I recently found a thesis this dude named Max Heath (awesome name) wrote for his BA in Arts at Wesleyan University. He's taken a scholarly approach to the wonder and magic of Neutral Milk Hotel's
In the Aeroplane Over the Sea, and somehow, it just makes the album even better than before. He notes that "[t]ypically, reviewers have justified this evasion by passing off the album's lyrics as inscrutably enigmatic, and its music as too simplistic to warrant a closer look", and then just blows that kind of thinking out of the water and to the moon Just read it and be happy.
http://www.gloriousnoise.com/features/2008/transience_and_transcendence_1.phphttp://www.gloriousnoise.com/features/2008/transience_and_transcendence_2.phphttp://www.gloriousnoise.com/features/2008/transience_and_transcendence_3.phpEDIT: Wow, this thing got way out of hand. It might be my fault, I never really specified what I wanted to discuss here. First of all, I don't care whether you like Neutral Milk Hotel or not. Obviously, I do, but I can handle people having differing opinions and tastes. Second, I
really don't care about the merits of the article. I'm sorry it has some faggy language. I can't change that, but it does not affect the content of the article in any way. The point I'm trying to make here is that
In the Aeroplane Over the Sea, and in fact every piece of work, is influenced by many things that the artist has come across in his/her life. I guess the question I'd like to ask is, "Does knowing the influences allow us to better understand/appreciate a piece of art?" I would argue yes. Without the knowledge that
In the Aeroplane Over the Sea is written as a tribute to Anne Frank, the lyrics would just be vaguely interesting psychedelic drivel. Of course, this doesn't mean you have to exhaustively research a piece to enjoy it, and you shouldn't. It's just fun to do.
And for the record, all that "a compelling document that seems to bypass cognition" means is that it "affects you emotionally."