Pink Floyd -- Arnold Layne
Well. Let's see here.
(queues up track, starts listening/typing).
I, admittedly, don't know as much as I should about the rock/pop canon. Didn't really grow up with it around the house and never did as much historical investigation as I perhaps should have. So i won't be all like "ZOMG FLOYD" or "OH MAN OVERRATED" because, frankly, I've never heard a lot of it.
Killer organ automatically gets points. And the buildup to a kind of "wall of sound" aesthetic in around the middle of the song is nice, although the organ kind of comes out in front later (That's ok though, since it's the organ). Occasional reverb on the drums is a nice touch. Onto a second listening. Organ is still gold. Strong point of the track, I think. Wall of sound pops back for a bit in the lat minute ? vocals seem to be mixed at the same level as the instruments, interesting texture.
Difficult to rate, really. Perfectly palatable tune with some nice points; didn't really grab me as amazing, inspiring, or revolutionary, but then maybe that's because I'm not in the 1960s, and so it's hard to gauge how it would have sounded then. But then maybe it's not meant to be any of those things. Anyway. Ranting. Let's call it a 7.5 out of 10. Average, with an extra .5 for the organ.
Right then. On we go. Unapologetically posting more breakcore. Someone has to.
Drumcorps -- Botch Up and Die. \m/
Drumcorps is an
Aaron Spectre project. I'm pretty sure it's just him, but I might be wrong. I've only just found out about his stuff a little while ago, and I really like it. Breakcore that's been constructed from grindcore/metal samples that have been sliced up, timestretched, and generally fucked around with. I'd like to see what Khar or one of the other resident metalheads thinks here, but of course anyone can grab this if they like/hate/are curious about it.