Good luck, May, that sounds like an awesome job! Lots of other good things heading your way, I'm sure.
(Sorry, another long one)
Yesterday was my debut as a TV director for the music show the access station I work for produces. We tape 2 acts each shoot, and for the first one I was in my usual position on camera. That was a 4-piece metal act that was pretty good. Also cool guys and very professional. 2nd act was a 7-piece experimental industrial goth-ish act led by a guy who was really into establishing a "good vibe" for the shoot. No you can't burn incense because the last time we allowed any kind of smoke in the studio, the fire alarm was set off and we got a $1500 fine from the fire dept.
So I got to tell the 3 cameras what to shoot (yelling into the headset so they could hear me on the floor in the middle of a very loud band), and call which of the 3 cameras was live for the recording.
The directing part worked out ok, and once I was into it, the nervousness went away, but on the floor it was easily the biggest disaster we've had for a shoot. Because of the size of the band and the limits of our sound system, the band brought in their own sound guy and PA so they could have proper monitors to hear themselves. This is actually the preferred setup for louder acts. We just plug into the feed from the sound guy and go.
(Editing out a long paragraph): in short, the band sucked, the sound guy didn't know shit, and the leader of the band was easily the biggest drama queen we've ever had. I'm not sure why the rest of the band put up with him, though I'm sure the turnover is ridiculous.
Directing is a weird phenomenon (For school I directed an episode of a news magazine show, and a game show, so I wasn't totally a rookie). There's a tunnel vision focused on the transitions more than the actual content. So even though I'm watching and listening to everything in the performance, I'm looking for when to switch cameras in time with the music and thinking ahead to the next possible shot, so hardly any of it is processed into memory.
This also means I'm judging my own performance based on that part of what happened rather than on all that other crap beyond my control. The producer was actually pleased with how well it turned out despite the issues and thanked me for working through it all. The sad thing is that the bad taste from how the singer acted and the incompetence of the sound guy means that I'm not particularly interested in seeing the final product. There will be lots of other opportunities, though.
One thing I learned from this is that as I do my own show or other videos with the local music community, I really don't have time for people's bullshit. There's far too many good people who are amazingly talented that I'd like to help promote with my videos for me to waste time and effort with those can't be arsed to care or are just going to make it difficult. The weakness of the station's show is that they are beholden to certain outside influences in choosing the acts, while for my show or gig shoots, it's purely based on the fact that I find somebody I feel is worth supporting, both as musicians and people.