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[imapiratearg]

Hey, Ballard, you have the full Dinosaur Jr. discography, right?  I remember you were going to upload it all, and only uploaded a few, and I can't seem to find Without a Sound on Soulseek.

[Joseph]

Zerodrone, you mentioned the other day the bonus disk for One Chord To Another.  Would you be able to get that up maybe?  It sounded like a ton of fun, and I've been on a bit of a Sloan kick lately.

[JimmyJazz]

Here's some more Nico:



The Marble Index - Nico

The quirky, orchestrated folk-rock of Nico's 1968 debut album, Chelsea Girl, in no way prepared listeners for the stark, almost avant-garde flavor of her 1969 follow-up, The Marble Index. The chanteuse presented an uncompromisingly bleak, gothic soundscape on her second album. Dominated by spare harmonium and Nico's deep, brooding vocals, this album unveiled her singularly morose songwriting (her first record featured none of her compositions). Owing more to European classical and folk music than rock, it found little favor with 1969 audiences. But like the work of the Velvet Underground, it proved to be quite influential in the long run on a future generation of black-clad goth rockers.

h**p://rapidshare.com/files/49390881/Nico_-_Marble_Index.rar



The End - Nico

It is one of the most entrenched visions in the rock critic's vocabulary; Nico as doomed valkyrie, droning death-like through a harsh gothic monotone, a drained beauty pumping dirges from her harmonium while a voice as old as dirt hangs cobwebs round the chords. In fact she only made one album which remotely fit that bill — this one — and it's a symbol of its significance that even the cliché emerges as a thing of stunning beauty. Her first album following three years of rumor and speculation, The End was consciously designed to highlight the Nico of already pertinent myth. Stark, dark, bare, and frightening, the harmonium dominant even amid the splendor of Eno's synthesized menace, John Cale's childlike piano, and Phil Manzanera's scratchy, effects-whipped guitar, it is the howling wind upon wuthering heights, deathless secrets in airless dungeons, ancient mysteries in the guise of modern icons. Live, Nico took to dedicating the final cut, a sparse but heartstoppingly beautiful interpretation of the former German national anthem, to terrorist Andreas Baader, even as the song itself conjured demons of its own from an impressionable Anglo-American audience. Nico later admitted she intended the performance in the same spirit as Jimi Hendrix rendered "Star Spangled Banner." But "Das Lied der Deutschen" — "Deutschland Uber Alles" — has connotations which neither tribute nor parody could ever undermine. It is only in the '90s that even Germany has reclaimed the anthem for its own. In 1974, it was positively leperous. Listen without prejudice, though, and you catch Nico's meaning regardless, even as her voice tiptoes on the edge of childlike, all but duetting with the little girl she once was, on a song which she'd been singing since the cradle. The ghosts pack in. Former lover Jim Morrison haunts the stately "You Forgot to Answer," a song written about the last time Nico saw him, in a hired limousine on the day of his death; of course he reappears in the title track, an epic recounting of the Doors' own "The End," but blacker than even they envisioned it, an echoing maze of torchlit corridors and spectral children, and so intense that, by the time Nico reaches the "mother...father" passage, she is too weary even to scream. The cracked groan which emerges instead is all the more chilling for its understatement, and the musicians were as affected as the listener. The mutant funk coda with which the performance concludes is more than an incongruous bridge. It is the sound of the universe cracking under the pressure. But to dwell on the fear is to overlook the beauty — The End, first and foremost, is an album of intimate simplicity and deceptive depths. Nico's voice stuns, soaring and swooping into unimagined corners. No less than "Das Lied der Deutschen," both "Valley of the Kings" and "It Has Not Taken Long" make a mockery of the lazy critical complaints that she simply grumbled along in a one-note wail, while the arrangements (most of which were Nico's own; producer Cale admits he spent most of his time in the studio simply marveling) utterly rerout even the most generous interpretation of what "rock music" should sound like. The End doesn't simply subvert categorization. It defies time itself.

h**p://www.zshare.net/download/462758374a6185/

And here's some more Boredoms as well:



Pop Tatari - The Boredoms

Appearing in America after an initial Japanese release, and with a revamped track listing and song titles to boot ("Bocabola" is called that here only because somebody somewhere was worried about what a certain soft drink company might think of the original title), Pop Tatari definitely holds the crown as being one of the strangest things to surface under a major label's auspices. Even the Butthole Surfers' major label debut that year looked straightforward in comparison. Starting off with "Noise Ramones," which consists solely of various high-pitched tones like those of the Emergency Broadcast System, Tatari contains some nearly conventional bits. Yet even the semi-lounge smoothness of "Nice B-O-R-E Guy Boyoyo Touch" collapses just enough, while elsewhere the screaming lunacy of fullthrottle Boremania rampages unchecked. Songs shudder to stops, launch into roaring mania and deathstomp rattle, and crunch more quickly and unexpectedly than those of just about anybody else — no real change there, then! Add dashes of heavy funk mania ("Bo Go" would do early Funkadelic proud) along with whatever logic operates inside the band members' skulls, and the result is more cockeyed genius. Yamatsuka Eye rants above the whole mess like a man possessed, trading off with other band members in ways that practically redefine call and response. Singling out all the highlights would take forever, but "Bore Now Bore" feels like a mid-'60s frug played by berserk aliens, with some random electronics to boot, while a cover of the old Peggy Lee standard "Fever," retitled "Heeba," keeps the central riff but abandons just about everything else; the lyrics sound like they're slurred through cotton and various thrashy instrumental breaks. Concluding with the multigenre purée of "Cory & the Mandara Suicide Pyramid Action or Gas Satori," Tatari kicks out the jams eight different ways at once.

h**p://rapidshare.com/files/14560993/Pop_Tatari__1993_.rar.html



Vision Creation Newsun - The Boredoms

Vision Creation Newsun finds Boredoms moving even further away from the random noise that marked their early output and settling into a loose, jam-oriented aesthetic. The first two tracks (no song titles here, only symbols) find Boredoms further investigating pounding tribal rock with propulsive drumming, energetic guitar work, and vocal chants. The overall feel bears some similarity to Super Ae, with tracks that draw from Krautrock and psychedelia, but Vision Creation Newsun adds a folk element, including softer instrumental textures like hand percussion, lengthy cymbal washes, and acoustic guitars. Some passages even flirt with new age, as they weave bird songs and the sound of falling water into the mix. These delicate touches aptly demonstrate the sonic range of Boredoms, but some of these meandering pieces can get tedious. Still, the highlights are many. Guitarist Yama-Motor is the star here, and most of Vision Creation Newsun's best moments come from his hypnotic style and deep bag of effects. He is equally at home with the Spacemen 3-style feedback shriek of the second track as he is with the minimalist acoustic work that dominates the latter half of the album. The dual percussion of Yoshimi and ATR is also powerful, but when songs break into long drum solos, Boredoms will lose their more punk-oriented fans. This is not the left-field triumph that Super Ae was, but it's a strong album nonetheless.

h**p://www.mediafire.com/?3jwkgj5wodu

[PECOAE]

Rain Dogs - Tom Waits

With its jarring rhythms and unusual instrumentation — marimba, accordion, various percussion — as well as its frequently surreal lyrics, Rain Dogs is very much a follow-up to Swordfishtrombones, which is to say that it sounds for the most part like The Threepenny Opera being sung by Howlin' Wolf. The chief musical difference is the introduction of guitarist Marc Ribot, who adds his noisy leads to the general cacophony. But Rain Dogs is sprawling where its predecessor had been focused: Tom Waits' lyrics here sometimes are imaginative to the point of obscurity, seemingly chosen to fit the rhythms rather than for sense. In the course of 19 tracks and 54 minutes, Waits sometimes goes back to the more conventional music of his earlier records, which seems like a retreat, though such tracks as the catchy "Hang Down Your Head," "Time," and especially "Downtown Train" (frequently covered and finally turned into a Top Ten hit by Rod Stewart five years later) provide some relief as well as variety. Rain Dogs can't surprise as Swordfishtrombones had, and in his attempt to continue in the direction suggested by that album, Waits occasionally borders on the chaotic (which may only be to say that, like most of his records, this one is uneven). But much of the music matches the earlier album, and there is so much of it that that is enough to qualify Rain Dogs as one of Waits' better albums.

http://www.sendspace.com/file/h9taot

Just to point out that this is actually Closing Time, not Rain Dogs.  Still great though, anybody have more Waits?

[icanstopandstart]

Desertshore - Nico

While Nico was the member of the Velvet Underground who had had the least experience in music prior to joining the group (while she had recorded a pop single in England, she'd never been a member of a working band before Andy Warhol introduced her to the Velvets), she was also the one who strayed farthest from traditional rock & roll after her brief tenure with the band, and by the time she recorded Desertshore, her work had little (if anything) to do with traditional Western pop. John Cale, who produced and arranged Desertshore, once described the music as having more to do with 20th century classical music than anything else, and while that may be going a bit far to make a point, even compared to the avant-rock frenzy of the Velvet Underground's early material, Desertshore is challenging stuff. Nico's dour Teutonic monotone is a compelling but hardly welcoming vocal presence, and the songs, centered around the steady drone of her harmonium, are often grim meditations on fate that are crafted and performed with inarguable skill and intelligence, but are also a bit samey, and the album's downbeat tone gets to be rough sledding by the end of side two. Cale's arrangements are superb throughout, and "My Only Child," "Afraid," and "The Falconer" are quite beautiful in their own ascetic way, but like the bulk of Nico's repertoire, Desertshore is an album practically designed to polarize its listeners; you'll either embrace it's darkness or give up on it before the end of side one. Then again, given the thoroughly uncompromising nature of her career as a musician, that's probably just what Nico had in mind.

http://rapidshare.com/files/49390881/Nico_-_Marble_Index.rar

This is also, obviously, not Desertshore.

Maybe try uploading your own stuff?

 

[roulettescars]

That's my favorite Fugazi album so far.  I haven't heard much else, besides a few songs off of Repeater.


*Hint hint.*

I have 2 words for you, End Hits. My favorite Fugazi album by far. I'll try and get it up sometime soon.

Edit: Nevermind someone else already did. I do have plenty of Tom Waits though. I'll put some up.
Currently Uploading
Bone Machine
Frank's Wild Years
Heartattack&Vine
Rain Dogs
Swordfishtrombone

[bff]

Allmusic says:

At first listen Static World View isn't all that different from many of the other third wave ska groups. Vocally and lyrically the album is pretty simple ska. The production level of the album is a little on the low end so the vocals are often difficult to pick out. This is alluded to on a voice-over at the end of the CD that simply states: "What kind of production value do you expect for no money." What sets Static World View apart from much of the competition is the bands stellar horn playing. The brass section features Tyler Jones on trumpet, Chris Rhodes on the trombone, and guest saxophonists James Riley and Pete Wasilewski. Together they play infectious horn patterns that are based on traditional ska, blues, and swing jazz. While certainly not the greatest ska album of its time, Static World View demonstrates the stellar level of musicianship among horn players that can exist within the genre.

I say:
I had a chance to see these guys when I was living in Connecticut and thought they were great.  While the reviewer wants to lump them in with the other 3rd Gen ska bands, Spring Heeled Jack is a lot closer to The Specials than they are to Less than Jake.  What the review nailed was how great the horns are here.

Code: [Select]

http://www.mediafire.com/?0jb9mgjzc4n

[Jackie Blue]

Zerodrone, you mentioned the other day the bonus disk for One Chord To Another.  Would you be able to get that up maybe?  It sounded like a ton of fun, and I've been on a bit of a Sloan kick lately.

Done and done!

Sloan - Recorded Live at a Sloan Party! (American only bonus disc to One Chord to Another)

One Chord To Another was not released until 1997 in the United States on the independent label, The Enclave. It was originally released in an LP-style cardboard gatefold jacket rather than a traditional plastic jewel box, and included a 10-track bonus CD of material entitled Recorded Live At A Sloan Party! This bonus CD consisted of cover versions and re-recordings of previous Sloan songs; it was recorded in the studio but was overdubbed with miscellaneous party-type sounds to give the impression of being recorded live at an intimate gathering of friends (somewhat akin to the Beach Boys' Party! album). To this date the "Sloan Party" CD has not been released in the band's native Canada and has only been available as an American import.

mp3 format.  All but songs 2 and 6 are covers.

Code: [Select]

http://www.mediafire.com/?1t2ammczlpa

[Streltsy]

START WEARING PURPLE,  WEARING PURPLE
START WEARING PURPLE FOR ME NOW!!!


From AMG:

These "gypsy punks," as the band jubilantly describes itself, were once precisely that, a spectacular clash of cultures that smashed the exuberance of Ukrainian gypsy music and the pounding rhythms and exhilarating fire of Slavic folk, with the roar of punk rock. That was then, but now globalization has got them in its grip, and Gogol Bordello set about crashing through national boundaries, reconnecting the cultural links borders have severed. If a fire and fury for life fed the soul of the gypsy, the Slav, and the punk, it also lay at the heart of hard rock and heavy metal, and so into the meat grinder goes incendiary lead guitar. Flamingo's fire lies in its emotive rhythms and dangerous atmospheres, both of which seep into the set as well. You can hear it on "60 Revolutions," and even more magnificently on the stomping "Think Locally Fuck Globally," whose rhythms subtly quicken into a furious flamingo fire, before sweeping into a tribal tattoo, finally flinging itself out in a gypsy swirl. "Not a Crime" careens into Arabesque, "Immigrant Punk" skanks straight into reggae, while "Underdog World Strike" heads underground, interweaving hip-hop, punk, and reggae to gypsy's own roots. Frontman/lyricist Eugene Hütz explains how his own history drives him on the autobiographical "Undestructable," accompanied by a cheery punky reggae backing that defies one not to sing along. And it's not the only one for much of the set is spectacularly anthemic, from the fist-in-the-air fervor of the Oi!-esque "Not a Crime," the fashion-fling command chorus of "Start Wearing Purple," to the life-affirming "Undestructable." One may even start phonetically parroting the lyrics of "Santa Marinella." That latter song is not sung in English, and there's foreign lyrics sprinkled about the set, but the emotional meaning is always clear. A truly universal album that encompasses America's eternal immigrant story, urban living, and a love of life and music that translates into every language on earth. It's the fire in not just the gypsy soul, but the soul of everyone, and Bordello ignite it into a blaze as bright as life itself.

http://www.megaupload.com/?d=A0T3MTXT

So why don't you start wearing purple?

[Liz]

Stephen Sondheim's 1979 Broadway musical Sweeney Todd has been hailed as the composer's best work and the best musical of its decade, if not of the last three decades of the 20th century. It has been revived frequently and, as a work that straddles the line between musical theater and opera, adopted for the repertories of opera companies. When a stage musical is adapted into a motion picture, it is often the case that the score is given a bigger treatment. Broadway shows use a limited number of musicians, and, due to union regulations, Broadway cast albums tend to be recorded in a single day by casts also performing the music eight times that week on-stage. When the same score gets to Hollywood, producers often employ much larger orchestras and more elaborate recording techniques, for better or worse. Something like the opposite seems to have happened with director Tim Burton's 2007 film version of Sweeney Todd. Burton has cast the movie with actors not previously known as singers, starting with his frequent collaborator Johnny Depp (the two previously paired on Edward Scissorhands, Ed Wood, Sleepy Hollow, and Charlie and the Chocolate Factory), and also including Helena Bonham Carter (Burton's common-law wife) in the principal roles of Sweeney Todd and the pie shop proprietress Mrs. Lovett, plus Alan Rickman and comedian Sacha Baron Cohen (from the film Borat). To accommodate these performers, Sondheim orchestrator Jonathan Tunick has done some serious transposing of the score to bring the songs into the limited vocal ranges at hand. In this version, no one will confuse Sweeney Todd with an opera. Depp turns out to have a reasonable middle tenor, which makes for a very different Sweeney as compared with the baritones who usually essay the part on-stage. It might also cause some confusion with the secondary part of Anthony (Jamie Campbell Bower), if Depp did not adopt the same lower class British accent he used in the Pirates of the Caribbean movies. He also speak-sings his way through as much of the musical material as he can get away with. Bonham Carter does somewhat better, although she's no competition to previous Mrs. Lovetts such as Angela Lansbury and Patti LuPone. Much the same thing can be said about the rest. On a soundtrack album, the comparisons with stage performers are inevitable, but they shouldn't trouble moviegoers very much. Other associations may cause titters, however. Rickman sounds much as he did in the Harry Potter movies, and when he and Depp modestly mutter their way through the lovely ballad "Pretty Women," it's like hearing Captain Jack Sparrow in a duet with Professor Severus Snape.

Code: [Select]

http://www.mediafire.com/?1rnu5remilt
So AMG didn't really like it all that much but I think it's fun.

[Shadows Collide]

Desertshore - Nico

While Nico was the member of the Velvet Underground who had had the least experience in music prior to joining the group (while she had recorded a pop single in England, she'd never been a member of a working band before Andy Warhol introduced her to the Velvets), she was also the one who strayed farthest from traditional rock & roll after her brief tenure with the band, and by the time she recorded Desertshore, her work had little (if anything) to do with traditional Western pop. John Cale, who produced and arranged Desertshore, once described the music as having more to do with 20th century classical music than anything else, and while that may be going a bit far to make a point, even compared to the avant-rock frenzy of the Velvet Underground's early material, Desertshore is challenging stuff. Nico's dour Teutonic monotone is a compelling but hardly welcoming vocal presence, and the songs, centered around the steady drone of her harmonium, are often grim meditations on fate that are crafted and performed with inarguable skill and intelligence, but are also a bit samey, and the album's downbeat tone gets to be rough sledding by the end of side two. Cale's arrangements are superb throughout, and "My Only Child," "Afraid," and "The Falconer" are quite beautiful in their own ascetic way, but like the bulk of Nico's repertoire, Desertshore is an album practically designed to polarize its listeners; you'll either embrace it's darkness or give up on it before the end of side one. Then again, given the thoroughly uncompromising nature of her career as a musician, that's probably just what Nico had in mind.

http://rapidshare.com/files/49390881/Nico_-_Marble_Index.rar

This is also, obviously, not Desertshore.

Maybe try uploading your own stuff?

 

Still, it is the Marble Index, a beautiful album in its own right. My favorite of hers.

[Jackie Blue]

Guys, seriously, stop quoting entire posts including pictures.

[Oqtober]

Selections of GLADoS from Portal

Code: [Select]

http://www.mediafire.com/?01ezc2m4qdv
Also has some bonus stuff in there I've used for production stuff.

I'll have some classical selections up tomorrow.

[KickThatBathProf]

That last upload makes me want to do some science.

Then make a neat gun.

For the people who are still alive, of course.

(That was lame, sorry, had to be done)

[roulettescars]

Alrighty.
Tom Waits:

Bone Machine

Code: [Select]

http://www.mediafire.com/?7eelhq0rn5x
Frank's Wild Years

Code: [Select]

http://www.mediafire.com/?700qwlwv1fv
Heartattack&Vine

Code: [Select]

http://www.mediafire.com/?ctnywp21b2i
Rain Dogs

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http://www.mediafire.com/?5pczv0hntyy
Swordfish Trombone

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http://www.mediafire.com/?5jwlcsbydzt

[gh-ap]

this is great.  i love this.  thanks to all of you.
getting home to find great albums that i forgot about and new favorites all the time at my fingertips makes the internet less bullshit.

[KvP]

I promised the Pailhead EP, but it's on my other computer, and the connection on that computer is fucked as of now. I'll have to initiate a file transfer sometime tomorrow. For now, here's some Datach'i.

Code: [Select]

http://www.mediafire.com/?7dnf2ztyaln

Fans of experimental techno may not have known what to expect from Joseph Fraioli's second Datach'i full-length. Four years separated it from his debut, We Are Always Well Thank You, and his style of chaotic, metallic drill'n'bass had nearly disappeared in the interim. Surprisingly, however, the Datach'i style of yore was still in full force for his first record on Mike Paradinas' Planet µ. "Ed's Head" and "Penvag," the first two tracks on Mmale and Ffemale, comprise a near-constant volley of digital drums and effects, all of them as though splattering on a wall directly in front of the listener. Close listening, however, reveals that Fraioli has improved his programming skills, wielding his sampler and processing elements with an easy grace and dexterity; "Evolving as One" finds him expanding into a world of digital composition reminiscent of historic sound sculptors Iannis Xenakis or Edgard Varèse.

[FireAarro]

Monstro - Ocean Floor Demos

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http://www.mediafire.com/?bzi3mwlvnbr
Features Daniel Brummel (from Ozma and Bad Dudes) on guitar and vocals, Ezra Buchla (from Gowns, Mae Shi, and Buchla and Associates) on viola, vocals, mandolin, electronics, and Laura Steenberge on bass. It's their folk/electronic/folk band.

Some great catchy folk songs here, from an album that's probably never gonna get released. Starts off with a bunch of acoustic folk stuff, gets more Ezra-tronic nearing the end.

[Oqtober]

I'll have the Requiem For A Dream OST up tomorrow sometime. I'm trying to up convert it from 128k and having problems, hopefully I'll have that figured out soon.

[gardenhead_]

Monstro - Ocean Floor Demos

Code: [Select]

http://www.mediafire.com/?bzi3mwlvnbr
Features Daniel Brummel (from Ozma and Bad Dudes) on guitar and vocals, Ezra Buchla (from Gowns, Mae Shi, and Buchla and Associates) on viola, vocals, mandolin, electronics, and Laura Steenberge on bass. It's their folk/electronic/folk band.

Some great catchy folk songs here, from an album that's probably never gonna get released. Starts off with a bunch of acoustic folk stuff, gets more Ezra-tronic nearing the end.

Holy shit, this is amazing. Thankyou!

[Shadows Collide]

Guys, seriously, stop quoting entire posts including pictures.

I'm so sorry, I'm a noob to the max.

[JimmyJazz]

Sorry about that guys, I fixed the links to Rain Dogs and Desertshore now.

[Spinless]

Guys, as if uploading an album with the wrong tags or tracks missing was bad enough, now you're uploading the wrong album completely! Double check and clearly label!
Now, some of us have been saying this since the beginning of this thread, more or less, but it seems that it still needs to be said.

Use ["code"] tags to post links. This prevents them from being traced back to the forums. This means that Jeph is far less likely to get in a lot of legal trouble should the wrong people see this thread. If you direct link in this thread, and after this has been pointed out, you still don't fix your post, you're clearly a dick.

At the very least edit your links so they're not clickable, for example "h**p://mediafire.com/copyrightedmusic".

[valley_parade]

Hey, where's the new Earth album someone was supposed to be uploading? =(


As promised a few days back...here's Chris Walla's Field Manual.

Code: [Select]

http://www.mediafire.com/?6nsssnf4rjh

[gardenhead_]

Code: [Select]

http://www.mediafire.com/?9mbtjzxm1gn is the new Earth album.

'tis not my link, found it on http://glowingraw.blogspot.com/

[KickThatBathProf]

Trillian's post about classical music

I absolutely love Debussy.  My favorite composer, ever.  And I agree with your choice of favorites, along with "Le fille aux cheveux de lin" (The girl with the flaxen hair).  I think I'll upload some of Debussy's orchestral works later.  Prélude à l'après-midi d'un faune is one of my favorite works of all time.

I'll have it up, along with some other things later today.

[Oscaio]

OK, more links I have recently found out were still alive (sorry if there are reposts, these are my uploads, though). Enjoy, have a nice weekend.




A Place To Bury Strangers (P 2007)

Code: [Select]

http://www.mediafire.com/?dyam5yexagy
Pretty noisy rock band, with influences from Joy Division to My Bloody Valentine. The album is OK.




Astor Piazzolla Remixed

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http://www.mediafire.com/?2az0xltfpln

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http://www.mediafire.com/?e9xm4uwcr0s
Astor Piazzolla was an Argentinian musician, who had the brilliant idea of mixing Tango with some Jazz, because
of this he was almost exiled from his own countyr, and had to live in France for a while, where he developed
a brilliant career.

Of course, after he died evrybody recognized his genius.

This is a bunch of electronic remixes of his work, if you like Bajofondo tangoclub or Gotan POroject,
then you might enjoy this.




Fink - Distance And Time (P 2007)

Code: [Select]

http://www.mediafire.com/?cj2troxne0e
Oddly released by Ninja Tunes, this is a guy and his guitar. Nice and mellow, but intense at the same time,
I prefer his previous album, but I love this one anyway!



[/quote]
Jose Gonzalez - In Our Nature (P 2007)

Code: [Select]

http://www.mediafire.com/?30wf2msvzic
Swedeish with Argentinian parents, this is another guy with his guitar. Jose is a very good composer, and always
suprises with his covers, in this album he covers Teardrop (Massive Attack, the opening credits song in House).




Messer Für Frau Müller - Triangle, Dot & Devil

Code: [Select]

http://rapidshare.com/files/55171356/MFFM_-_TD_D.zip.html


Messer Für Frau Müller - Danger: Retrobolik (P 2006)

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http://rapidshare.com/files/53847254/MFFM_-_DR.zip.html

Surf, chicks with bikinis, monster movies from the 50's, halloween, UFO's, Bettu Page, etc... all this and more!
 This duo is from Russia, they are also known as Messer Chups.



PS I hope it is OK that I posted a couple of rapidshare links.

[KickThatBathProf]

I would love Rapidshare and Megaupload for that matter if I didn't have to pay to not wait and hour after each download to start.   Although I probably should just buy a membership anyways...but I don't really have any money

[bbqrocks]

Hey, where's the new Earth album someone was supposed to be uploading? =(


As promised a few days back...here's Chris Walla's Field Manual.

Code: [Select]

http://www.mediafire.com/?6nsssnf4rjh

Sorry, it was 50% uploaded when we had a power failure in my area. The power is still off (I am typing from my neighbours, they have a generator). Sorry.

[morca007]

I'll have the Requiem For A Dream OST up tomorrow sometime. I'm trying to up convert it from 128k and having problems, hopefully I'll have that figured out soon.

Convert to what?  

[psyne]

I hope he doesn't mean make it higher bitrate without re-ripping... if you increase bitrate on an already ripped file it doesn't get better, it just gets bigger.

[dalconnsuch]

Zerodrone, you mentioned the other day the bonus disk for One Chord To Another.  Would you be able to get that up maybe?  It sounded like a ton of fun, and I've been on a bit of a Sloan kick lately.

Done and done!

Sloan - Recorded Live at a Sloan Party! (American only bonus disc to One Chord to Another)

One Chord To Another was not released until 1997 in the United States on the independent label, The Enclave. It was originally released in an LP-style cardboard gatefold jacket rather than a traditional plastic jewel box, and included a 10-track bonus CD of material entitled Recorded Live At A Sloan Party! This bonus CD consisted of cover versions and re-recordings of previous Sloan songs; it was recorded in the studio but was overdubbed with miscellaneous party-type sounds to give the impression of being recorded live at an intimate gathering of friends (somewhat akin to the Beach Boys' Party! album). To this date the "Sloan Party" CD has not been released in the band's native Canada and has only been available as an American import.

mp3 format.  All but songs 2 and 6 are covers.

Code: [Select]

http://www.mediafire.com/?1t2ammczlpa

yosue should totally post more sloan

[Noid Ximer]

In response to the obscure black metal offer I would love some thanks... I'm seeing mayhem in a couple of weeks in London. Can't Wait!!!!!!

[valley_parade]

Rivers Cuomo did a song with Sloan that's on "Alone". It was alright.



(note: Alone is posted maybe 10 pages back?)

[michaelicious]

Giraffes? GIRAFFES!

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http://www.mediafire.com/?d8dstz1q0in

Fuckin' bitchin'. The two songs without numbers before the titles are from the new album More Skin With Milk-Mouth, which I perhaps will upload once I get my hands on a copy.

[Trillian]

Trillian's post about classical music

I absolutely love Debussy.  My favorite composer, ever.  And I agree with your choice of favorites, along with "Le fille aux cheveux de lin" (The girl with the flaxen hair).  I think I'll upload some of Debussy's orchestral works later.  Prélude à l'après-midi d'un faune is one of my favorite works of all time.

I'll have it up, along with some other things later today.

Yeah, Debussy is quite amazing.  You should upload his orchestral works.    I have discovered that a lot of my CDs are back home, and I am currently in Boston working.  So I will definitely download to appease my Debussy needs. 

Giraffes? GIRAFFES!

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http://www.mediafire.com/?d8dstz1q0in

Okay, That is just so full of win.  Even before I listened to it it was.  I have a weakness of orange giraffes apparently. 

Also, I haven't forgotten about the albums I was going to post, it is just that my internet is teh suck and I have to wait for Comcast to get out to my house and fix it.  I will post some more albums fairly soon though, I am sure.

[onewheelwizzard]

I'd post a huge upload post with a lot of shit I love but someone already did it for me!

http://soundweave.blogspot.com/

[Tom]

Alabama Thunderpussy = win

This list is perfect, i've been meaning to get into more stoner/post-rock/heavy metal.

[Scandanavian War Machine]

download Bongripper's Hippie Killer !

it's on that same site.

[Tom]

ImRonBurgundy? mentioned these guys about a month and a half ago and I found this on another forum, thought i'd share it here.

Lemuria - Get Better

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http://rs140.rapidshare.com/files/84537549/Get_Better.rar

[KickThatBathProf]

Yeah, Debussy is quite amazing.  You should upload his orchestral works.    I have discovered that a lot of my CDs are back home, and I am currently in Boston working.  So I will definitely download to appease my Debussy needs. 

Here it is!

It includes the following:

Prélude à l'après-midi d'un faune (prelude to the afternoon of a fawn)

La Mer (The Sea)
I. De l'aube à midi sur la mer (From dawn to midday on the sea)
II. Jeux de vagues (Play of waves)
III. Dialogue du vent et de la mer (Dialogue between wind and the sea)

Images pour Orchestre
I. Gigues
II. Ibéria
III. Rondes du printemps (Round dances of Spring)

Claude Debussy - Orchestral Works

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http://www.mediafire.com/?1teht5jnt0z

[a pack of wolves]

Since there's been some Amps For Christ uploaded I thought I'd throw up a record by the best thing Henry Barnes was ever involved in.

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http://www.mediafire.com/?5mbzyjvdcex
Man Is The Bastard - Mancruel

Here's what the Dimension X blog said about it:

If you don't know this band, fuck off. Man is the Bastard were a pioneering hardcore punk band who contributed the name, and perhaps also the ethos, to the punk subgenre known as power violence. Based in Claremont, CA, the band existed from 1991 to 1997, releasing many vinyl records on DIY-punk labels from around the world.
In stark contrast to other punk musicians, MITB made the move of displacing the electric guitar from its long reign as the primary instrument of punk aggression. In turn, they made room within their revolutionary spirit for progressive bass chords and scales, for industrial noise (field recordings and power electronics), and for member Henry Barnes’ “Amps for Christ” and homemade guitar reconfigurations.

It isn't the best description but I'm far too tired to do one myself.

[Liz]

Fink - Distance And Time (P 2007)

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http://www.mediafire.com/?cj2troxne0e
Oddly released by Ninja Tunes, this is a guy and his guitar. Nice and mellow, but intense at the same time,
I prefer his previous album, but I love this one anyway!

I love this album so much, but Biscuits for Breakfast is indeed better. So if anyone actually downloaded Distance and Time here is some more for you!

There is a wonderfully intimate smokiness in Fink's approach to his songs. It's intimate, but utterly lacking in sentimentalism,. Check the opener "Pretty Little Thing," on which he plays the whole menagerie: bass, guitar (nylon strings, no less), and B-3. The lyrics in this cut are not much to be sure, but as a first track Fink's looking to usher in the set's atmosphere, and as such it works beautifully. The real surprise is when his co-writers — bassist Guy Whittaker and drummer Tim Thornton — and bandmates jump in on "Pills in My Pocket." The steel-string acoustic comes out, as does the bottleneck slide, a shuffling rhythm ushers in his streetlife tale matter-of-factly. Vocalist Tina Grace (Nitin Sawhney, Cirque du Soleil) sings lead on the swampy, spooky love song "Hush Now," as Fink plays slide, and sings backup and creates a series of shuffling little loops that enter the picture. The title track has a few sparse FX on it, but the tone is a moaning little streetwise blues and the main instrument is his voice. It's expressive and emotive even as it slips and shimmers just above the skeletal mix. There is no overkill here.

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http://www.mediafire.com/?9dmym0ymewg

[Jackie Blue]

Did anyone get that Matt Elliott?  It's a seriously awesome album.  Also, does anyone want Semtex?

[Tom]

Arcade Fire bootleg from the show they did at the Enmore on January 22nd.

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http://www.megaupload.com/?d=Q0AFGN1X

[KickThatBathProf]

moar classical is good amirite?

Not a very well-known composers, but Ottorino Respighi is one of the only Italian composers to focus less on opera and more on
orchestral works.  This is perhaps his most famous work, The Pines of Rome.

Ottorino Repighi - The Pines of Rome

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http://www.mediafire.com/?4ysgjci7rjx
Also adding another Tchaik symphony

Peter Ilyich Tchaikovsky - Symphony No. 5

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http://www.mediafire.com/?51xnt2jyy1d

[bff]

Arcade Fire bootleg from the show they did at the Enmore on January 22nd.

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http://www.megaupload.com/?d=Q0AFGN1X

*shakes fist in air* Damn you, I spent the past 3 hours trying to find the show they did with Springsteen



good stuff, thanks

[gardenhead_]

Arcade Fire bootleg from the show they did at the Enmore on January 22nd.

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http://www.megaupload.com/?d=Q0AFGN1X

thank you so much. That was one of the best shows I've ever been to.

[Tom]

Guys, don't thank me. Some guy in Us Kids Know posted it for everyone.

[amok]

While we're on a classical trip, I have every Shostakovich symphony ever on here. Be fucked if I'm uploading the whole batch but if anyone wants to request a couple (or pick a random number between 1 and 15), I'm game.