Something I think is up with track 3 though, it's sounds normal for about 10 seconds and then suddenly goes completely quiet for the rest of its duration
Yeah, I'll have to re-rip tomorrow. I'd blame it on iTunes except the original WAV file has the same silence. Neither can I blame it on the turntable because track 4, the second half of the B-side, is fine. I don't know what to make of it.
Anyway, downloadssss
Concern - Truth & DistanceAnother heart-stopping debut brought to you by the increasingly inspired Digitalis imprint, Concern is the recording project of Gordon Ashworth who in a previous incarnation (as Oscillating Innards) delivered an altogether more brutal take on experimental music before planting his feet firmly in the world of shimmering, layered drones. The first thing to hit you about this amazing album is the custom-designed silkscreened gatefold sleeve it comes in, one of those packages that has you flipping it inside out in wonder, a fitting precursor to the music itself which is just nothing short of immense. Despite the heavily processed sound of this material, the three long tracks here (clocking in at a total of 30 minutes) were constructed almost entirely out of acoustic instrumentation, with the opening piece gradually building from a frayed field recording into a colossal hum of dense, layered drone that just seems to expand and develop without any perceptible change. It's inspiring, deceptively visceral stuff. Next up - 'Young Birth' begins along a similar trajectory but soon curls up into into an incubated assembly of disentangled instruments, before the epic closing "Heratsink" proceeds to completely obliterate the vast majority of what passes for contemporary Drone with a colossal shimmer that sounds like Tim Hecker reconfiguring classic Raga structures into something almost unspeakably beautiful. Amazing music, strictly strictly limited styles so act fast!
http://www.mediaf!re.com/?fbydukgc1o7eagk
Expo 70 - Where Does Your Mind Go?It's hard to believe, but someone made a drone/ nu-kosmische record in 2010.
**1st pressing limited to 500 copies, pressed at RTI. Includes mp3 download coupon redeemable directly from the label** An utterly absorbing and time-dilating double LP of masterful synth music from one of the scene's most prolific and respected sons, Expo 70 aka Justin Wright, together with Matt Hill - who recently dropped that brilliant Umberto album on Not Not Fun. Aiming a few notches above the reams of DIY tape spools, 'Where Does Your Mind Go?' was recorded professionally at the studio of Jason Meagher (No Neck Blues Band) in upstate New York over the course of one evening and features production values worthy of the D&M vinyl cut and full-colour, tip-on gatefold sleeve. The four tracks total 74 minutes of the most delicious drone and intangibly hazy harmonics, occasionally punctuated with burbling machine rhythms and steered with a deeply assured set of cosmic instincts. The scale of 'Where does your mind go?' is just epic, each track as majestic and cinematic as the last. The opener 'Close Your Eyes And Effortlessly Drift Away' sails out on gently bobbing drum machine and cirrus strands of Göttsching-esque guitar, like the soundtrack to Martian Balearic beach holiday where the atmosphere is as dusty red-brown as the hues of his arcing synths. 'Night Dusting The Atmosphere' is more sci-fi cinematic, full of sustained string-filled trepidation and encroaching arpeggiations arranged with the overarching vision of a Klaus Schulze classic. 'Transgressing Outward Which Is Inward' is probably the most stirring, passionate piece largely due to the darkly romantic keys which fall somewhere between the wanderings of Roedelius and Terry Riley and in harmony with towering forcefields of vintage analogue synthesizer tones. 'Ancient Hawk Soul Takes Flight' is the transgressive and psychedelic closer, lost deep in a black hole of tonal blurs and still-but-moving drones. We couldn't really recommend this any higher to fans of Imaginary Softwoods, Arp, Oneohtrix Point Never's most untethered moments, or taking lots of drugs by yourself and lying down between two massive speakers.
http://www.mediaf!re.com/?dk86bq6rp9p9ns3
Kaiser - The Art of War EPTook notice of this one due to its being released on Slit Jockey, which is label that Starkey partially owns and runs. Upon closer inspection the music takes after Starkey as well - shine-polished US grime with whooshing sci-fi flourishes. No MCs or chanteuses to cock things up, but no MCs or chanteuses to elevate instrumentals to hits.
http://www.mediaf!re.com/?hcuyul0xe9qdawd
A Made Up Sound - Rear WindowLivelier than usual techno/step hybridism. Pretty compelling!
Two sterling dancefloor sweeteners from Dave Huismans aka 2562, operating in A Made Up Sound mode. With 'Rear Window' he delivers one of the best tracks on Delsin this year, rolling out a kinked 4/4 rhythm synced with swollen subs and trademark melnacholy chord progressions. Of course the devil is firmly in the detail, which will become clearly apparent when this is deployed on a big rig. Killer tune! A 'Shattered' version follows, turning the track inside out for a lithe and snakey breakbeat roller more in line with his previous releases on AMUS and Subsolo. Class A DJ weapons!
http://www.mediaf!re.com/?6ff9nerlxyp93ff
Apparat / Telefon Tel Aviv - Sayulita EPCollecting the exclusive tracks from Sascha Ring's new DJ Kicks compilation, this EP brings you unmixed versions of both Apparat cuts, plus the previously unreleased Telefon Tel Aviv contribution. 'Sayulita' is typically clinical in its pristine, spacious production, but the chiming guitar melodies give the track a driving, emotional edge that takes the track beyond the confines of a dancefloor-focused mindset. 'Circles' is less beat-oriented, instead treading into Four Tet territory with its spiralling string plucks; otherworldly vocals and scrappy percussion join in too, making the piece all the more abstract. Telefon Tel Aviv are in great form for 'Lengthening Shadows'; its undoubtedly cut from a similar cloth to Apparat's work, shaping crystalline electronics around a kind of vapourised song structure - when it all comes together it all sounds pretty massive.
http://www.mediaf!re.com/?uleijxhwxxblpoh
Silicon Scally - Process RemixesClassic electro, a bit darker and less excitable than the Matt Whitehead and Mullet Records releases in the last few weeks.
t's been a long while since we've heard from Carl Finlow, and although this new EP from Cultivated Electronics doesnt actually feature any new work from the great man himself, its good to get a little reminder of what it is he does so well. On remix duties are two of Finlow's musical disciples - Sync 24 and Morphology, who treat the original material with all the care you'd expect, delivering a flawlessly produced machine funk double-header you'd be well advised to check if you're a follower of Andrea Parker's Touchin' Bass crew or, indeed, Finlow himself.
http://www.mediaf!re.com/?carbccta9qihna8
Long Distance Analog - Walk the NightSpeaking of Mullet Records, their latest is a completely stone-faced throwback to the yacht rock / smooth electrofunk of old. Less fun and more cheese than The Artificial Arm from a few weeks back, but better than Chromeo, at least in my books. "You've Got the Look" is like
Synkronized-era Jamiroquai + a talkbox, with all the greatness that entails, but the title track is an endless faux-"Roxanne" ripoff.
http://www.mediaf!re.com/?ctk5u8oan9cfzv8
Ashburner & Goli - Field Of VibrationsThis is dubstep as it was around 2006 - just beginning to gain a pop sensibilty but not robbed of its inherent coldness or controlled feel. Gritty!
Dread halfstep from Goli + Ashburner, presenting their collaborative debut 'pon Clandestine Cultivations. Together they launch 'Field Of Vibrations', a sparse lugubrious lurch of snarling synths and slow paced drums, while Goli goes alone on the flip with two darkened dubstep standards.
http://www.mediaf!re.com/?dc3q10gux3ywn3x