Print

Please login or register.
1 Hour 1 Day 1 Week 1 Month Forever
Login with username, password and session length

[pinkpiche]

Envy- Compiled Fragments 1997-2003

The album is just over 100 megs so I split it into two parts. Part one is the bulk of the album and part two are the two live tracks on this album.

Code: [Select]

part 1  http://www.mediafire.com/?ybtvb4z92dh

Code: [Select]

part 2  http://www.mediafire.com/?ybtvb4z92dh
Okay only one more Envy album and I'll have uploaded all the Envy I have. If you want A Dead Sinking Story or Insomniac Dose, use the fucking search button. The links are in this thread and are still hot.

I'll upload El Ten Eleven's s/t tomorrow if nobody else gets around to it.

All this is cool, but both links are part 2.

[pat101]

Thurston Moore-Kevin Shields-Barrabarracuda-Men Who Can't Love - Thrash Sabbatical [12-inch + 2x7-inch]

Code: [Select]

http://www.mediafire.com/?w5tjybkgqnu

from lightning girl blogspot

Is the record playing at the right speed?
It is difficult to tell but I am following the instructions on each label.

Is the needle still on the record or is that the sound of my slip mat?
I keep turning around to double check.

Is that the sound of R2D2 being murdered?
Maybe.

Is that a deflating balloon run through pedals and an amp?
Could be.

Is that lawnmower trying to communicate?
Sounds like it.

Is that Thurston strumming away at something that is almost a song...completely collapsing the sound of chaos collected between two seven inchers and one 12”?
It appears to be so.

Most importantly I wonder how many people will buy this fancy pants hand screened box set thinking the shoegaze legend Kevin Shields has decided to collaborate with Thurston Moore. It seems totally plausible right?

Well the old and out of touch me has since learned that “Kevin Shields” is in fact a Noise act from L.A.. Actually this whole box features bands from the Los Angeles Noise scene as channeled by Mr. Moore and packaged up in a hand screened pizza box by Britt & Amanda of Not Not Fun. The final pièce de résistance is the green plastic lei one might find at a Party City location near you. I have to wonder if the lei colors will vary per box or of every box comes with a different random thingy. I guess you will need to buy a box set to find out - and then you can tell me what fun item yours came with.

After all these years I still don’t understand the genre of noise or 98.764 % of Thurston Moore’s non Sonic Youth material yet my better half however enjoyed the box set – very much so. He digs the sound of being pummeled in a dryer full of feedback. Looks like someone is getting a limited box set for his upcoming birthday.

[Redlight]

Been using this site for some time and thought I should contribute.

Television - Marquee Moon

Television, along with the other 70s legends that inspired the recent reintroduction of guitars, punk and garage-rock to the mainstream, are continually rediscovered by new breeds of NYC hipsters looking to start their own bands. The group's place in history has been resacramented again and again, so by now the backstory's old hat-- you know, the one about them kicking Richard Hell out of the band before they cut their first single, playing gigs and publishing verse with Patti Smith, and talking the owner of the then-unknown CBGB's to host shows of other genres than just "country, bluegrass, and blues" (which also makes them largely to blame for all those people that wear the club's t-shirts).

With all that context, the most interesting thing about picking up Television's Marquee Moon-- today, for us folks who weren't old enough to buy the first edition vinyl-- is how ahistorical it sounds. If you listen to their original Brian Eno-produced demos, you hear a scragglier, faster band that's less confident and more... punk? If nothing else, the band at least sounded closer to the sometimes-sloppy Bowery clubrats Eno must have taken them for on those early tapes. Their sound on Marquee Moon, though, is clean, raw and simple. The band never breaks for a squall of energy, yet the whole record crackles with it, and they never rely on atmosphere to make their case. Billy Ficca's drums and Fred Smith's bass are extra lean and crisp, and the band's so tight that even the "Did you feel low?" call-and-response on "Venus de Milo" sounds amusingly rehearsed. The only rough edge is Tom Verlaine's striking warble, a somewhat choked-off tenor influenced either by Patti Smith or by someone kicking him in the throat.

But the things that make the record so classic, that pump your blood like a breath of clean air, are the guitars. This whole record's a mash note to them. The contrast between these two essential leads is stunning: Richard Lloyd chisels notes out hard while Verlaine works with a subtle twang and a trace of space-gazing delirium. They play lines that are stately and chiming, rutting and torrential, the riff, the solo, the rare power chord, and most of all, the power note: the second pang on the riff to "Venus de Milo" lands like a barbell; the opening bars of "See No Evil" show one axe rutting the firmament while the other spirals razorwire around it.

Code: [Select]

http://www.sendspace.com/file/4hxhdz

[taphos]

X - Under the Big Black Sun
2001 Reissue

Code: [Select]

http://www.mediafire.com/?lmnij7jvmyn256 kbps (VBR)

[KickThatBathProf]

Oooh, old school punx

Totally legitimate segue to...

The Books - Lemon of Pink

Code: [Select]

http://www.mediafire.com/?ywdylgxbdey

[pat101]

MF Doom alter ego Viktor Vaughn

Vaudville Villain (2003)

Code: [Select]

http://www.mediafire.com/?zxfo3ysh1yz


Venemous Villian (2004)

Code: [Select]

http://www.mediafire.com/?mzbmxmjauiw


enjoy

[Tom]

Anyone after the Deluxe Edition of Odelay?

[pat101]

MF Doom alter ego Viktor Vaughn

Vaudville Villain (2003) 192kbps

Code: [Select]

http://www.mediafire.com/?zxfo3ysh1yz


Venemous Villian (2004) 192 kbps (VBR)

Code: [Select]

http://www.mediafire.com/?mzbmxmjauiw


enjoy

[pat101]

I apologize for quoting my own post, my internet is not working properly currently, also yes I am interested in the odelay deluxe edition

[Tom]

It'll go up in the afternoon as I have mandatory saturday sport to play and its a total of 180MB, Yay!

[Scandanavian War Machine]

The Books - Lemon of Pink

Code: [Select]

http://www.mediafire.com/?ywdylgxbdey

thanks for The Books, KickThatBathProf.
a pretty lady was just telling me how much i would probably like them; so we shall see if she was right or not.

downloading now!

[morca007]

Valley Parade - Thanks for the Ratatat, I think my collection is now complete!

Pat101 - Fuckin awesome, my friend has been bugging me to get more MF Doom.

[pat101]

I have quite a bit, I'll probably up some more in the next while. I just found out that I get great upload speeds at school, it's really nice.

[taphos]

I would kill for a decent upload speed.

Pavement - Westing (by musket and sextant)

Early stuff. Very lo-fi.

Code: [Select]

http://www.mediafire.com/?124r2lmplbd

[Tom]

I'm about ten minutes away from Crystal Castles' Crimewave 7" anyone else want?

Odelay -deluxe edition disc 2

Code: [Select]

http://www.mediafire.com/download.php?trbxvmz0dyn

[Scandanavian War Machine]

anyone who says no is a commie bastard!

(yes, please)

[supersheep]

[Tom]

Crystal Castles - Alice Practice 7"

Code: [Select]

http://www.mediafire.com/?ey4vi2aonzn
Crystal Castles vs. HEALTH - Crimewave 7"

Code: [Select]

http://www.mediafire.com/?py1nmvz0zm1
odelay - deluxe edition disc 1
I swear the sound is a lot clearer on this re-release. There are 4 b-sides in addition to the original album.

Code: [Select]

http://www.mediafire.com/?kz49jfrmyam

[sean]

All this is cool, but both links are part 2.

K this is fixed.

[David_Dovey]

Why did born Ruffians steal their typography from Radiohead

[Tom]

DOES IT MATTER, IT'S NOT LIKE THEY STOLE ANYTHING ELSE

[drdiggum]

Sound Tribe Sector Nine  - Artifact

Code: [Select]

http://www.megaupload.com/?d=WGSFL8GY

Five years since the release of their last studio effort, Offered Schematics Suggesting Peace, Georgia bred Sound Tribe Sector 9 is back with the self-produced Artifact, a refreshing and insightful glimpse into the ever-evolving musical entity. Capturing over two years of dedicated in-studio work, Artifact clearly depicts the band’s progression from jazzy jamband to post-electronic pioneers. In doing so, it offers a glance into the future of music, how it’s produced and how it can be perceived.

Comprised of 20 tracks clocking in at just over 70 minutes, the album delivers a diversified compilation of lap top laden grooves, sultry piano melodies and plenty of rock-driven appeal. “Better Day” begins the album with an emotional and enlightening feel as gliding piano gestures meet James Taylor-esque acoustic guitar from Hunter Brown and soothing vocals from San Francisco’s Audio Angel. “Tokyo” stands out in an album bursting with musical moments; from the eerie, digital looped opening to the hip hop influenced, scratch filled ending. “Native End,” a shelved old favorite, reemerged for Artifact as smooth as ever while “Peoples” showcases STS9’s deep electronic side, with Brown, keyboardist David Phipps and bassist David Murphy each adding rich Apple G4 textures on top of Jeffree Lerner’s polyrhythmic percussion.

“GLOgli,” a live STS9 favorite anchors the album, as futuristic e-drum beats collide with an array of pre-programmed G4 and vocal samples. Keeping with the electronic feel, “Somesing” shines brightly with a post-production sheen that continues right on through the cloud topping “Trinocular” and a super-groovy “Vibyl.” Gorgeous baby grand piano and suave, on point drumming from Zach Velmer lay the foundation for Audio Angel’s beautiful vocals on “Possibilities.” Rather fittingly, “Music, Us” completes Artifact, portraying the newfound softer and more melodic side of a band coming into their own.

Artifact is the first taste of studio success for a band that’s made their name in the live setting. Revealing a true sense of maturity and growth, the album captures a collection of musicians readily defying expectations while engagingly blurring genre lines.

The Disco Biscuits - Uncivilized Area

Code: [Select]

http://www.megaupload.com/?d=OTC1ZAO0

The Disco Biscuits formed in Philadelphia at the University of Pennsylvania in 1995. After releasing its debut disc Encephalous Crime, the group signed with Hydrophonics Records. By the end of 1998, it was touring the country behind its sophomore effort Uncivilized Area. The album was recorded live in the studio and features only eight tracks, though each is elongated to fill the CD with nearly 72 minutes of music.

Throughout Uncivilized Area, the Disco Biscuits sound an awful lot like Lawn Boy-era Phish. Jazz and blues are combined with funky grooves that converge and then dissipate, changing tempo and effortlessly jumping from style to style. Like Phish, the Disco Biscuits cite Frank Zappa as a primary influence, and it shows. The group also brings a healthy dose of manic progressive rock to the fold, much of which comes straight from the songbook of Emerson, Lake, and Palmer.

[Dimmukane]

FUCK YEAH DISCO BISCUITS.  I SAW THEM AT STARSCAPE ON ACID.

Sorry.  Yeah, I basically paid about a hundo for three tickets and then a buck fifty on drugs, just to see those guys.  There were maybe 4 cops there the entire time, Roll trains all over the place, girls in glowstick skirts.  It was magical.  Were supposed to stay until the early morning to watch the sun come up, left early so I could drive home.

[Kyros]

Considering The Thermals have risen to "Favorite Band WOO!" status for me recently I think it's time for a Thermals/Hutch Harris superpost!  All three Thermals albums have been upped here before I'm sure, but the Urban Legends album definitely hasn't.


The Thermals - More Parts Per Million

Code: [Select]

http://www.mediafire.com/?w1bmpn9wyu2

The Thermals - Fuckin A'

Code: [Select]

http://www.mediafire.com/?br9cdfvyyzx

The Thermals - The Body, The Blood, The Machine

Code: [Select]

http://www.mediafire.com/?augvw5milcx

Urban Legends - Of Old Lost Days

Code: [Select]

http://www.mediafire.com/?8vbspwbxnkb[/codel]


[Kyros]

Rules:

No hotlinking images or albums. You can rehost images at http://imageshack.us.

Ensure your tags are correct and that you have specified both Artist/Album in your post.

Upload your files in either a .zip or a .rar archive to mediafire.com, in multiple parts if the album is over 100mbs. The reason for this is that we know Mediafire is safe and efficient, and allows multiple downloads. The ads on other sites, such as Sendspace, are known to contain viruses on the page. Get yourself checked out.

Post your link using code tags. It's the # icon above the policeman emoticon. This prevents the links from being traced back to the forums, lowering the chance that the wrong people notice the thread, potentially threatening Jeph with legal action.

Also, please do NOT request albums.

Repost the rules at the top of each new page.

[a pack of wolves]

I just remembered I said I'd rip Fifteen Counts of Arson for this thread ages ago and then promptly forgot all about it. So here it is.



His Hero Is Gone - Fifteen Counts Of Arson

Code: [Select]

http://www.mediafire.com/?0tcblj5y2xx
It's a truly fantastic album. Heavy, punishing hardcore that comes from an utter disgust and hatred of the dehumanising, oppressive nature of society. Prisons, mental institutions and hospitals feature as nightmarish places and this is coupled with a feeling of paranoia, depression and rage but also a defiance against all of this. Sterling stuff.

This is my first time ripping something using lame so let me know if anything's wrong, it all seems fine on my computer though.

[Trillian]

This is for my favourite person ever:



Happy Days, Sweetheart by Ethyl Meatplow

Code: [Select]

http://www.mediafire.com/?onvj14ymw22

they are like a gay industrial b-52s

I <3 you, Jackie.

[Hunter]

I'm gonna post Weezer's s/t(blue album) later tonight/whatever time it is where you are. Maybe some Sloan.

[Jackie Blue]

I <3 you, Jackie.

I <3 you, Malorie.  Much moreso for finding this album.  As long as we don't have to fight over Carla.

NOTE: Ethyl Meatplow is the first band that Carla Bozulich, later of the Geraldine Fibbers, Scarnella, and a solo career was involved with.  They were the first concert I ever saw, opening for Front 242, and it was the most awesomely sexy thing I have ever seen.  At the end of the set, half the club was onstage with the band making out with Carla.

Everyone needs this album.

[Trillian]

Well I won't fight you for Carla, but I might fight her for you...just saying.  I am glad I could get this album for you.  Hopefully people will download it and their lives will be enriched. 

[screamingfool]

i already upped the ethyl meatplow album a little while ago along with most of carla's recorded output, if anyone is interested

http://forums.questionablecontent.net/index.php/topic,16145.3150.html

[Jughead5267]

Hey everybody, I have a problem.
I'm trying to open up The Black Key's Magic Potion from a prior page, and iTunes will go through the process of adding it, but it won't show up.
Is anybody else having this problem? Or had a similar problem? It won't play in Media Player either.

Any help WILL be rewarded

[pat101]

Urban Legends - Of Old Lost Days

Thanks I haven't heard this yet

[PECOAE]

Hey everybody, I have a problem.
I'm trying to open up The Black Key's Magic Potion from a prior page, and iTunes will go through the process of adding it, but it won't show up.
Is anybody else having this problem? Or had a similar problem? It won't play in Media Player either.

Any help WILL be rewarded

i don't think that one worked.  rubber factory did, but that one fail'd.

[onewheelwizzard]

Also, please do NOT request albums.

[gimmeminez]

Also, please do NOT request albums.

Apologies...

[Sox]

http://riaaradar.com/
What say we start using this if people are going to continue blatantly ignore the rules? It'll make the thread safer at any rate if you're careful about what you upload.

[michaelicious]

I don't think the "No Requests" guideline has anything to do with copyright laws. I think it's mostly to discourage people from coming in here and saying "Give me free music" without contributing anything.

[monkandmovies13]

To the dude who uploaded Bee Thousand by Guided By Voices...wow. They have been on my list of people to get into for a long time, and wow. That album is kind of blowing me away right now. I think you may have started a new obsession with me. Thanks.

[Sox]

I wasn't referring to that particular rule. I was pointing out that due to the number of people still blatantly ignoring the rules, the 'security' of the thread will probably be compromised. I actually found this message board because somebody linked to this thread from another forum. Personally, I still think that the thread 'rules' aren't strict enough. I think that asking for something to be re-uploaded is still the same as requesting, yet that is allowed.

[Mazeraski]

Can someone please post "The Good, The Bad and The Queen"?

I'll answer any request.

I'm new to the board, thanks!

I have it so...I'm uploading now.

I'll post when it's done

EDIT:

The Good, The Bad and The Queen - s/t

Code: [Select]

http://www.mediafire.com/?e0b4zmia90b
From AMG:

"The Good, the Bad & the Queen" refers to all the subjects that live under the London sun, so it's a fitting if awkward moniker for a project -- not a band, as its leader has strenuously asserted -- designed by Blur frontman Damon Albarn as a way to return to writing about England, specifically London, the subject that brought him to fame in the mid-'90s as one of the leading lights of Brit-pop. As he was completing work on Gorillaz's second album, Demon Days, he began working on the Good, the Bad & the Queen, which actually had its roots in an older project. Shortly after the turn of the millennium, he teamed up with Fela Kuti drummer Tony Allen after the drummer heard that Albarn name-checked him in the chorus of "Music Is My Radar," the bonus track added to the 2000 comp The Best of Blur. During 2004, Albarn headed to Nigeria with former Verve guitarist Simon Tong to record with Allen and other African musicians, but before the album was completed he turned his attention toward Demon Days.

At the end of those sessions Albarn gave the Nigerian tapes to Gorillaz producer Danger Mouse and the music radically evolved into the Good, the Bad & the Queen, with the idea that this, despite its African origins, would be music about London. Initially, Albarn toyed with the idea that this would be a solo project, but it turned into a full-fledged band -- a band that now needed a bassist. Albarn called up Clash bassist Paul Simonon, who had retired from music over a decade ago to paint. Simonon was convinced to join this project, which now had an irresistible angle: the auteurs behind Parklife and London Calling, two quintessentially London LPs and two bona fide classics, were teaming up to make music about the town again. The resulting music may have had sounded little like either Parklife or London Calling -- it was a moody, languid affair, owing much to the Specials -- but it bore trademarks of all four musicians, from Albarn's ongoing obsession with music hall and pop songwriting to Simonon's loping basslines to Allen's rhythms to Tong's sensitive tonal colorings. Before they released a record, the Good, the Bad & the Queen first started playing concerts, unveiling their complete album at a series of concerts, culminating with a gig at Camden's Roundhouse just before their debut single, Herculean, hit the shops. This spooky single appropriately surfaced the day before Halloween in 2006, followed by Kingdom of Doom in January 2007. The full-length The Good, the Bad & the Queen appeared that month as well on both sides of the Atlantic, greeted with uniformly positive (sometimes enthusiastic) reviews. Shortly after the album's release, Albarn began to insist in press interviews that this band had no official name, a bit of an odd move considering the numerous articles, written in 2006 as the group was recording, that called the outfit the Good, the Bad & the Queen. The quartet went on tour in the spring of 2007, playing events in New York and the Coachella festival.

There ya go 

[Phalanxe]

So, I've just finished recording an album for RPM Challenge.  (www.rpmchallenge.com)

I thought I would share it in this thread.

Code: [Select]

http://www.mediafire.com/?49zjxy0slsm

[nufan]

Hi everyone, I found this thread a week ago and have since added at least 30 or so albums to my music collection, so I figured it's only decent to put something back. I plan to be upping Joy Division - Unkown Pleasures, Little Feat - Dixie Chicken, Manic Street Preachers - Holy Bible and some awesome hip hop (gang starr, digable planets, mos def) when I get back to Uni. Just so y'all know.

First: Unknown Pleasures by Joy Division:

It even looks like something classic, beyond its time or place of origin even as it was a clear product of both -- one of Peter Saville's earliest and best designs, a transcription of a signal showing a star going nova, on a black embossed sleeve. If that were all Unknown Pleasures was, it wouldn't be discussed so much, but the ten songs inside, quite simply, are stone-cold landmarks, the whole album a monument to passion, energy, and cathartic despair. The quantum leap from the earliest thrashy singles to Unknown Pleasures can be heard through every note, with Martin Hannett's deservedly famous production -- emphasizing space in the most revelatory way since the dawn of dub -- as much a hallmark as the music itself. Songs fade in behind furtive noises of motion and activity, glass breaks with the force and clarity of doom, minimal keyboard lines add to an air of looming disaster -- something, somehow, seems to wait or lurk beyond the edge of hearing. But even though this is Hannett's album as much as anyone's, the songs and performances are the true key. Bernard Sumner redefined heavy metal sludge as chilling feedback fear and explosive energy, Peter Hook's instantly recognizable bass work at once warm and forbidding, Stephen Morris' drumming smacking through the speakers above all else. Ian Curtis synthesizes and purifies every last impulse, his voice shot through with the desire first and foremost to connect, only connect -- as "Candidate" plaintively states, "I tried to get to you/You treat me like this." Pick any song: the nervous death dance of "She's Lost Control"; the harrowing call for release "New Dawn Fades," all four members in perfect sync; the romance in hell of "Shadowplay"; "Insight" and its nervous drive toward some sort of apocalypse. All visceral, all emotional, all theatrical, all perfect -- one of the best albums ever.

Code: [Select]

http://www.mediafire.com/?xytxmtwbyxy
Holy Bible - Manic Street Preachers

It's difficult not to look at The Holy Bible as Richey James' last will and testament, yet that only makes the record all the more powerful. A remarkable step forward from the Manic Street Preachers' first two records, The Holy Bible is a tense, harrowing collection of tortured, cryptic declarations of depression -- the diary of anorexia "4st 7lb" is one of the most chilling songs in rock & roll. James' lyrics, which are punctuated by Nicky Wire's political tirades, are unflinching in their bleakness. Every song has a passage frightening in its imagery. Although the music itself isn't as scarily intense, its tight, terse hard rock and glam hooks accentuate the paranoia behind the songs, making the lyrics cut deeper.

Code: [Select]

http://www.mediafire.com/?0m2dfbdduxy

[Dimmukane]

There is smiley vomit, there is picture vomit, and now it appears, there is also music vomit.

Ben, you don't have to up 10 albums at once.  If you really feel you must, then by all means, go ahead, but in this quantity, perhaps opt to not include photos as to lower bandwidth costs on jeph.

[myoxisbroken]

More music.

To complement Unknown Pleasures upped above thread, I have more Joy Division.

Joy Division - Closer

Code: [Select]

http://www.mediafire.com/?j3fvomgjdss
256 kbps, mp3 format. Semi-self-explanatory, but I'll include some description anyway. From AMG:

If Unknown Pleasures was Joy Division at their most obsessively, carefully focused, ten songs yet of a piece, Closer was the sprawl, the chaotic explosion that went every direction at once. Who knows what the next path would have been had Ian Curtis not chosen his end? But steer away from the rereading of his every lyric after that date; treat Closer as what everyone else thought it was at first -- simply the next album -- and Joy Division's power just seems to have grown. Martin Hannett was still producing, but seems to have taken as many chances as the band itself throughout -- differing mixes, differing atmospheres, new twists and turns define the entirety of Closer, songs suddenly returned in chopped-up, crumpled form, ending on hiss and random notes. ...Joy Division were at the height of their powers on Closer, equaling and arguably bettering the astonishing Unknown Pleasures, that's how accomplished the four members were. Rock, however defined, rarely seems and sounds so important, so vital, and so impossible to resist or ignore as here.

The Microphones - The Glow Pt. 2

Code: [Select]

http://www.mediafire.com/?ue9pngr3ij1
192 kbps, mp3 format. This is gorgeous, heart-breaking, and comes highly recommended by me. Download this, please. From AMG:

Named after It Was Hot's sprawling centerpiece, the album explores and explodes styles and moods over the course of 22 songs that lead into one another breathlessly, as if even an hour simply isn't enough time for Phil Elvrum and company to pack in all of their ideas. The album revels in its kaleidoscopic sounds, spanning pastoral, folky ballads, playful, symphonic pop and gusts of white noise. Flourishes like the steel drums on the title track and the double-tracked vocals and xylophones on "The Map" make The Glow, Pt. 2 something of a rarity: a lo-fi album designed for headphones. The distorted drums, murky organs, and crisp acoustic guitars that punctuate the album have an over saturated, almost tangible quality that, while dense, never overwhelms Elvrum's fragile voice or poetic lyrics. ...Expansive yet accessible, indulgent yet unpretentious, The Glow, Pt. 2 redefines the Microphones' fascinatingly contradictory music.

Ciccone Youth - The Whitey Album [Remastered 2006]

Code: [Select]

http://www.mediafire.com/?ecvncejdjxm
192 kbps, mp3 format. Sonic Youth's awesome, cracked-out beatboxing side project, from around the Daydream Nation '80s era. If any of you are die-hard Sonic Youth fans like myself, you probably already have this anyway, but if you're merely a casual fan of Sonic Youth you still might appreciate a few tracks on it, like "Macbeth" and the bad-ass cover, "Into the Groovey." Some of you might find use for it, what can I say.


Joanna Newsom - Walnut Whales

Code: [Select]

http://www.mediafire.com/?eiigoyu9qjg
Joanna Newsom - Yarn and Glue

Code: [Select]

http://www.mediafire.com/?wc2by0gwmbf
Joanna Newsom's first two self-distributed EPs. Yeah. Not much else to say, really. If you like Joanna Newsom, you'll like this stuff?

[Jackie Blue]

I would actually argue that The Whitey Album is one of Sonic Youth's best, and is too-often thought of as "gimmicky" just because it happens to have a few covers of 80s hits on it.

[michaelicious]

Haven't uploaded anything in a bit. So here is some These Arms Are Motherfucking Snakes.




Oxeneers, or The Lion Sleeps When Its Antelope Go Home

Code: [Select]

http://senduit.com/b33ee1
Mediafire is actin' a fool, so I used senduit. I'll throw up their other stuff if anyone is into it.

[bulldawg982]

Hey everybody, I have a problem.
I'm trying to open up The Black Key's Magic Potion from a prior page, and iTunes will go through the process of adding it, but it won't show up.
Is anybody else having this problem? Or had a similar problem? It won't play in Media Player either.

Any help WILL be rewarded

i don't think that one worked.  rubber factory did, but that one fail'd.

just right. magic potion does not work. rubber factory does.

[Ballard]

There is smiley vomit, there is picture vomit, and now it appears, there is also music vomit.

Ben, you don't have to up 10 albums at once.  If you really feel you must, then by all means, go ahead, but in this quantity, perhaps opt to not include photos as to lower bandwidth costs on jeph.

What the hell? Possibly the most baseless complaint ever. The guy used small pictures that were hardly obnoxious, and uploaded a lot of great music. Quit your whining.

Good job Ben! Strong boarding.

[In Mother Russia]

Cheers to the soul who upped The Good, The Bad & The Queen. Diggin it.

Apologies ahead of time if anybody complains... But here's 10 albums at once!

For those less fortunate than I--

Onelinedrawing - Visitor

Code: [Select]

http://www.mediafire.com/?mc2wmt23b5j
Art School - Sonic Dead Kids

Code: [Select]

http://www.mediafire.com/?vtyvg9ykhqf
Ian Love - Ian Love

Code: [Select]

http://www.mediafire.com/?e2myndwgjuu
Nakatomi Plaza - Unsettled

Code: [Select]

http://www.mediafire.com/?dbztnaz1p2t
None More Black - 3 song demo

Code: [Select]

http://www.mediafire.com/?f3vkxu1xj9o
FLCL - OST

Code: [Select]

http://www.mediafire.com/?pdnfsymztxc
The Black Kids - Wizard of Ahhhs

Code: [Select]

http://www.mediafire.com/?1nlamjlxtdj
Say Hi To Your Mom - The Wishes And The Glitch

Code: [Select]

http://www.mediafire.com/?gpfrzxj0xj3
Survey says, if you listen to the following two records at the same time, they sound like At The Drive-In.

Sparta - Wiretap Scars

Code: [Select]

http://www.mediafire.com/?n5wszjejylj
The Mars Volta - Frances The Mute

Code: [Select]

http://www.mediafire.com/?pzcszzdhget