So here comes the challenge: Just how desperate is Joyce to ‘go home again’ and does Becky have a place in that comforting space? Additionally, just how far does Hank’s tolerance go with his daughter’s friends? Particularly one with the historical baggage that Becky brings with her?
Yes, there is a thing called ‘tact’. A
mature adult might ponder whether Mr Brown would want to see her. She might consider whether her presence might be an aggravating factor in what already promises to be an emotionally-tense and fraught reunion. Of course, Becky
isn’t a mature adult, is she? She’s an
eighteen-year-old girl and expecting her to act with the deliberation of someone twice her age is irrational. That’s putting aside the fact that, if you bother to read the archives, ‘tact’ and ‘deliberation’ are about as far from Becky’s behavioural norms as you can imagine. What she did is, in fact,
quintessential Becky.
So, those who criticise Becky here, are actually criticising Willis for not writing her OOC for the strip.
Yes, this is going to be awkward. Furthermore, it is important from a narrative perspective as it will probably set the tone for Joyce’s time at home. How willing will Joyce's family be to accept the changes Joyce has made in her life and perceptions? What pressures might they put on her? What
demands might they make of her? The answer to a lot of those questions will at least be outlined by how Hank reacts here.
Oh come on Becky. How can you possibly think this was a good idea?
As I've already said, 'think' and 'Becky' are not normally concepts that go together.