful contextualized essays.

But the real treat is the record. Twenty-one songs strong, it’s a summer party soundtrack as well an introductory education. The 15 Champeta musicians included on this set had their ears to the ground, picking up not only African sounds but also those of the rest of the Caribbean, as well as more northerly funk and rock influences. The music is undeniably African throughout; there’s the Fela-like interlock of chanted patois, stuttering guitar and honking sax on Cassimbas Negras’ “Bumburumbumbum”; the lilting guitars, rubbery bass and high-pitched backing vocals of Abelardo Carbonó’s “Palenque”; and the surging hand drumming on Cumbia Sigo XX’s “Naga Pedale.” It’s also designed to keep the energy high; if you aren’t galvanized by the snarl that kicks off Wganda Kenya’s “Pim Pom,” you really should have the nurse cut back on the narcotics in your drip bag.

But it doesn’t deny its Latin roots either; Carbonó’s “Quiero a Mi Gente’s” chicken-scratching guitars ride a manically clip-clopping cumbia groove, and the squelchy keyboards and layered bongo beats that punctuate Los Soneros de Gamero’s tersely barked vocals speak the lingua franca of tropical disco at the same time that the heavily echoed horns sing the siren song of the Kalakuta Republic. And the Donald Duck-voiced commentary that Carbonó (when will this guy get his own set?) drops into “La Negre Kulengue” shows that he grasps the same lesson as Arthur Russell, Lee Perry and Jordy: You can get away with all sorts of ridiculous shit so long as you take care of the beats. Great stuff.

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1408 on: 27 Aug 2010, 19:41 »

Guys, I'm about to make your weekend that much better.

Kanye West f/ Jay-Z, Rick Ross, Justin Vernon of Bon Iver, and Nicki Minaj - "Monster"



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http://www.mediaf!re.com/?11m2a8uq5ovmc24
« Last Edit: 27 Aug 2010, 19:47 by Mr. Tool »
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JD

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1409 on: 27 Aug 2010, 19:50 »

whoa whoa what

Quote
Rules:

The first rule of mediaf!re thread is you do not talk about mediaf!re thread.

The second rule of mediaf!re thread is no smorking.

No hot-linking images or albums. You can re-host images at http://imageshack.us.

Ensure your tags are correct and that you have specified both Artist/Album in your post.

Upload your files in either a .zip or a .rar archive to mediaf!re.com, in multiple parts if the album is over 100mbs. The reason for this is that we know mediaf!re is safe and efficient and allows multiple downloads. The ads on other sites, such as Sendspace, are known to contain viruses on the page. Get yourself checked out.

Post your link using code tags. It's the # icon above the policeman emoticon. This prevents the links from being traced back to the forums, lowering the chance that the wrong people notice the thread, potentially threatening Jeph with legal action.

Also, please do NOT request albums. This includes requests for re-uploads; if you miss it, try looking for it somewhere else.

Repost the rules at the top of each new page.
« Last Edit: 27 Aug 2010, 20:01 by Zombiedude »
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1410 on: 27 Aug 2010, 19:51 »

Oh look, everything good in the world just died
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1411 on: 27 Aug 2010, 20:02 »

it ain't saturday yet, that can't happen
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1412 on: 27 Aug 2010, 20:52 »

did someone post a j-biebz album? i'm too afraid to look
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1413 on: 27 Aug 2010, 20:53 »

oh and

starfucker - julius



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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1414 on: 27 Aug 2010, 21:21 »

did someone post a j-biebz album? i'm too afraid to look

A Kanye West song
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1415 on: 27 Aug 2010, 21:28 »

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1416 on: 27 Aug 2010, 23:14 »

personally, i'm excited for the new kanye album.
But here is an album that is (unless I am wrong) guaranteed to make you happy.
Anamanaguchi - Scott Pilgrim Vs. The World Game Soundtrack
Code: [Select]
http://www.mediaf!re.com/?cay5973dteo0o0m
I swear, it sounds like a glorious Mega Man music throwback.  Its nerdy, but I put on Another Winter and feel insanely happy.  Like a kid again.

Also, I know I promised to upload more Seagull, Screaming, Kiss Her, Kiss Her stuff.  I will soon post the remaining albums and EPs I have that are not posted currently. 
« Last Edit: 27 Aug 2010, 23:21 by ellis »
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1417 on: 28 Aug 2010, 00:38 »

Is that the official? There are some direct rips floating around.
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1418 on: 28 Aug 2010, 01:04 »

Yeah I think it is
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1419 on: 28 Aug 2010, 07:10 »

I am not positive to be honest.  It has a different track listing than that listed on iTunes.  It may be a direct rip because the track listing does seem to just be each moment of music in the game ripped and in order, while the "official" on iTunes is divided up more into longer songs.  That being said, they seem to have the same amount of music, just divided up into different tracks.
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1420 on: 28 Aug 2010, 11:43 »

Paprika OST(320kb/s)

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http://www.mediafire.com/?rj83pm0y8rbmmblMeditiational Field
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1421 on: 28 Aug 2010, 13:42 »

Kanye West f/ Jay-Z, Rick Ross, Justin Vernon of Bon Iver, and Nicki Minaj - "Monster"

 :?
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1422 on: 28 Aug 2010, 14:05 »

Yeah, apparently, Kanye West wanted to sample a Bon Iver track, but decided to fly him to his studio instead. Less costly, I guess?
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1423 on: 28 Aug 2010, 15:41 »

In other news I finally got hold of a folk record that I've been trying to get hold of for a while now and I think that everyone should have the chance to hear it so here it is.

Serious Sam Barrett - Close To Home [320kbps]



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http://www.mediaf!re.com/?uyyxx3344eilrl6
« Last Edit: 28 Aug 2010, 16:23 by the_pied_piper »
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He even really sponsored terrorism! Libya's like Opposite-Iraq, where all the lies are true!

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1424 on: 28 Aug 2010, 22:07 »

That No Cunt For Old Men is pretty rad
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1425 on: 28 Aug 2010, 22:20 »

oh yeah

Cancer Bats  -  Bears, Mayors, Scraps and Bones[2010]

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http://www.mediafire.com/?6gx7n035bk6i2ksSabotage
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1426 on: 29 Aug 2010, 03:51 »




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http://www.mediafire.com/?o6t7sr4fifjfj3a
Marvin Gaye - What's Going On


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This is the album What's Going On by Marvin Gaye
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1427 on: 29 Aug 2010, 11:10 »

Classic
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1428 on: 29 Aug 2010, 12:11 »

In other news I finally got hold of a folk record that I've been trying to get hold of for a while now and I think that everyone should have the chance to hear it so here it is.

Serious Sam Barrett - Close To Home [320kbps]



Code: [Select]
http://www.mediaf!re.com/?uyyxx3344eilrl6

Completely wonderful
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1429 on: 29 Aug 2010, 18:57 »


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http://www.mediaf!re.com/?m1jy2a907w1ne7d
Okay, so the label isn't what it used to be. But this amazing two piece hasn't changed much. I present to you the latest Azure Ray album "Drawing Down The Moon." It just leaked, and is seriously worth picking up. In my book, there's never such thing as enough Maria Taylor -- and this album has just enough Orenda Fink.
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1430 on: 29 Aug 2010, 21:40 »

My Sick Uncle - (500) Days of Weezy



Seriously the best mashup I've heard since Jadiohead. The music from the 500 Days of Summer doesn't seem like it would work with Lil Wayne's (and other rapper's) rapping, but it works surprisingly well. This is definitely not super party mashup a la Girl Talk. It is definitely more mellow and easier to listen to the whole way through (probably due to the 500 DoS sampling). If you are a fan of the music from 500 DoS, or Weezy, or both, or just want to listen to new and good interesting music check this out.

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http://www.mediaf!re.com/?pi98o4x5ooxpa1f
You can listen to it all here too.
« Last Edit: 29 Aug 2010, 21:42 by Harun »
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1431 on: 30 Aug 2010, 11:01 »

azure ray

holy tits this is awesome
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1432 on: 31 Aug 2010, 01:23 »




Meco - Ewok Celebration

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http://www.mediafire.com/?murymexkru4xsic
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This is an album of italoish disco covers of sci-fi  movie themes
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1433 on: 31 Aug 2010, 21:18 »

Black Mountain - Wilderness Heart[2010]

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http://www.mediafire.com/?aa5rnjlfls22dzbOld Fangs
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1434 on: 01 Sep 2010, 00:44 »

Hey so I've been gone for two years and I decided to make my return by bringing you an album from the land wherein I sojourned, that is, KOREA.


BigBang - Remember
Code: [Select]
http://www.med!afire.com/?02w00q4a082d1d1
So you might think that its weird that I'd listen to and highly recommend a Korean Pop Album, but you have no idea how amazing this is.

Also, might as well upload this.


G-Dragon - Heartbreaker

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http://www.med!afire.com/?7lecdjild9ccpfu
This guy is one of the members of Big Bang, and its his Solo Album.
The cover is actually a huge plastic model.  Maybe I'll upload some pictures of my physical copy later.... but I might forget so I dunno why I'm even typing all this out!

Eh, just give them both a listen.
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1435 on: 01 Sep 2010, 10:18 »

derelict - of course it's cashmere (2010)



one of my friends/labelmates just released his mixtape, it is pretty awesome. you can download it for free at his bandcamp. best tracks are "ay yo" and "runaway"

salem - king night (2010)



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witch house.
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1436 on: 01 Sep 2010, 17:23 »

Salem link has been deleted, re-up?
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1437 on: 01 Sep 2010, 20:12 »



The Stone Roses: 20th Anniversary Collector's Editon (320kbps)

1. I Wanna Be Adored  — 4:52
2. She Bangs the Drums — 3:52
3. Waterfall — 4:40
4. Don't Stop — 5:20
5. Bye Bye Bad Man — 4:06
6. Elizabeth My Dear — :54
7. (Song for My) Sugar Spun Sister — 3:26
8. Made of Stone — 4:15
9. Shoot You Down — 4:14
10. This Is the One — 4:59
11. I Am the Resurrection — 8:14
12. Elephant Stone [12'' Version] — 4:53
13. Full Fathom Five — 3:05
14. The Hardest Thing in the World — 2:44
15. Going Down — 2:49
16. Guernica — 4:24
17. Mersey Paradise — 2:48
18. Standing Here — 5:09
19. Simone — 4:27
20. Fools Gold [Full Length Version] — 9:55
21. What the World Is Waiting For — 3:52
22. One Love [Full Length Version] — 7:46
23. Something's Burning [Full Length Version] — 7:45
24. Where Angels Play — 4:16
25. I Wanna Be Adored [Demo] — 3:44
26. She Bangs the Drums [Demo] — 3:49
27. Waterfall [Demo] — 4:47
28. Bye Bye Badman [Demo] — 4:07
29. Sugar Spun Sister [Demo] — 3:31
30. Shoot You Down [Demo] — 4:27
31. This Is the One [Demo] — 4:02
32. I Am the Resurrection [Demo] — 6:41
33. Elephant Stone [Demo] —3:16
34. Going Down [Demo] — 2:41
35. Mersey Paradise [Demo] — 2:49
36. Where Angels Play [Demo] — 3:18
37. Something's Burning [Demo] — 3:05
38. One Love [Demo] — 6:22
39. Pearl Bastard [Demo] — 3:42


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MU
Pt. 1 - http://www.megaupload.com/?d=JZNS97K6
Pt. 2 - http://www.megaupload.com/?d=8XC5OL30
Pt. 3 - http://www.megaupload.com/?d=KY0D44UA
Pt. 4 - http://www.megaupload.com/?d=JKE5OJOD

MF
Pt. 1 - http://www.mediaf!re.com/?524e65pp3pl56w7
Pt. 2 - http://www.mediaf!re.com/?dd6dm3y9sne6fff
Pt. 3 - http://www.mediaf!re.com/?checjls517jzscf
Pt. 4 - http://www.mediaf!re.com/?nbfd36f2udfmilq







SWEET CHRISTMAS!
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1438 on: 01 Sep 2010, 23:04 »

salem - king night (2010)

sweetsweetsweet

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1439 on: 02 Sep 2010, 02:14 »

Salem link has been deleted, re-up?
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http://www.mediafire.com/?y3u175ced7gk6w2
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1440 on: 02 Sep 2010, 02:41 »

lol clever file name
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1441 on: 02 Sep 2010, 08:39 »

Zola Jesus - Stridulum II[2010]

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http://www.mediafire.com/?mjm4cy6yqrdq2g2Night
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1442 on: 02 Sep 2010, 09:36 »

Wild Album Appeared!

The Austerity Program - Backsliders and Apostates Will Burn (2010)


Swoon used Code Tags!

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http://www.mediaf!re.com/?61142b6zmj11c7u
It's super effective!
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1443 on: 02 Sep 2010, 10:20 »


(2010 / nu-skool breaks / 320kbps)

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http://www.mediafire.com/?7u39o6h0mpuqd7r

(2010 / trance / 320kbps)

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http://www.mediafire.com/?6df6rgrmgfddg16

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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1444 on: 03 Sep 2010, 01:37 »

I'm normally not into the electronica or ambiant stuff, but this album made me feel good inside. The old, Russian synth is just warm and comforting.

2muchachos - Formanta


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http://www.mediafire.com/?agx4h0rncn3jd9s
http://www.mediafire.com/?7y3pe8g69ngedug
Quote
The album title, ‘Formanta’, comes from the Latin formatio (formation) & is also the name of a 70s soviet vintage synthesizer. The record has elements of electronica, folktronica, shoegaze & ambient & each track washes you gently with lush deep, warm beautiful sounds that recall the likes of Ulrich Schnauss & Isan. As the instrumental explorations progress, the Russian trio find themselves carefully crafting an ambience that brings their sound closer to the realm of Sigur Ros’ slow-core – although this is far more subdued & delicate – & their mastery of pastoral bliss has more in common with those other Icelanders, Mum. Apparently, Radiohead’s ‘Kid A’ & Portishead’s ‘Third’ albums have also been a major inspiration for this album & that is certainly apparent here too. There are lots of ambient hissing noises, crackles, unidentifiable percussion, droning organs, hushed echoing vocals & some really awesome glitchy idm that make up this rather wonderful release. Highly recommended. Parallax

MySpace
"Thaw / Snowdrops" (Vimeo)
"Northern Sea Ghosts" (Vimeo)


And an EP
2muchachos - presprng EP
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http://www.mediafire.com/?lin1cowj54k
While we're at it, might as well throw in the Mogwai Live / Best-of CD
Mogwai - Special Moves

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http://www.mediafire.com/?lz8yl1uqlfkzk3z
http://www.mediafire.com/?ae04fnryj2x1mhr
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1445 on: 04 Sep 2010, 10:09 »

My Sick Uncle - (500) Days of Weezy



Seriously the best mashup I've heard since Jadiohead. The music from the 500 Days of Summer doesn't seem like it would work with Lil Wayne's (and other rapper's) rapping, but it works surprisingly well. This is definitely not super party mashup a la Girl Talk. It is definitely more mellow and easier to listen to the whole way through (probably due to the 500 DoS sampling). If you are a fan of the music from 500 DoS, or Weezy, or both, or just want to listen to new and good interesting music check this out.

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http://www.mediaf!re.com/?pi98o4x5ooxpa1f
You can listen to it all here too.

This is actually fantastic. Kind of reminds me of that the XX/Biggie mashup.
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1446 on: 05 Sep 2010, 13:17 »

Vinyl ripz. Mostly experimental / neo-kosmische stuff.


Raven Chacon - At the Point Where the Rivers Crossed, We Drew Our Knives

Quote from: Boomkat
*Dark and harrowing drones and location recordings from this mysterious American avant-garde/noise composer - limited to 200 copies for the world* Following on from his incredible collaboration with William Fowler Collins under the 'Mesa Ritual moniker, Raven Chacon returns with this super-rare vinyl outing after a string of releases on tape and CDR. The first side on this album is dominated by 'The Totem of the Total Siren', a harrowing piece using resonating snare rattle, bone whistle and nylon stringed guitar. The recording gradually builds on the snare's nervous shudder, gradually turning into a swarm of subdued noise, coalescing with a low-pitched whistle placing us directly in the eye of a swirling storm. 'La'ts'aadah' is more intimate, a primitive piece for solo violin recorded close to the performer (Mark Menzies) with a worn-down microphone sounding like a dramatic, ancient middle eastern lament for a grandmother on her deathbed. Finally, a chamber piece for the Mary Washington Wind Ensemble entitled 'Hasta'aadah' layers sombre melodies into a thick drone, offering an eerily detailed composition, almost like Edward Williams score for 'Life On Earth' but with a far more sinister and chaotic arrangement scored for unconscious creatures. Limited to 200 copies only for the world and housed in a screen-printed cover by Jaycee Beyale - do not miss.

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http://www.mediaf!re.com/?zogkd2jm64o9bao


CV313 - Subtraktive (King Midas Sound / The Sight Below Mixes)

Quote from: Boomkat
**Clear Vinyl** Heavyweight remix package from Echospace, pitting the ethereal space-pressure of Steve Hitchell and Rod Modell's CV313 against the claustraphobic dub menace of Kevin Martin's King Midas Sound and the layered ambience of Rafael Anton Irisarri's 'The Sight Below'. Its the King Midas version that pretty much owns this record though, more or less completely re-structuring and re-working the original into a noxious burner complete with the signature deadpan narration of Roger Robinson and the far-flung, almost detached vocal delivery of Hitomi pitted against a compacted tangle of deeply unnerving low-end rumbles and a mesh of effects and midnight drones worthy of Martin's involvement with Experimental Audio Research all those years ago. Remixes are rarely this ambitious - and it's a credit to all parties involved that the end result is a substantial contribution not only to the Echospace discography but to the King Midas Sound canon - small and perfectly formed as it is. The Sight Below, meanwhile, keep much more closely to the original's genetic code, unwinding hazy dub chords around a padded 4/4 with subliminal washes of melody that have become something of an Irisarri signature over the last couple of years. Ending off the twelve, Modell and Htchell reserve the flipside for themselves with an extended live mix that lifts the track into a more defined warehouse environment, with shuffling percussion and fathoms-deep bassline intact. Limited copies - highly recommended.
The KMS remix is quite excellent.
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http://www.mediaf!re.com/?0dyf08j1ympv8lg


Suum Cuique - Midden

Quote from: Boomkat
*Immense, dark and unbelievably heavy analogue productions somewhere between Eleh, Pan Sonic and Eliane Radigue on this limited edition vinyl pressing. It doesn't really matter when this music was made or by whom, all you need to know is that only 400 copies have been made for the world, housed in a suitably anonymous white-on-white embossed sleeve* Suum Cuique (pronouned Soom Kwi-Kwe, Latin for "To Each His Own") follows the remit of Young Americans to explore uncharted, experimental, and personal synthscapes, guided by the hand of intuition with an entirely analogue array of machines. There's a confidence and ability to these productions which elevates them above the masses of lo-fi synth meanderings currently murmuring in the underground, occupying the tantalising space between Eliane Radigue and James Ferraro, or Thomas Köner and Daphne Oram, creating a dialogue between their shared and opposing aesthetics to give an emotional response with deeply chilling and engrossing results. In 'Lithic Reduction' concrète textures grind like a millstone to release powdery clouds of analog dust, settling only to be dispersed by gusts of blackened distortion, whereas 'Red Binary' is distinctly electronic, revolving around muted radar bleeps like the resonance from SAW II soundtracking a speckly pill experience that's starting to go west. The album's centrepiece, the aptly titled 'Entropy' nods to the sublimely stoic work of Eleh, radiating microtonal bass shifts while a bitter northerly wind builds in intensity. Brilliantly out of place, 'Cyclic Redundancy' opens the flipside with a majestically submerged slab of completely obliterated and submerged 4/4, like an unholy collusion between Mika Vainio, Sandwell and Bernard Parmegiani soundtracking a trade union rave in the 1950's, before 'Even In Death...' conjures imagery of a eulogy given by a Mongolian throat singer with crows circling overhead. Strictly limited copies, catch it while you can.

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http://www.mediaf!re.com/?t55khlxttu8z8kj


Jam City - Ecstacy Refix

Quote from: Boomkat
The Night Slugs juggernaut continues apace, with another limited white-label pressing and the long-awaited vinyl debut of hugely tipped London producer Jam City. To many he first came into view when Fact magazine hailed him as the most exciting prospect for bass music in years, and after devouring his by now classic mixes for Lower End Spasm and Fact itself we really couldn't possibly argue - despite the fact that he's had no releases of his own to speak of until now. So all of this is just to say that there are people clamouring for this twelve, and a few minutes in the company of the opening track will bend you into submission if you had any resistance left in you, 'Ecstacy Refix' is just one of those anthemic wonders that defies easy categorisation, employing distinctive Grime signatures but with an almost euphoric color palette that takes in rave stabs and distant percussive hits, proper hands-in-the-air styles for peaktime summer jams. Over on the flipside "Let me Bang Refix" does a similar thing with a different trajectory, borrowing bouncy booty bass structures and reducing them to a gooey mess of layered strings and fluoro synths, while Shut The Lights Off (Devil Refix) gives off an Eski vibe but with the urban angst replaced with a late-night-drive scene that's just owning it for us right now. Crazy times - this is just too good.
I initially fucked up by ripping at 33 RPM (as I often do) but I've kept those copies and added them as a "bonus". The screwed versions of "Ecstacy (Refix)" and "Let Me Bang (Refix)" are just as good as the originals.

I'm trying to figure out if the sound is off on the 45 RPM version of the title track. If somebody could get me feedback on that, I'd appreciate it.

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http://www.mediaf!re.com/?s6qq51zop3rui39
Plus a super-limited cassette rip of Keith Fullerton Whitman's procedurally generated synthwork. Pretty awesome stuff.


Keith Fullerton Whitman - Generator

Quote from: Boomkat
Following his incredible 7" transmission 'For Oud & Synthesizer', Keith Fullerton Whitman presents a set of mindblowing compositions recorded late 2009 for Root Strata. Frustrated by the restrictions of performing computer music in public settings and keen to involve a larger element of risk into his music, Keith follows his obsession with "the tenets of Process music & Systems music" to investigate "the unpredictable entropies & slight signal degradation inherent to Analog instrument design", resulting in a set of infinitely morphing and self-modulating sequences subtly guided by a hand and mind that perceives the possibilities of music like very few others we can think of. For the tech-heads this involves sending three voltage streams from two LFO's to different modules... and that's where we'll stop, because it's all noted in the lovely heavy card sleeve anyway! He's basically creating every sound you hear in-the-moment, on-the-jog, weaving sine waves into florid patterns which can range from alien acidic permutations like the frankly incredible 23-minute 'Generator 2', to lushly psychotropic sequences such as 'Generator 1', both of which were left untouched meaning you're simply listening to the modular synths organising themselves into stunningly "musical" arrangements. We can hear the merest hint of human involvement in the audible patching and slightly mismatched levels, but to be totally honest we wouldn't have noticed this if KFW didn't point it out. The tracks just seem to have a hugely varied, constantly mutating life of their own, expanding with the vivid pattern arrangements of a DMT trip to immerse us head to toe in tactile waves of pure electronic pulse, panned, pitched and pushed into timelessly chaotic yet controlled motifs. In a way, this tape puts swathes of kosmische imitators and synth obsessives to shame, being both eminently listenable, and completely original. A late night listening session with this has just left us gobsmacked and it's a crying shame that there's only 200 copies for the world because far more people need to hear it. So good.

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« Last Edit: 05 Sep 2010, 13:18 by KvP »
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1447 on: 05 Sep 2010, 17:07 »

Considering this is openly linked on this guy's blog, I figure it's open to the public:

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http://www.mediafire.com/sharingisnotacrime
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1448 on: 06 Sep 2010, 00:19 »

Punch - Push Pull[2010]

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http://www.mediafire.com/?wonkgmke8iht3hdZe Myspace
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The "wink wink" Thread 2010: This Time It's Personal
« Reply #1449 on: 06 Sep 2010, 02:28 »

Time to share again. Aaron English's new album will be out soon so now is a good time to share his back catalog. His music is a throwback to the world music sound of musicians like Sting and Peter Gabriel. The first album is more folk oriented and the second one is a more straightforward rock approach and also has an interesting cover of Message in a Bottle.

Aaron English - All The Waters of This World


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http://www.mediaf!re.com/?19onc3kk7o5e9za
Aaron English - The Marriage of the Sun and Moon

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http://www.mediaf!re.com/?y8qnc0lak4n84st
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