Fun Stuff > BAND
Wink Wink 2011 - A bit of a change this year
JimmyJazz:
Link dump!
"Bastard" - Tyler, The Creator (OFWGKTA, 2009)
Tyler, the Creator From OFWGKTA's solo effort from 2009, probably the best thing anyone from the collective has released. Check it out!
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"Surrealistic Pillow" - Jefferson Airplane (RCA Victor, 1967)
Excellent folk-tinged psychedelic rock. Yes, the band later became a parody of themselves (Jefferson Starship...*shudder*) but this album has plenty of great cuts that aren't played on dad-rock radio. ("She Has Funny Cars," "Today," "Plastic Fantastic Lover")
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"Songs The Lord Taught Us" - The Cramps (Illegal, 1980)
One of the first and best psychobilly albums
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"Contact High With The Godz" - The Godz (Calibre, 1966)
The Velvets weren't the only New York band in the 60's churning out music that was challenging and primitive at the same time. Some of the strangest and best 25 minutes you'll ever hear/
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"...For The Whole World To See" - Death (Drag City, 2009)
Punk before punk by three black guys from Detroit who turned from soul to rock after seeing the Stooges play. The songs were recorded for Columbia and rejected by the label in 1975, finally being released in 2009 on Drag City. Really amazing stuff
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"Kick Out The Jams" - The MC5 (1969, Elektra)
If you're a fan of rock music and you don't own this record there's something wrong with download it now
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"Confusion Is Sex + Kill Yr. Idols" - Sonic Youth (Neutral/Zensor, 1983)
The first Sonic Youth record along with their Kill Yr. Idols EP. Definitely not for the casual Sonic Youth fan, but it's a must or devoted fans of the group, Glenn Branca and dissonant/noisy rock in general.
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KvP:
Jefferson Starship wasn't the nadir of Jefferson Airplane, btw. That was Starship!
JimmyJazz:
Man way to go, I had successfully repressed my memories of Starship's existence deep in my psyche
Gotta go to therapy for this again
E. Spaceman:
I think that "We Built This City" is the best thing they ever did.
TheClickOfALight:
Grizzly Bear - Horn Of Plenty (2004)
Grizzly Bear’s debut album Horn Of Plenty is basically a solo effort from main man Edward Droste; the rest of the band didn’t join for another year, and in some respects the band is still primarily a front for Droste, who basically remains the sole songwriter seven years later. Consequently, because there is no backing band, Droste has been forced to use his voice as an instrument; he multilayers his vocals to create an almost-spectral sound, crafting a rather beautiful lo-fi album.
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